Joseph Nechvatal, Ph.D.
143 Ludlow Street (#14)
New York, NY 10002
and
93 Blvd. Raspail 75006 Paris
site
blog
http://post.thing.net/blog/244
vOluptuary drOid dcOlletage
computer-robotic
assisted acrylic on canvas
66 x 120
inches 2002 Joseph Nechvatal
Bio Notes
Joseph Nechvatal's digital paintings conjure up an enigmatic world of almost dreadful depth a depth that signals the dynamic critical intricacy of a contemporary practice engaged in the fragile wedding of image production and image resistance. His computer-robotic assisted paintings and animations are made up of an oddly excessive concoction of ambiguous sexual body parts (morphed from both sexes) and expressions of political ire that address the global influence of the viral form. Nechvatal brings a subversive reading to computational media by presenting an artistic consciousness that articulates contemporary concerns regarding safety, truth, identity and objectivity.
Since 1986 Joseph Nechvatal has worked with ubiquitous electronic visual information, computers and computer-robotics. His computer-robotic assisted paintings and computer software animations are shown regularly in galleries and museums throughout the world. From 1991-1993 he worked as artist-in-resident at the Louis Pasteur Atelier and the Saline Royale / Ledoux Foundation's computer lab in Arbois, France on The Computer Virus Project: an experiment with computer viruses as a creative stratagem. In 2002 he extended that artistic research into the field of viral artificial life through his collaboration with the programmer Stphane Sikora.
Dr. Nechvatal earned his Ph.D. in the philosophy of art and new technology at The Centre for Advanced Inquiry in the Interactive Arts (CAiiA) University of Wales College, Newport, UK where he served as conference coordinator for the 1st International CAiiA Research Conference entitled Consciousness Reframed: Art and Consciousness in the Post-Biological Era (July 1997); an international conference which looked at new developments in art, science, technology and consciousness.
Dr. Nechvatal presently teaches at the School of Visual Arts in New York City (SVA). His book of essays Towards an Immersive Intelligence: Essays on the Work of Art in the Age of Computer Technology and Virtual Reality (1993-2006) was published by Edgewise Press in 2009. In 2011 his book Immersion Into Noise will be published by the University of Michigan Library's Scholarly Publishing Office in conjunction with the Open Humanities Press.
Wikipedia: http://en.wikipedia.org/wiki/Joseph_Nechvatal
The artist lives in New
York and Paris and is a professor at The School of Visual Arts (SVA) in New
York City.
Biography
1951 Born in Chicago,
Illinois
1974 B.F.A. Southern
Illinois University
1974-75 M.F.A. Studio Work
Cornell University
1977-78 M.Phil Work in
Philosophy Columbia University
1999 Ph.D. in the
Philosophy of Art at the Centre for Advanced Inquiry in the Interactive Arts
(CAiiA-STAR), University of Wales, Newport, Wales, U.K.
2003-2009 Professor at
Stevens Institute of Technology, Hoboken, N.J.
1999-- Professor at The
School of Visual Arts (SVA), NYC
Grants
1983 Caps Grant,
Painting
1985 National Endowment
for the Arts, Painting
1985 National Endowment
for the Arts, Opera and Musical Theater
1985 Massachusetts
Council of the Arts, Performance
1986 National Endowment
for the Arts, InterArts
1986 Foundation for
Contemporary Performance Arts, Inc.
1988 New York, NY
Foundation for the Arts, Painting
1989 Pollock-Krasner
Foundation Award
1991-1993 Artist-in-Residence,
Arbois, France
1992-1993
Artist-in-Resident, Fondation Claude-Nicolas Ledoux's computer lab in
Arc-et-Senans, France
1992 New York, NY
Foundation for the Arts, Painting
1995 Artist-in
Residence, Cite des Art Internationale, Paris
1996-8 Research
Fellowship,University of Wales, CAiiA, Newport, U. K.
1997 New York Foundation
for the Arts: Computer Arts
2003 New York Foundation
for the Arts: Computer Arts
Selected
One-Person-Exhibitions
2010
Art Rtinal Revisit: Histoire de lOeil, Galerie Jean-Luc & Takako Richard, Paris
vOglia, Claudio Bottello Galerie, Torino, Italy
Viral Venture, cole Suprieure d'AudioVisuel, Universit de Toulouse le Mirail, Toulouse, France
2009
terra incOgnitO, Wm Turner Gallery, Atlanta, Georgia, USA
2008
Joseph Nechvatal:
Recent Paintings, Galerie
Jean-Luc & Takako Richard, Paris
2006
Joseph Nechvatal, The Butler Institute of American Art's Beecher Center, Youngstown, Ohio
Metaphysics and the Virtual, Roger Smith Lab Gallery, New York City
2005
cOntaminatiOns, Le chteau de Linardi, Senouillac France
Translaocation of the
Virtual Reality, Galerie In
Situ, Aalst, Belgium
Ex-naturae, la
Chapelle des Templiers, Metz, France
2004
Aventures Virales, Galerie Mabel Semmler, Paris
Real Time, Universal Concepts Unlimited Gallery, New York
City
After Virus, Galerie RLBQ, Marseille, France
Viral Counter-Attack,Espace Landowski, Paris (with Music2eye)
After Attack, Heart Galerie, Paris (with Music2eye)
2002
vOluptuary : an algorithic hermaphornology, Universal
Concepts Unlimited Gallery, New York City
2001
SilicOn valley : nunciative mOdality and a viral redux, Galerie Karin Sachs, Munich
Compliant 2.0 Libidinal Bodies in the Bit-stream
(Enhanced Corpus Rotundum), Julia Friedman
Gallery, Chicago
Transformers (with
Virus Projects 1.0 & 2.0) Moving
Image Gallery, New York City
2000
es-satyricOn 2000,Universal Concepts Unlimited Gallery, New York
City
1999
Viral Beauty, Boston Cyber Arts, Boston
1997
Das Neural Netz, (collaboratively with Mathias Groebel) Galerie
Karin Sachs, Munich
1996
Joseph Nechvatal
Retrospective, Galerie Berndt,
Kln (catalogue)
Joseph Nechvatal & Steve Miller,Parsons Gallery, Paris
1995 Alt.sex,
(collaboratively with Mathias Groebel) Galerie In Situ, Aalst, Belgium
Les Archons, Galerie Multimedia, Paris
Angels, Broken Hearts
and Computer Viruses, Galerie
Karin Sachs, Munich
1994
Computer Virus
Project, Espace d'Art Yvonamor
Palix, Paris (catalogue)
Information Bruit
Culture, Galerie Traje,
Besancan, France
Computer Virus
Project, Galerie In Situ, Aalst,
Belgium (catalogue)
1993
Computer Virus
Project, The Saline Royale,
Arc-et-Senans, France (catalogue)
The Destiny of
Painting, Galerie Karin Sachs,
Munich
1992
Joseph Nechvatal, Galerie Antoine Candau, Paris
Tombeaux, Brooke Alexander, New York, NY, NY
1991
Joseph Nechvatal, Shoshana Wayne Gallery, Santa Monica, CA
1990
Joseph Nechvatal, Musee des Beaux Arts de Dole, France (CD Rom
catalogue)
Joseph Nechvatal, Brooke Alexander, New York, NY (catalogue)
Joseph Nechvatal,Galerie Karin Sachs, Munich
Joseph Nechvatal, Galerie Antoine Candau, Paris (catalogue)
1989
Joseph Nechvatal,Gallery Fahl, Stockholm
Joseph Nechvatal, Anders Tornberg Gallery, Lund (catalogue)
Joseph Nechvatal, Shoshana Wayne Gallery, Santa Monica, CA
1988
Joseph Nechvatal
Computer-Robotic Paintings: 1986-1987, Illinois State University, Normal (catalogue)
Joseph Nechvatal, De Selby Gallery, Amsterdam
Joseph Nechvatal, Galerie Antoine Candau, Paris
1987
Joseph Nechvatal, Brooke Alexander, New York, NY
Joseph Nechvatal, NeuerAachenerKunstverein, Aachen
Joseph Nechvatal, Gallery Engstrom, Stockholm
1986
Joseph Nechvatal:
Photographs,Greathouse, New
York, NY
Joseph Nechvatal, Anna Friebe Galerie, Cologne
Joseph Nechvatal, Vanquard Gallery, Philadelphia
1985
Joseph Nechvatal, Brooke Alexander, New York, NY
Joseph Nechvatal, Anders Tornberg Gallery, Lund
XS: An Installation, Gray Art Gallery, East Carolina Univerity,
Greenville (catalogue)
1984
Joseph Nechvatal, Brooke Alexander, New York, NY (catalogue)
Joseph Nechvatal:
Grace Under Pressure,Gallery Nature
Morte, New York, NY
1983
Joseph Nechvatal, Brooke Alexander, New York, NY
Joseph Nechvatal, Semaphore Gallery, New York, NY
Joseph Nechvatal, Spiritual America, New York, NY
1982
Joseph Nechvatal, Real Art Ways, Hartford, Ct.
Joseph Nechvatal: The
Occult Power of Technology: Part II,
The Kitchen, New York, NY
1981
The Occult Power of
Technology: Part I, P.S. #1,
Long Island City, NY
1980
Methadone Median,
abandoned methadone center on west Canal Street, New York, NY
Selected Group Exhibitions
2010
Parallel Threads, School of Visual Arts Gallery, New York, NY
Electronic work in the Collection Frank Popper, Centre d'Art Contemporain Frank Popper, Marcigny, France
2009
Art Protects, Galerie
Yvon Lambert, Paris
Collection of Frank Popper, Centre d'Art Contemporain Frank Popper, Marcigny, France
Redux, Wm Turner Gallery, Atlanta, Georgia, USA
Colab Show, 100 Church Street, New York, City
2008
Beaux Arts: French
Contemporary, Wm Turner Gallery,
Atlanta, Georgia
Colab Reduxe, Brooke Alexander Gallery, New York, NY
After The Net,
Observatori, Valencia, Spain
(catalogue: Observatori 2008: After The Future, p. 80)
ECAM 2008, The National Center for the Arts, Mexico City,
Mexico
Continuous Current, Westside Gallery, New York, NY
2007
The End(s) of Photography: Modeling the Photographic, McDonough Museum of Art, Youngstown, Ohio
Insatiable Streams, Beijing BS1 Contempoary Art Center, Caochangdi, China
iea: Ten Years of The Institute for Electronic Arts, BS1 Contemporary Art Center and Zero Field Art Center, Beijing, China
Sound Art in a Limo,in cooperation with the Armory Art Fair, curator Holly Crawford, NYC
AIDES,Yvon Lambert, Paris
2006
The Downtown Show :
The New York Art Scene 1974-1984,
Grey Art Gallery. NYU, New York City
Reshuffle,Center for
Curatorial Studies Bard College, New York City
Copilandia, Gratis,
Sevilla, Spain
The Downtown Show : The New York Art Scene 1974-1984, Andy Warhol Museum, Pittsburgh
Numeripop, Viral Counter Attack (with music2eye)
St Brieuc, France
The Downtown Show : The New York Art Scene 1974-1984,Austin Museum of Art, Texas
Honest Echo, 2 X 13 Gallery, New York City
Computer Fine Art Collection of Doron Golan, [DAM] Ausstellungsrume des Digital Art Museum, Berlin
Re:connect, Institute
for Electronic Arts, Alfred, NY
2005
ElectroScape Shanghai Zendai Museum of Modern Art, Shanghai
6eme carrefour de l'image de l'Ocan Indien, Le Port. Ile de la Runion
Vintage East Village,
Hal Bromm Gallery, New York
2004
Digital Sublime
:Gwangju Biennale MOCA Taipei
(catalogue)
reprotech, New York Academy of Science, New York City (catalogue)
Hyper-Runt: Anxiety and Malformation in the Techno Womb, Inliquid, Philadelphia
Art In Motion, University of Southern California School of Fine Arts, L.A.
Touch and Temperature, Bitforms Gallery, New York City
trans>, Participant Inc, New York City
Viral Counter Attack, Art Metz. Foire europenne d'Art Contemporain. Image-Mouvement, Metz France (with music2eye)
Digital Stories,[DAM] Ausstellungsrume des Digital Art Museum, Berlin
Viral Counter Attack, Rsidence la Gat lyrique. Paris. France (with music2eye)
East Village USA, New Museum, New York (catalogue)
Touch and Temperature, Deborah Colton Gallery, Houston
Viral Counter Attack, Festival Art-borescence 01 Paris. France (with music2eye)
Viral Counter Attack,
Galerie RLBQ. Festival RIAM01. Marseille. France (with music2eye)
2003
Synthetic Lightings: Complex Simulations of Nature, Center for Photography, Woodstock, NY
Polarities, The Wall Street Journal Lobby Gallery, New York City (catalogue)
FuturNET, Rome
NOTEBOOK, Artscape, Pinkard Gallery, Maryland Institute College of Art, Baltimore
Peam2003, Pescara Italy (CD-Rom catalogue)
THE SPIRITUAL IN DIGITAL ART, Evergreen Cultural Centre, Coquitlam, Canada
Open For Action, The Center For Book Arts, New York, NY
2002
Post-Flesh,
University Gallery, California State University, Sacramento, CA
media_city seoul 2002, Seoul Museum of Art, Seoul, South Korea (catalogue)
Ornamente :
3 Positions of Conceptual Art, Galerie
Berndt, Koln
NIGHT VISION, Illinois State University, Normal, Illinois (catalogue)
Contaminaction, Jeune Creation, Paris
Reality Revisited, IN SITU, Aalst, Belgium (web catalogue http://www.eyewithwings.net/reality_revisited)
Reality Revisited,
Galerie Martin Kudlek, Koln, Germany (web catalogue)
NIGHT VISION, White Columns, New York City (catalogue)
SPLIT FESTIVAL, Split, Croatia
info@blah :: mining the data glut, iKatun, Boston
20001
LE PROJET VIRUS 2001, Mains DOeuvres, Paris
Cin-o-matic: Memory and Cinematic Perception, T he New Museum, New York City
The Collector, Universal
Concepts Unlimited Gallery, New York City
1.44 Megs, Moving Image Gallery, New York City
The Graphic Art Biennial,
Gyr, Hungary
2000
R.E.D. - Remote Experience Dependency, UCU Gallery, New York City
Noise: The Digital
and the Discrete,Whipple Museum
of the History of Science, Cambridge (catalogue, with essay by Bruno Latour)
The Perpetual Well, Samuel Harn Museum of Art, Gainesville, Florida
The Perpetual Well, Parrish Art Museum, Southhampton, NY
Rounders, UCU Gallery, New York City
polyALTERITY, UMF Art Gallery, Farmington, Maine (catalogue)
1999
Reflex: Matthias Groebel,
Joseph Nechvatal & Endre
Tt, Galerie Berndt, Koln
Digital Hybrids, McDonough Museum of Art, Youngstown, Ohio
(catalogue)
The Techo-Digital
Sublime, Central Fine Arts, New
York City (web-site)
MA(R)KING, Central Arts, Tuscon, curated by Elaine E. King
(catalogue)
Three
Computer-related Artists,
Galerie Berndt, Kln
Links: Schilderkunst
in Extremis? Kunstcentrum
Sittard, Maastricht
Diverse Dialogues, Aljira Center for Contemporary Art, Newark
Old School, Life, New York City, curated by Carlo McCormick
1998
Body Mcanique, Wexner Center, Columbus Ohio (catalogue)
Thundergulch: Computer
Arts Fellows, NYC Technology
Center
Chaos and Capacity, Central Fine Arts, Inc. NYC
1997
Art Fractal, Gallerie Ricard, Paris (catalogue and web-site)
Zoom (Fractal), Stae University of New York, NY, Purchase
(catalogue)
1995
BLAST Bioinformatica, Kolnischer Kunstverein, Koln (catalogue)
BLAST, Galerie des Archives, Paris (catalogue)
Veered Science, Huntington Beach Art Center, California
(catalogue)
In Corpus Machina, Espace d'Art, Paris
BLAST Bioinfomatica, Javier Lopez Gallery, London
Reinventing The
Emblem, Yale University Art
Gallery (catalogue)
Die Schnheit Der
Fraktale, Galerie Karin Sachs,
Munich
Transiti, Arx Art Gallery, Torino, Italy (catalogue)
Art Fractal: t,Galerie Angle Art Contemporain, St. Paul-Tro
Chteau
1994
Excess in the
Techno-Mediacratic Society,
Shoshana Wayne Gallery, Santa Monica, Ca. (curated by Joseph Nechvatal)
(catalogue)
Art & Virus, Gallery Yaki Kornblit, Amsterdam (catalogue)
Tohu-Bohu, Galerie de l' etoile, Paris (catalogue)
Art & Virus, Galleria Del Ventaglio Contemporanea, Udine,
Italy (catalogue)
Lo Specchio di Proteo, Perugia, Alessandria, Italy (catalogue)
Figures d'Origines, Chapelle Salpetriere, Paris (catalogue)
1993
Computeruntersttzte
Kunst, Kunstlerwerkstatt, Munich
(catalogue)
L'Opera Al Femminile, Galleria Arx, Torino
Bodies, Atelier of Philip Pocock, Kln
Excess in the
Techno-Mediacratic Society, Musee
D'Arbois, France (curated by Joseph Nechvatal) (catalogue)
Excess in the
Techno-Mediacratic Society,Galerie
Krinzinger, Vienna (curated by Joseph Nechvatal)
Erlebnis E Alterita, Galleria Marco Noire, Torino (catalogue)
Hiding / Revealing, Galerie In Situ, Aalst
La Fractalite Dans
L'Art, Campus de La Doua,
Villeurbanne (catalogue)
1993
Mediale Hamburg (catalogue)
Painting as Paradigm, Stark Gallery, New York, NY
Procedures:
Informatiques, Ecole Nationale
Superieure des Beaux Arts, Paris
Presentation, NeuerAachenerKunstverein, Aachen
1992
Ecstasy, Dooley Le Cappellaine, New York, NY
L'Epreuve Numerique, Centre National de la Photographie, Paris
New York, NY Artists, Galerie Bernhard Steinmetz, Bonn
10th Anniversary
Visiting Artists Exhibition,
Ewing Gallery, University of Tennessee at Knoxville
Representation,
Reproduction and Photography, Usdan
Gallery, Bennington College, Bennington, VT
1991
Outside Ameirca:
Going into the 90s, Fay Gold
Gallery, Atlanta
1990
20th Anniversary
Exhibition White Columns, New
York, NY
All Quiet on the
Western Front, Galerie Antoine
Candau, Paris (catalogue)
Exchange of
Information, New York, NY
Telephone New York, NY
Le Tableau des Riches
Inventions, Picaron Editions,
Amsterdam
The Unique Print: 70s
into 90s, Lois & Michael
Torf Gallery, Museum of Fine Arts, Boston
1989
Theater on Paper, The Drawing Center, New York, NY
Once upon A Time
There Was A Photograph, Barbara
Gillman Gallery, Miami
After Collapse:
Rebuilding Expressive Media,
State University, Amherst, Ma.
Strange Attractors:
Signs of Chaos, The New Museum
of Contemporary Art, New York, NY (catalogue)
Standplaats AKI, Akademie Voor Beeldende Kunst, Enschede, The
Netherlands
Moderne Kunst, Malmo Kunsthallen Brandts Klaedefabrik, Odense,
Malmo Sweden
Erotic America, (curated by Joseph Nechvatal) Galerie Antoine
Candau, Paris (catalogue)
1988
Art at the End of the
Social, Rooseum, Malmo, Sweden
(catalogue)
New Visions of the
Apocalypse, Museum of Art, Rhode
Island School of Design, Providence (catalogue)
New York, NY Now, Guthenberg Art Museum (traveled in Sweden and
Finland) (catalogue)
Perpetual Subversions, Bruno Facchetti, New York, NY
Computer Assisted: The Computer in Contemporary Art Freedman Gallery, Albright College, Reading, Pa.
Committed to Print, The Museum of Modern Art, New York, NY
(catalogue)
1987
Chemical Field, De Zaak, Groningen
Digital Visions:
Computers and Art, Everson
Museum of Art, Syracuse (catalogue)
Digital Visions:
Computers and Art, IBM Gallery
NYC (catalogue)
New Coordinates, Simard, Halm and Shee Gallery, Los Angeles
1987
Documenta 8, Kassel Germany (catalogue)
This is not a
Photograph: Twenty Years of Large-Scale, Photography: 1966-1986, The John & Mable Ringling Museum of Art,
Sarasota, Fl. (catalogue)
This is not a
Photograph: Twenty Years of Large-Scale, Photography: 1966-1986, Akron Art Museum, Ohio (catalogue)
This is not a
Photograph: Twenty Years of Large-Scale, Photography: 1966-1986, The Chrysler Museum, Norfolk, Va. (catalogue)
1986
Drawings from the
Collection of Dorothy and Herbert Vogel, University of Arkansas at Little Rock
Drawings from the
Collection of Dorothy and Herbert Vogel, University of Alabama Moody Gallery of Art
Drawings from the
Collection of Dorothy and Herbert Vogel, Tuscaloosa Pennsylvania State University
Drawings from the
Collection of Dorothy and Herbert Vogel, Palmer Museum of Art, University Park
Il Cangiante, Padiglione d'Arte Contemporanea, Milano
Metabody, Hallwalls, Buffalo, NY (catalogue)
Spiritual America, CEPA, Buffalo, NY
Pay Attencion, Brandts Palchus Galleri, Copenhagen
Drawings, Piezo Electric, New York, NY
Time after Time, Diane Brown Gallery, New York, NY
Face It, Anders Tornberg Gallery, Lund, Sweden
1985
Infotainment,Texas Gallery, Houston (catalogue)
Infotainment, Rhona Hoffman Gallery, Chicago (catalogue)
Infotainment, Vanquard Gallery, Philadelphia (catalogue)
Infotainment, Aspen Art Museum, Aspen Colo. (catalogue)
Infotainment, De Selby Gallery, Amsterdam (catalogue)
Infotainment, Galerie Montenay-Delsol, Paris (catalogue)
Correspondences: New
York, NY Art Now, Laforet Museum
Harajuku, Tokyo (catalogue)
Correspondences: New
York, NY Art Now, Tochigi
Prefectural Museum of Fine Arts, Utsunomiya
Correspondences: New
York, NY Art Now, Tagaki Hall
Espace Media, Kobe (catalogue)
Anniottanta Castel
Sismondo, Palazzina Moster,
Chiesa di Santa Maria ad Nives, Rimini
Anniottanta Castel
Sismondo, Galleria Comunale
d'Arte Moderna, Bologna
Whitney Biennial:
Group Material, The Whitney
Museum of American Art, New York, NY
Memento Mori, Moore College of Art Gallery, Philadelphia
(catalogue)
1984
Drawings, Paintings,
and Sculpture, Brooke Alexander,
New York, NY
Smart Art: New Work
from New York, NY, Carpenter
Center for the Visual Arts, Harvard University, Cambridge, Ma. (catalogue)
Disarming Images: Art
for Nuclear Disarmament,
Contemporary Arts Center, Cincinnati (catalogue) (travelled to ten institutions
in the United States)
Via Satellite, Amerika-Haus, Cologne (catalogue)
Natural Genre, Fine Arts Gallery, School of Visual Arts,
Florida State University (catalogue)
The New Capital, White Columns, New York, NY
Drawings by
Contemporary Figurative Artists,
Meyerhoff Gallery, Maryland Institute, College of Art, Baltimore (catalogue)
Humanism: An
Undercurrent, University of
South Florida, Tampa
Romance and
Catastrophe, Piezo Electric, New
York, NY
Contemporary
Perspectives, Center Gallery,
Bucknell University, Lewisburg, Pa.
Motives, Albright-Know Art Gallery, Buffalo, NY
(catalogue)
New York, NY New: 26
Artists, Studio di Corrado Levi,
Milano (catalogue)
Dessins, Gillespie-Laage-Salamin, Paris
1983
New York, NY,
Kunstmuseum, Aalborg (catalogue)
New York, NY, Randers Kunstmuseum (catalogue)
Contemporary Drawings, Barbara Krakow, Boston
Four New York, NY
Artists, Jack Tilton Gallery,
New York, NY
Rotating Group Show, Paula Cooper Gallery, New York, NY
Speed Trials, White Columns, New York, NY
Joseph Nechvatal /
Not Vital / Robin Weglinski,
Gallery Nature Morte, New York, NY
1982
The Atomic Salon, Ronald Feldman Gallery, New York, NY
1981
The Positive Show, ABC No Rio, New York, NY
New Drawings, The Drawing Center, New York, NY (catalogue)
The Doomsday Show, Artists Space, New York, NY
The Monumental Art
Show, Brooklyn, NY
The Inauguration Show, ABC No Rio, New York, NY
1980
Colab : Collaborative
Projects, Brooke Alexander, New
York, NY
Murder, Suicid &,
Junk, ABC No Rio, New York, NY
Artists for Survival, ABC No Rio,
The Times Square Show, Times Square, New York, NY
Audio Work (excluding
numerous cassette compilations)
2010
viral symphOny performed in its entirety on web radio SYN
France from September 30 to October 7th three times a day.
2009
viral symphOny performed in its entirety at Diapason, Brooklyn,
New York, Feb. 13th
SoundLAB VI selected artist
viral venus vibratOr web published at Soanyway:
http://www.soanyway.org.uk/josephnechvatal.htm
2008
viral symphOny chosen as prize winner at the 9th Festival Internacional de Investigacin Artstica
de Valencia, After The Net, 5
29 June 2008, Valencia, Spain (catalogue: Observatori 2008: After The
Future, p. 80)
viral symphOny (28'09") and murmuring tOngue Of Ovid (20:53) web published at UbuWeb
http://www.ubu.com/sound/nechvatal.html
200
viral symphOny, CD produced by the IEA label
2000
~~~~~~~~~~~~~~~~~venus-~~vibrator,
even, CD with electronic musical
background generated by David Myers,
produced by David Myers @
www.generatorsoundart.org
1988
Tellus #20 Media Myth, Audio Cassette Magazine, curated by Joseph
Nechvatal
1986
Tellus #13 Power
Electronics, Tellus Audio
Cassette Magazine, curated by Joseph Nechvatal
Babbling Tongues of
Metamorphosis, audiocassette
produced by Sound of Pig Music
1985
True and False, audiocassette produced by XOX
New York Radio Night,
Joseph Nechvatal & Tron Von Hollywood, audiocassette produced by Sound of Pig Music, SOP 168
German Future -
European Plan, audiocassette
produced by Sound of Pig Music, SOP 277
1984
Reckless, audiocassette produced by Sound of Pig Music,
SOP 217
Purge (One Continuous
Loop), audiocassette produced by
Sound of Pig Music, SOP 273
1983
Sleep, audio cassette produced by Sound of Pig Music
SOP 140
Selected Installations and Performances
2010
viral symphOny:
a-life live projection followed
by viral cOncertO a musical
collaboration with Rhys Chatham, Galerie Jean-Luc & Takako Richrad, Paris,
September 26th
2002
Victoria High Quality
reads ~~~~~~~~~~~~~~~~~venus-~~vibrator, even, Universal Concepts Unlimited, NYC
1991
Dilation, performed by the ballerina Lauren Houser at the
residence of Bil Ehrlich, New York, NY
1989
The Man Who Believed
He Could Move: A Celebration of the Bicentennial of the French Revolution, Collaboration with Yves Musard, Dia Art
Foundation, New York, NY
1987
Not a Door; A
Spectacle, a collaboration
between Scott B. Billingsley and Joseph Nechvatal, Hallwalls, Buffalo NY
1986
XS: The Opera, a collaboration with with Rhys Chatham,
Shakespeare Theatre, Boston
1985
The End of the Night, a video collaboration with with Rhys
Chatham, Los Angeles County Museum
of Art
XS: Night of Power, a collaboration with with Rhys Chatham, 8 BC,
New York, NY
XS: Night of Power, a collaboration with with Rhys Chatham, Quando,
New York, NY
1984
XS: The Opera Opus, a collaboration with with Rhys Chatham, Pyramid
Club, New York, NY
XS: The Opera Opus, a collaboration with with Rhys Chatham, Club
Danceteria, New York, NY
XS: The Opera Opus, a collaboration with with Rhys Chatham, 8 BC
Club, New York, NY
XS: The Opera Opus, a collaboration with with Rhys Chatham,
Dannheisser Foundation, New York, NY
1983
Isle of Dread, Lower Manhattan Cultural Council, 71 Broadway
and 120 Broadway, New York, NY
Future V Installation, 93 Prince Street, New York, NY
1982
Blame it on the Brain
Installation, Zippers Night
Club, New York, NY
1981
Contemporary
Psychedelia Installation, Club
Inroads, New York, NY
Free Speech on
Broadway Performance,
Performance with Carol Parkinson and Cid Collins, New York, NY
1978
European
Art/Performance, with Carol
Parkinson and Cid Collins, Tour Centre of Experimental Theatre, Antwerp
European
Art/Performance, with Carol
Parkinson and Cid Collins, Ecole d'Architecture , Tournai
European
Art/Performance, with Carol
Parkinson and Cid Collins, Theatre on the Rijn, Arnhem, The Netherlands
Selected Publications by the Artist
Nechvatal, J. 2009. (book), Towards an Immersive Intelligence: Essays on the Work of Art in the Age of Computer Technology and Virtual Reality (1993-2006) Edgewise Press, New York, NY
Nechvatal, J. 2006, Jean Baudrillard and a Counter-Mannerist Art of Latent Excess, International Journal of Baudrillard Studies, Volume 3, Number 2 (July 2006).
Nechvatal, J. 2005, Immersive Excess in the Apse of Lascaux, Technoetic Arts 3:3, pp. 181-192
Nechvatal, J. 2004, Origins of Virtualism: An Interview with Frank Popper Conducted by Joseph Nechvatal Spring 2004 issue of the CAA Art Journal pp. 62-77
Nechvatal, J. 2004, Frank Popper and Virtualised Art, Winter 2004 tema celeste magazine: issue #101, pp. 48-53
Nechvatal, J. 2003, Voluptuous Viractualism, in Simultaneita : New Media Arts Magazine, 01/2003, pp. 25-29
Nechvatal, J. 2003. Joseph Nechvatal, CD-rom produced by Music2eye at the MFA Computer Art Dept. at the School of Visual Arts
Nechvatal, J. 2002, Hotlist : The Esoteric Arts, Artforum Magazine
Nechvatal, J. 2001, Towards an Immersive Intelligence in Leonardo 9th New York Digital Salon special issue
Nechvatal, J. 2001, Artists and War : La beaut tragique: Mapping the Militarization of Spatial Cultural Consciousness in Leonardo 34.1 (2001) 27-29 and at: http://muse.jhu.edu/demo/len/34.1nechvatal.html#authbio
Nechvatal, J. 2001. La Beaute tragique: Olkowski, Deleuze, and the 'Ruin of Representation in _Film-Philosophy_, Deleuze Special Issue vol. 5 no. 36, November 2001 http://www.film-philosophy.com/vol5-2001/n36nechvatal
Nechvatal, J. 2000. Viractualiy Interview by Colin Goldberg. http://www.everbeta.net/txt/110900txtjnint.htm
Nechvatal, J. 2000. "Alterities: Interdisciplinarity and "Feminine" Practices of Space" at: http://www.mire.net/penelopes/pages/ntic/cyber/netchaval.htm
Nechvatal, J. 1999. Introduction to Immersive Ideals/Critical Distances : A Study of the Affinity Between Artistic Idealogies Based in Virtual Reality and Previous Immersive Idioms http://www.insead.fr/calt/Encyclopedia/ComputerSciences/VR/vr.htm
Nechvatal, J. 1999. Immersive Ideals/Critical Distances ; A Study of the Affinity Between Artistic Idealogies Based in Virtual Reality and Previous Immersive Idiom. Newport : University of Wales College (PhD Thesis)
For a selection of art reviews written from 1993-2000 on other artists by Joseph Nechvatal - primarily for the web-site Rhizome http://www.zhizome.org - see: http://www.dom.de/arts/artists/jnech/ under the publications link
Nechvatal, J. 1990a. Selected
Writings. Paris: Editions
Antoine Candau
Nechvatal, J. 1991a. An
Ecstasy of Excess. Mnchengladbach:
Juni-Verlag
Nechvatal, J. and
Gagneur, D. eds. 1992. Excess in the Techno-mediacratic Society. Arbois: Muse d'Arbois
Nechvatal, J. 1983.
"Epic Images and Contemporary History" In Real Life Magazine, No.11/12, Winter, 1983
Nechvatal, J. 1984.
"Principles of Discord" In Unsound, Vol. 1, No. 2
Nechvatal, J. 1985.
"Holding Out the Promise for Pure Regression" In New Observations, No. 28
Nechvatal, J. 1986.
"State of the Art / Art of the State" In Spectacle, Fall Issue, 1986
Nechvatal, J. 1987a.
"High Style" In Arts Magazine, April Issue 1987
Nechvatal, J. 1987b.
"Post-Simulation Decadence" In Arts Magazine, Summer Issue, 1987
Nechvatal, J. 1987c.
"Theoretical Statement Concerning Computer Robotic Paintings" In Documenta
8 Catalogue, Vol. 3
Nechvatal, J. 1987d.
"A Prophylactic Discourse on Simulated Art" In Code, December Issue, 1987
Nechvatal, J. 1987e.
"Simulation and Sublimation: The Law is for All" In Unsound, Vol. 3, No. 1
Nechvatal, J. 1988.
"Reorganized Meditations on Mnemonic Threshold" In M/E/A/N/I/N/G Contemporary
Art Issues, No. 4, November,
1988
Nechvatal, J. 1989a.
"Artistic Cynicism" In Art Criticism, Vol. 5, No. 3
Nechvatal, J. 1989b.
"Cal Arts Lecture: An Excerpt" In Lund Art Press, Vol. 2
Nechvatal, J. 1989c.
"Re-conceptualizing Drawing" In De Rijksakademie 08, pp. 12-13
Nechvatal, J. 1990b.
"Hyper-death and the Scopic Corpse. In Artforum, November Issue, 1990, p. 130
Nechvatal, J. 1990c.
"The Urge for Image and the Saturated Eye" on the Public DomaIn
Web Site Perforations: http://www.pd.org
Nechvatal, J. 1990d.
"Stealing from the Thief's Journal (Extraits traduits du Journal d'un
Voleur)" Amsterdam: Picaron
Nechvatal, J. 1991b.
"An Ecstasy of Excess" In Nechvatal, J. 1991. An Ecstasy of Excess. Mnchengladbach: Juni-Verlag, pp. 3-7
Nechvatal, J. 1991c.
"The Artist and Familars" In Blast, Vol. 1, November /December, 1991
Nechvatal, J. 1991d.
"The Collapse of the 80's Image" In M/E/A/N/I/N/G Contemporary
Art Issues, May Issue
Nechvatal, J. 1992a.
"Outrances dans la Societe Techno-mediacratic" In Nechvatal, J. and Gagneur, D. 1992. Excess in
the Techno-mediacratic Society.
Arbois: Muse d'Arbois, p. 1
Nechvatal, J. 1992b.
"Innovations in Image Technology" In M/E/A/N/I/N/G Contemporary
Art Issues, No. 11, pp. 38-40
Nechvatal, J. 1993a.
"Introduction to The Art of Excess in the Techno-mediacratic Society"
In New Observationss, No. 94
Nechvatal, J. 1993b.
"The Art of Excess in the Techno-mediacratic Society" In New
Observations, No. 94
Nechvatal, J. 1993c.
"The Computer and Conceptual Painting" In Gruson, L. ed. 1993. Joseph Nechvatal:
Computer Virus Project.
Arc-et-Senans: Fondation Claude-Nicolas Ledoux, pp. 29-32
Nechvatal, J. 1994.
"New Territory of Significance" In New Observations, No. 104
Nechvatal, J. 1997a.
"Immersive Implications" In Ascott, R. ed. 1997. Consciousness
Reframed: Conference Proceedings. Newport:
CAiiA/University of Wales College
Nechvatal, J. 1997b.
"Sex/MachIne/Art: From Mechanical Repetition to Electronic Flicker"
In Intelligent Agent: Interactive Media In Arts and Education Fall Issue, pp. 74-79
Nechvatal, J. 1997c.
"Computer Cynicism II" In Intelligent Agent: Interactive Media In
Arts and Education Vo. 1, No.
12, pp. 155 and 165-166
Nechvatal, J. 1997d.
"Artists and Familiars" In Ke-thar'sis Summer Issue, pp. 3-7
Nechvatal, J. 1997e.
"Immersive Implications" In New Observations, No. 116, Fall 1997, pp.46-47
Nechvatal, J. 1998.
"Computer Cynicism" Perforations 13,
http://www.pd.org/topos/perforations/perf13/compcyn.html
Nechvatal, J., 1999a.
"Frame and Excess" on Perforations 19, http://www.MacWeb3D.org/
Nechvatal, J., 1999b.
"Henri Michaux's Mescaline Engendered Drawings (and their viral
diagrammatic relevance to war)" on Perforations 20, LAST STORIES
http://http://www.pd.org/perforations/perf-topics.html
Nechvatal, J., 2000a.La
beaut tragique: Mapping the Militarization of Spatial Cultural Consciousness,
Leonardo, Winter
Nechvatal, J., 2000b.
Henri Michaux's Mescaline Engendered Drawings (and their diagrammatic
relevance to RHIZOME's "STARRYNIGHT" programming). Zing Magazine,
Winter Edition
Selected Bibliography on the Artist
2010
Manuela de Barros, Noisy Viral Threat : Joseph Nechvatal: Review of Art rtinal revisit: histoire de loeil Published in Digitalarti Mag #4 October 2010
2009
Edward A. Shanken, Art and Electronic Media. London: Phaidon, pp. 42, 285, 160
Corrado Levi, andata cos: Cronaca e critica dell'arte
1970-2008, Joseph Nechvatal
intervistato nel suo studio a New York (1985-86), pp. 130-135
2008
Marie-Paule Ngre, Des artistes en leur monde, volume 2, la Gazette de l'Hotel Drout, pp. 8283
John Johnston, The Allure of Machinic Life: Cybernetics, Artificial Life, and the New AI, MIT Press, cover
The Dorothy and Herbert Vogel Collection: Fifty Works for Fifty States, National Gallery of Art, pp. 191 & 227
2007
Ebon Fisher, Wigglism, Leonardo, Vol. 40, Number I, p 40, color image p. 43
Dominique Moulon, Confrence Report : Media Art in France, Un Point d'Actu, L'Art Numerique, pp. 124125
2006
Frank Popper, From Technological to Virtual Art, MIT Press, pp. 120-123
Bruce Wands, Art in the Digital Age, Thames & Hudson Ltd, p. 65
Brandon Taylor, Collage, Thames & Hudson Ltd, p. 221
Donald Kuspit, Arte Digital y Videoarte, Circulo de Bellas Artes Madrid, p. 33-35, color illustrations 2,3&4
Maximillien de Lafayette,United States and the World Face
to Face: America's Best and Worst
2005
Joline Blais & Jon Ippolito, The Edge of Art,Thames & Hudson Ltd, p. 213
Mario Costa, Phenomenology of New Tech Arts, Artmedia, Salerno, p. 6 & pp. 36 38
Ken Reingold, Interactive Electronics for Artists and
Inventors
Donald Kuspit, The Matrix of Sensations, artnet web magazine,
http://www.artnet.com/magazineus/features/kuspit/kuspit8-5-05.asp
2004
Christine Buci-Glucksmann, Lart lՎpoque virtuel, in Frontires esthtiques de lart, Arts 8, Paris: LHarmattan
Henri-Franois Debailleux, Peinture. Les travaux de Joseph Nechvatal exposs Paris, 27 octobre 2004, Liberation
Brandon Taylor on Joseph Nechvatal in the book Collage, Thames & Hudson Ltd, p. 221
Dominique Moulon, L'art numerique: spectateur-acteuret vie artificielle, Les images numeriques #47-48, pp. 124125
John Reed Joseph Nechvatal Artforum Web 3-2004 Critcs Picks
Alan Liu on Joseph Nechvatal in the book The Laws of Cool, Chicago Press, pp. 331-336 & 485-486
velyne Rogue Interview with Joseph Nechvatal artcogitans.com
velyne Rogue Monographie sur CD de Joseph Nechvatal http://www.artcogitans.com/Fr./Actus/E.Rogue.CD.J.Nechvatal.doc.pdf
Suzanne Anker on Joseph Nechvatal in reprotech catalogue
2003
Joe Lewis vOluptuary: an algorithmic hermaphornology March issue Art in America
Christiane Paul on Joseph Nechvatal in Digital Art (Thames & Hudson) 2003, pp. 57-58
Rachel Greene on Joseph Nechvatal March 26th www.rhizome.org
David M. Roth Postfesh Artweek April 2003
Sarah Maline on Joseph Nechvatal in polyALTERITY UMF catalogue
2002
Robert C. Morgan vOluptuary: an algorithic hermaphornology Tema Celeste Magazine #93 (page 94) Fall
Ken Johnson on Joseph Nechvatal, New York Times
Barbara Weidle Computer paintings artnet.com
Nanette Wylde Regarding a Digital Aesthetic: Speculation in Context
Kevin Haas on Joseph Nechvatal at http://www.accumulated.org/sgc.html
Margot Lovejoy on Joseph Nechvatal in "Postmodern Currents: Art and Artists in the Age of Electronic Media", Prentice Hall Press
Ellen Levy on Joseph Nechvatal in Responses, Art Journal Spring 2001
2000
Robert C. Morgan. Joseph Nechvatal at Universal Concepts Unlimited ,NY Arts Magazine, December Issue, p.69
David Ebony, Joseph Nechvatal at Universal Concepts Unlimited, Artnet Magazine - http://www.artnet.com/Magazine/reviews/ebony/ebony(3)11-22-00.asp
Joy Garnett, Newsgrist's Top 3: Nechvatal, Held, Ritchie,
Newsgrist, Volume 1, no. 51 (2000)
Robert C. Morgan, Digital
Hybrids, pp. 75-76, in Art
Press #255 (March)
1999
John Johnston,
"Machinic Vision", p.39, in Critical Inquiry, Vol. 26, No. 1
Richard Krueger, Digital
Hybrids Catalogue, p. 5,Youngstown
Paul D. Miller, The
Techno-Digita Sublime, Artbyte, Sept/Oct
1996
Wayne Enstice &
Melody Peters, Drawing: Space, Form, & Expression, New Jersy: Prentice Hall, pp.312-313
Jay Murphy, "Joseph
Nechvatal", Galeries Magazine
staff, "Bilder
Zwischen Kulturwert und Schaulust" Kunstmarket Koln
staff, "Joseph
Nechvatal: Computervirussen", Aalst Press
1995
staff, "Art Enters
The Digital Age", Art News, Sept/Oct
staff, "Joseph
Nechvatal's Virus Developement", Cause Toujours #2, Mai
staff, "Joseph
Nechvatal", CD-Media, Juin
Ccile Ambert,
"Virus Project", Nov Art, Juin,
Annick Hmery, Le Clone
Du Trim, Joseph Nechvatal, Clone Mai,
staff. "Joseph
Nechvatal", Liberation (March 24)
Picard, Gilles-Francois
"Les Mysteres de l'art Fractal", La Gazette No II (17 Mars)
1994
staff. "Computer
Virus Project", Bomb (Winter)
staff, "Joseph Nechvatal",
Gazet Van Antwerpen
staff, "Joseph
Nechvatal; Computerbilder", Kunst Munich
Annik Hmery, Joseph Nechvatal sur les traces de Pasteur http://www.imaginet.fr/clone/nechvat.htm
1993
Morgan, Robert C.
Nechvatals Visionary Computer Virus In Gruson, L. ed. 1993. Joseph Nechvatal: Computer Virus Project. Arc-et-Senans: Fondation Claude-Nicolas Ledoux,
pp. 8-15
staff. "Digital
Diseases", Details (November)
staff. "Joseph
Nechvatal, l'art sur ordinateur", Le Progress (August)
Conde, Susan "La
Fractalite dans l'Art" (June)
Morgan, Robert C.
"Joseph Nechvatal: Lamentations of the Soul" After the Deluge
Pagel, David
"Techno Domination", Los Angeles Times (September)
Gruson, L. A Case of
Contamination In Gruson, L. ed. 1993. Joseph Nechvatal: Computer Virus
Project. Arc-et-Senans:
Fondation Claude-Nicolas Ledoux, pp. 6-7
1992
Andre, Michael
"Joseph Nechvatal", Cover (April)
Hagen, Charles "A Show of Five Artists Who Use
the Look of Photo Reproduction", The New York, NY Times (May 18)
Pocock, Philip
"Interview with Joseph Nechvatal", Journal of Contemporary Art (Fall)
1992
Crockett, Tobey "I,
Robot", Village View (March 1-7)
Frank, Peter "Art
Pick of the Week", LA Weekly (March 22-28)
Mennetrier, J.L.
"Joseph Nechvatal nouveau ' locataire' de la residence d'artiste", La
Voit du Jura (September)
Tonkinson, Carole
"Footloose", Elle Magazine (May)
1990
Amine, Patrick
"Joseph Nechvatal, Galerie Antoine Candau", Art Press
Borum, Jenifer P.
"Joseph Nechvatal", Artforum (October)
Cyphers, Peggy
"Joseph Nechvatal", Arts (September)
Engelhorn, Patrizia
"Landspace of Points", Prinz Magazine (November)
Groome, Carle VP.
"Ex Statis by Joseph Nechvatal", Ear (October)
Pallentin, Christian
"Kunst", Siam (December)
Steinlechner, Carin
"Joseph Nechvatal", Donnerstag (October)
1989
staff "Joseph
Nechvatal", Los Angeles Times (March 10)
Collins,Tricia &
Milazzo, Richard "Hyperframes: A Post-Appropriation Discourse", Vol 1
Ehinger, Asa
"Joseph malar med dator", Sydsvenskan, Lund
Frank, Peter "Pick
of the Week", LA Weekly (April 7-13)
French, David
"Joseph Nechvatal", Artscene (March)
Geer, Suvan "Joseph
Nechvatal", L. A. Times, (December 15)
Lovejoy, Margot
"Postmodern Currents : Art and Artists in the Age of Electronic Media", UMI Research
Kandel, Susan
"Joseph Nechvatal", Arts (Summer)
Marks, Ben "A
Technology Under Control", Artweek (March)
1988
Bromberg, Craig
"The Collaborative Itch", ArtNews (November)
McCormick, Carlo
"Joseph Nechvatal", Artforum (March)
Miller, John
"Joseph Nechvatal", Artscribe (Summer)
Morgan, Robert C.
"Joseph Nechvatal", Arts (March)
Sem-Sandberg, Steve
"Vart Visuella Kaos" (Our Visual Chaos) Svenska Dagladet (December 2)
Smith, Lawrence R.- and
Hagley, Doug "An Interview with Joseph Nechvatal", Caliban 5
Zellen, Jody
"Joseph Nechvatal at Shoshana Wayne", Art Issues (Summer)
1987
Hoog, Eckhard "Im
Dschungel der Bilder Joseph Nechvatal im Aachener
Kunstverein",
Aachener Volkszeitung (May 22)
Levi, Corrado
"Joseph Nechvatal", Cover (February)
Lottmann, Joachim
"Documenta-Eindrcke von der Erffnung" Wolkenkratzer Art Journal
(summer)
Malsch, Friedemann
"Joseph Nechvatal Galerie Anna Friebe" Kunstforum (January)
Siffrin-Peters, Annette
"Gewirr aus feinen Linien. Documenta-Teilnehmer
Joseph Nechvatal vorab
in Aachen zu sehen, Aachener Nachrichten (May 22)
1986
Collins, Tricia and
Milazzo, Richard "New York, NY: Tropical Codes", Kunstforum (March)
Collins, Tricia and
Milazzo, Richard "Joseph Nechvatal: Grace Under Pressure",
Differentia (Fall)
McCormick, Carlo "
Joseph Nechvatal", Unsound Magazine (Vol.3 No.1)
Larson, Kay "The
Flash of Truth", New York, NY Magazine" (October 27)
Levin, Kim
"Artwalk", Village Voice (October 21)
Levin, Kim "Joseph
Nechvatal" The Village Voice (October 14)
Morlung, Ursula
"Pollock als Vorbild: Joseph Nechvatal in der Galerie Anna Friebe",
Klner Stadt (October 24)
Raab, Jrgen
"Humanisierung der Technik: Joseph Nechvatal bei Anna Friebe", Klner
Illustrierte (November)
1985
Collins, Tricia and
Milazzo, Richard "The New Sleep: Stasis and the Image-Bound
Environment", Art Journal (Fall)
Crary, Jonathan
"Joseph Nechvatal at Brooke Alexander",Art in America (January)
1985
Moore, Alan and Miler,
Marc "ABC No Rio Dinero: The Story of a Lower East Side Art Gallery",
Published by ABC No Rio with Collaborative Projects Inc. New York, NY
Pincus-Witten, Robert
"The New Irascibles", Arts (September)
Raynor, Vivian
"Joseph Nechvatal", The New York, NY Times (October 18)
1984
Brooks, Rosetta
"Interview-Rhys Chatham & Joseph Nechvatal", ZG, (#12 Fall)
Cotter, Holland
"Joseph Nechvatal", Arts (November)
Deak, Edit "The
Critic Sees through the Cabbage Patch", Artforum, (April)
Fisher, Jean
"Joseph Nechvatal", Artforum, (January)
Glueck, Grace
"Joseph Nechvatal", The New York, NY Times (September 21)
Jones, Ronald
"Joseph Nechvatal", Arts (December)
Kleyn, Robert "The
Shadow Reflected", ZG (#12 Fall)
Kleyn, Robert
"Protective Mimicry", Vanquard (March)
Kuspit, Donald
"Joseph Nechvatal", Artforum (December)
Masheck, Joseph Smart
Art, Published by Willis, Locker
& Owens, New York, NY
Robinson, Walter and
McCormick, Carlo "Slouching Toward Avenue D", Art in America (Summer)
1983
Fine, Kimberly
"Joseph Nechvatal East Village Eye (October15)
Levin, Kim " Shock
of the Old", Village Voice (September 27)
Levin, Kim "Joseph
Nechvatal / Not Vital / Robin Weglinski", The Village Voice (May 17)
McCormick, Carlo
"Joseph Nechvatal", New York, NY Beat (December)
1982
Lawson, Thomas
"Joseph Nechvatal (The Kitchen)", Artforum (April)
Raynor, Vivian "The
Automatic Salon", The New York, NY Times (June 18)
Russell, John
"Inaugural Show-Jack Tilton Gallery", The New York, NY Times (October
7)
Public Collections
The Museum of Modern
Art, New York, NY, USA
Los Angeles County
Museum of Art; Los Angeles, USA
Museum of Contemporary
Art, Los Angeles, USA
Israel Museum,
Jerusalem, Israel
The Schyl Foundation,
Malmo Konsthall, Sweden
The Jewish Museum, New
York, NY, USA
Moderna Muset,
Stockholm, Sweden
New Mexico Museum of
Art, Museum of New Mexico, Santee Fe, New Mexico, USA
Albright-Knox Art
Gallery, Buffalo, New York, USA
Musee Leon Dierx, La
Reunion, France
Frac Franche-Comte,
France
Museum of Art, Rhode
Island School of Design, Providence, Rhode Island, USA
Saline Royale,
Arc-et-Senans, France
Saint Louis Art Museum,
St. Louis, Missouri, USA
Musee de Dole, Dole,
France
Portland Museum of Art,
Portland, Maine, USA
Rose Goldsen Archive of
New Media Art at Cornell University, Ithaca, NY, USA
Pennsylvania Academy of
Fine Arts, Philadelphia, Pennsylvania, USA
Weatherspoon Art
Gallery, University of North Carolina, Greensboro, USA
The Municipal Museum of
Art, Gyr, Hungary
Robert Shiffler
Foundation, Greenville Ohio, USA
The Minneapolis
Institute of Arts, Minneapolis, USA
Malm Konsthall, Sweden
University of Michigan
Museum of Art, Ann Arbor, Michigan, USA
University of Alaska
Museum of the North, Fairbanks, Alaska, USA
Honolulu Academy of
Arts, Honolulu, Hawaii, USA
Cedar Rapids Museum of
Art, Cedar Rapids, Iowa, USA
Spencer Museum of Art,
The University of Kansas, Lawrence, Kansas, USA
Portland Museum of Art,
Portland, Maine, USA
Academy Art Museum,
Easton, Maryland, USA
Frederick R. Weisman Art
Museum, University of Minnesota, Minneapolis, Minnesota, USA
Columbia Museum of Art,
Columbia, South Carolina, USA
South Dakota Art Museum,
South Dakota State University, Brookings, South Dakota, USA (image reproduced
in The Dorothy and Herbert Vogel Collection: Fifty Works for Fifty States,
National Gallery of Art, 2008, p. 191)
Memphis Brooks Museum of
Art, Memphis, Tennessee, USA
Blanton Museum of Art,
University of Texas at Austin, Austin, Texas, USA
Nora Eccles Harrison
Museum of Art, Utah State University, Logan, Utah, USA
Robert Hull Fleming
Museum, University of Vermont, Burlington, Vermont, USA
Mississippi Museum of Art,
Jackson, Mississippi, USA
Yellowstone Art Museum,
Billings, Montana, USA
Las Vegas Art Museum,
Las Vegas, Nevada, USA
Hood Museum of Art,
Dartmouth College, Hanover, New Hampshire, USA
Plains Art Museum,
Fargo, North Dakota, USA
Akron Art Museum, Akron,
Ohio, USA
Oklahoma City Museum of
Art, Oklahoma City, Oklahoma, USA
University of Wyoming
Art Museum, Laramie, Wyoming, USA (image reproduced in The Dorothy and Herbert
Vogel Collection: Fifty Works for Fifty States, National Gallery of Art, 2008,
p. 227
