Published on this server:

A Study of the Affinity Between Artistic Ideologies Based in Virtual
Reality
and Previous Immersive Idioms

a Review of Richard Foreman's "Maria Del Bosco (Sex and Racing Cars: A Sound Opera)"
and Previous Immersive Idioms

Review: 2001 Biennale de Lyon : CONNIVENCE
June 23rd to September 23rd, 2001

Spanning the Immersive Field

La beauté tragique: Mapping the Militarization of Spatial Cultural Consciousness

The Emerging Arts Lecture at Oberlin

NERVOUS VIEWS FRON WITHIN :
a paper delivered at the GMD-Institute for Media Communication

~~~~~~~~~~~~~~~~~venus©-~Ñ~vibrator, even
Part I

HIGH STYLE

REORGANIZED MEDITATIONS ON MNEMONIC THRESHOLD

POST-SIMULATION DECADENCE

THE URGE FOR IMAGE AND THE SATURATED EYE
(A SPECULATION)

PARISIAN LECTURE

THE ART OF EXCESS IN THE TECHNO-MEDIACRATIC SOCIETY

A PORTRAIT OF ARBOIS'S 1993 FETE DE VIN

FONTANA ARTICULATES CYBER-SPACE IN 1947

The RHIZOME archives:

Report on The Virtual Worlds 2000 Conference : an island of negative entropy

1 monde réel (1 Real World)

Henri Michaux's Mescaline Engendered Drawings

Art et Multimedia : Plasticiens et Multimedia

BLAST: The X-ART Foundation

Henri Maccheroni : "2000 Photos du Sexe d'une Femme"

Critique of Villa Arson's "lascaux2" web exhibition

Tatsuo Miyajima

"Picabia - 1922"

VIRTUAL WORLDS 98--FIRST INTERNATIONAL CONFERENCE ON VIRTUAL WORLDS

Review of "ALTERITIES: Interdisciplinarity and "Feminine" Practices of
Space" conference

Féminin-Masculin, le sexe de l'art

1996
Published Art Reviews (selected) on the internet art site
THE THING

1995
Sex Machine Art
Tightrope #2 (on-line and print)

New territory of Significance,
New Observations,#104

Virus Project Statements,
Cause Toujours #2

"Technologies of Presence" ,
BLAST 4: Bioinformatica

1994
"The Computer Virus Project",
The 5th International Symposium on Electronic Art (book)

1993
"The Art of Excess in the Techno-Mediacratic Society"
and "Introduction", New Observations (No. 94)
Guest Edited by Joseph Nechvatal

1992
"Innovations in Image Technology",
M/E/A/N/I/N/G Contemporary Art Issues (No. 11)

1991
Artist and Familiars
(A.O. Spare)
Blast # 1 (November /December)

"The Collapse of the 80's Image",
M/E/A/N/I/N/G Contemporary Art Issues (May)

1990
"Hyper-death and the Scopic Corpse",
Artforum (November)

"Dilation",
Published for performance at Bil Ehrlich, March 8 and 15, 1991

1989
"Art Not Market,
Caliban 6

"Artistic Cynicism",
Art Criticism (Vol 5, # 3)

"Re-Conceptualizing Drawing",
DeRijksakademie (# 8)

1988
"Reorganized Meditations on Mnemonic Threshold"
MEANING #4, (November)

1987
"High Style",
Arts (April)
Reprinted in Art Criticism (Vol. 4, # 2, 1989)

"Post-Simulation Decadence",
Arts (Summer)

"A Prophylactic Discourse on Simulated Art",
Magazine, Toronto (Fall)
Reprinted in Code, Amsterdam (December 1987)

"Simulation & Sublimation: The Law is for All",
Unsound Magazine (Vol 3, # 1)

"Theoretical Statement Corcerning Computer Robotic Paintings"
Documenta 8 catalogue (Vol 3)
Reprinted in Caliban 5 (1988) and Red Bass (# 13, 1988)

1986
"State of the Art / Art of the State",
Spectacle (Fall)

"Theoretical Drawing Statement",
White Walls (# 13, Spring)

1985
"Holding Out the Promise of Pure Regression",
New Observations (# 28)

"Superfacts",
Spectacle (# 4)
Reprinted in Effects (# 3, 1987)

1983
"Epic Images and Contemporary History",
REALLIFE Magazine (# 11/12, Winter)

1979
"Untitled",
White Walls (# 3, )





NECHVATAL 2
home base