Published Articles By The Artist

Published on this server:

The unseen/seenness of becOming multiple


Book review of Beyond New Media Art by Domenico Quaranta


Failure and Error and Chance
(in Art)


Incomparables
A review of Nouvelles impressions de Raymond Roussel


Aesthetic States of Frenzy:
Friedrich Nietzsche’s aesthetic philosophy and the Odyssey Palimpsest noisy mesh challenge to the post-modern tragic carnival


The Hyper-Noise Aesthetics of an Exquisite Monster Sacré :
Annoyance and its Allowances in the Age of the Digital Surveillance State


Book review of
The Three Stigmata of Friedrich Nietzsche: Political Physiology in the Age of Nihilism by Nandita Biswas Mellamphy


Viractuality in the Webbed Digital Age

Must be the Season of the Witch

The Book of Guilty Pleasures

Emergence of the New Paradigm: Viractuality

Pop in Crises

ASTRONOME : A Night at the Opera
A Richard Foreman and John Zorn's music/theater collaboration


Cybism ECAM 2008 Mexico City

Rhizomatic Rauschenberg : a personal appreciation on the occasion of his death

Review of Ryoji Ikeda: Datamatics [ver 2.0]

Determined Indeterminancy: Review of THE THIRD MIND

Blake and Visonary Art

Book Review of Jussi Parikka´s Digital Contagions: A Media Archaeology of Computer Viruses

Book Review of The Road to 9/11: Wealth, Empire, and the Future of America

Nicola and La Cape du Blues

Book Review of Jacques Rancière´s The Politics of Aesthetics

YVES KLEIN: CORPS, COULEUR, IMMATERIEL

Jean Baudrillard´s Pataphysics

Catherine Perret in conversation with Joseph Nechvatal

Review of Gilles Barbier

R&Sie(n)´s Dandy & Mutant A-life Architecture

Nicolas Schoeffer

Jean Baudrillard and a Counter-Mannerist Art of Latent Excess

Fast and Beautiful: The A-life Undeadening of Painting via the Digital

Origins of Virtualism: An Interview with Frank Popper

Frank Popper and Virtualised Art

Voluptuous Viractualism

Virilio’s "Ce qui arrive" / "Unknown Quantity"
at the Fondation Cartier pour l'art contemporain, Paris

Francis Picabia, Singulier idéal
at the Musee d'Art Moderne de la Ville Paris

INTRODUCTION TO: IMMERSIVE IDEALS / CRITICAL DISTANCES

A Study of the Affinity Between Artistic Ideologies Based in Virtual
Reality
and Previous Immersive Idioms

EXCESSES AND CORRECTIONS :

a Review of Richard Foreman's "Maria Del Bosco (Sex and Racing Cars: A Sound Opera)"
and Previous Immersive Idioms

Review: 2001 Biennale de Lyon : CONNIVENCE
June 23rd to September 23rd, 2001

Spanning the Immersive Field

La beauté tragique: Mapping the Militarization of Spatial Cultural Consciousness

The Emerging Arts Lecture at Oberlin

NERVOUS VIEWS FRON WITHIN :
a paper delivered at the GMD-Institute for Media Communication

~~~~~~~~~~~~~~~~~venus©-~Ñ~vibrator, even
Part I

HIGH STYLE

REORGANIZED MEDITATIONS ON MNEMONIC THRESHOLD

POST-SIMULATION DECADENCE

THE URGE FOR IMAGE AND THE SATURATED EYE
(A SPECULATION)

PARISIAN LECTURE

THE ART OF EXCESS IN THE TECHNO-MEDIACRATIC SOCIETY

A PORTRAIT OF ARBOIS'S 1993 FETE DE VIN

FONTANA ARTICULATES CYBER-SPACE IN 1947

The RHIZOME archives:

Report on The Virtual Worlds 2000 Conference : an island of negative entropy

1 monde réel (1 Real World)

Henri Michaux's Mescaline Engendered Drawings

Art et Multimedia : Plasticiens et Multimedia

BLAST: The X-ART Foundation

Henri Maccheroni : "2000 Photos du Sexe d'une Femme"

Critique of Villa Arson's "lascaux2" web exhibition

Tatsuo Miyajima

"Picabia - 1922"

VIRTUAL WORLDS 98--FIRST INTERNATIONAL CONFERENCE ON VIRTUAL WORLDS

Review of "ALTERITIES: Interdisciplinarity and "Feminine" Practices of
Space" conference

Féminin-Masculin, le sexe de l'art


1996
Published Art Reviews (selected) on the internet art site
THE THING

1995
Sex Machine Art
Tightrope #2 (on-line and print)

New territory of Significance,
New Observations,#104

Virus Project Statements,
Cause Toujours #2

"Technologies of Presence" ,
BLAST 4: Bioinformatica

1994
"The Computer Virus Project",
The 5th International Symposium on Electronic Art (book)

1993
"The Art of Excess in the Techno-Mediacratic Society"
and "Introduction", New Observations (No. 94)
Guest Edited by Joseph Nechvatal

1992
"Innovations in Image Technology",
M/E/A/N/I/N/G Contemporary Art Issues (No. 11)

1991
Artist and Familiars
(A.O. Spare)

Blast # 1 (November /December)

"The Collapse of the 80's Image",
M/E/A/N/I/N/G Contemporary Art Issues (May)

1990
"Hyper-death and the Scopic Corpse",
Artforum (November)

"Dilation",
Published for performance at Bil Ehrlich, March 8 and 15, 1991

1989
"Art Not Market,
Caliban 6

"Artistic Cynicism",
Art Criticism (Vol 5, # 3)

"Re-Conceptualizing Drawing",
DeRijksakademie (# 8)

1988
"Reorganized Meditations on Mnemonic Threshold"
MEANING #4, (November)

1987
"High Style",
Arts (April)
Reprinted in Art Criticism (Vol. 4, # 2, 1989)

"Post-Simulation Decadence",
Arts (Summer)

"A Prophylactic Discourse on Simulated Art",
Magazine, Toronto (Fall)
Reprinted in Code, Amsterdam (December 1987)

"Simulation & Sublimation: The Law is for All",
Unsound Magazine (Vol 3, # 1)

"Theoretical Statement Corcerning Computer Robotic Paintings"
Documenta 8 catalogue (Vol 3)
Reprinted in Caliban 5 (1988) and Red Bass (# 13, 1988)

1986
"State of the Art / Art of the State",
Spectacle (Fall)

"Theoretical Drawing Statement",
White Walls (# 13, Spring)

1985
"Holding Out the Promise of Pure Regression",
New Observations (# 28)

"Superfacts",
Spectacle (# 4)
Reprinted in Effects (# 3, 1987)

1983
"Epic Images and Contemporary History",
REALLIFE Magazine (# 11/12, Winter)

1979
"Untitled",
White Walls (# 3, )





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