Joseph Nechvatal, Ph.D.
143 Ludlow Street (#14)
New York, NY 10002 USA
Telephone: 1 212 228 7891
and
93 Blvd.
Raspail 75006 Paris FRANCE
Telephone: 33 (0)1 45 44 49 36
email: joseph@nechvatal.net
Bio Notes:
Since 1986 Joseph Nechvatal has
worked with ubiquitous electronic visual information, computers and
computer-robotics. His computer-robotic assisted paintings and computer
animations are shown regularly in galleries and museums throughout the world.
From 1991-1993 he worked as artist-in-resident at the Louis Pasteur Atelier and
the Saline Royale / Ledoux Foundation's computer lab in Arbois, France on The
Computer Virus Project: an experiment with computer viruses as a creative
stratagem. In 2002 he extended that artistic research into the field of viral
artificial life through his collaboration with the programmer Stphane Sikora.
Dr. Nechvatal earned his
Ph.D. in the philosophy of art and new technology at The Centre for Advanced
Inquiry in the Interactive Arts (CAiiA) University of Wales College, Newport,
UK where he served as conference coordinator for the 1st International
CAiiA Research Conference entitled
Consciousness Reframed: Art and Consciousness in the Post-Biological Era (July
1997); an international conference which looked at new developments in art,
science, technology and
consciousness. Dr. Nechvatal presently teaches at the School of Visual Arts in
New York City (SVA) and at Stevens Institute of Technology. He writes
periodically on art and new technology.
~~~~~~~~~~~~~~~~~~~~~~~~~~~~
Biography
1951 Born in Chicago, Illinois
1974 B.F.A. Southern Illinois University
1974-75 M.F.A. Studio Work Cornell
University
1977-78 M.Phil Work in Philosophy Columbia University
1999 Ph.D. in the Philosophy of Art at the
Centre for Advanced Inquiry in the Interactive Arts (CAiiA), University of
Wales, Newport, Wales, U.K.
1999-2003 Professor at The School of Visual
Arts, NYC
The artist lives in New York and Paris and
is a professor at The School of Visual Arts in New York City and
at Stevens Institute of Technology.
Grants
1983 Caps Grant, Painting
1985 National Endowment for the Arts,
Painting
1985 National Endowment for the Arts, Opera
and Musical Theater
1985 Massachusetts Council of the Arts, Performance
1986 National Endowment for the Arts,
InterArts
1986 Foundation for Contemporary Performance
Arts, Inc.
1988 New York, NY Foundation for the Arts, Painting
1989 Pollock-Krasner Foundation Award
1991-1993 Artist-in-Residence, Arbois,
France
1992-1993 Artist-in-Resident, Fondation
Claude-Nicolas Ledoux's computer lab in Arc-et-Senans, France
1992 New York, NY Foundation for the Arts,
Painting
1995 Artist-in Residence, Cite des Art
Internationale, Paris
1996-8 Research Fellowship,University of
Wales ,CAiiA, Newport, U. K.
1997 New York Foundation for the Arts:
Computer Arts
2003 New York Foundation for the Arts:
Computer Arts
Selected One-Person-Exhibitions
2006
Joseph
Nechvatal,
The Butler Institute of American Art's Beecher Center, Youngstown, Ohio
<CONTAMINATIONS>, Le chteau de Linardi, Senouillac France
Translaocation of the Virtual Reality, Galerie In Situ, Aalst, Belgium
2004
Aventures Virales, Galerie Mabel Semmler, Paris
Real Time, Universal Concepts Unlimited Gallery, New York City
After Virus, Galerie RLBQ, Marseille, France
Viral Counter-Attack,Espace Landowski, Paris (with Music2eye)
After Attack, Heart Galerie, Paris (with Music2eye)
2002
vOluptuary : an algorithic hermaphornology, Universal Concepts Unlimited Gallery, New York
City
2001
SilicOn valley : nunciative mOdality and a viral redux, Galerie
Karin Sachs, Munich
Compliant 2.0 Libidinal Bodies in the Bit-stream (Enhanced
Corpus Rotundum), Julia Friedman Gallery, Chicago
Transformers (with Virus Projects 1.0
& 2.0) Moving Image Gallery, New York City
2000
es-satyricOn 2000,Universal Concepts Unlimited Gallery, New York City
1999
Viral Beauty, Boston Cyber Arts, Boston
http://www.bostoncyberarts.org
1997
Das Neural Netz, (collaboratively with Mathias Groebel) Galerie Karin Sachs, Munich
1996
Joseph Nechvatal Retrospective, Galerie Berndt, Kln (catalogue)
Joseph
Nechvatal & Steve Miller,Parsons Gallery, Paris
1995 Alt.sex, (collaboratively with Mathias
Groebel) Galerie In Situ, Aalst, Belgium
(web catalogue at: http://ourworld.compuserve.com/homepages/MatthiasGroebel/groebel/frmalt.htm)
Les Archons, Galerie Multimedia, Paris
Angels, Broken Hearts and Computer
Viruses, Galerie Karin Sachs, Munich
1994
Computer Virus Project, Espace d'Art Yvonamor Palix, Paris (catalogue)
Information Bruit Culture, Galerie Traje, Besancan, France
Computer Virus Project, Galerie In Situ, Aalst, Belgium (catalogue)
1993
Computer Virus Project, The Saline Royale, Arc-et-Senans, France (catalogue)
The Destiny of Painting, Galerie Karin Sachs, Munich
1992
Joseph Nechvatal, Galerie Antoine Candau, Paris
Tombeaux, Brooke Alexander, New York, NY, NY
1991
Joseph Nechvatal, Shoshana Wayne Gallery, Santa Monica, CA
1990
Joseph Nechvatal, Musee des Beaux Arts de Dole, France (CD Rom catalogue)
Joseph Nechvatal, Brooke Alexander, New York, NY (catalogue)
Joseph Nechvatal,Galerie Karin Sachs, Munich
Joseph Nechvatal, Galerie Antoine Candau, Paris (catalogue)
1989
Joseph Nechvatal,Gallery Fahl, Stockholm
Joseph Nechvatal, Anders Tornberg Gallery, Lund (catalogue)
Joseph Nechvatal, Shoshana Wayne Gallery, Santa Monica, CA
1988
Joseph Nechvatal Computer-Robotic
Paintings: 1986-1987, Illinois State University, Normal
(catalogue)
Joseph Nechvatal, De Selby Gallery, Amsterdam
Joseph Nechvatal, Galerie Antoine Candau, Paris
1987
Joseph Nechvatal, Brooke Alexander, New York, NY
Joseph Nechvatal, NeuerAachenerKunstverein, Aachen
Joseph Nechvatal, Gallery Engstrom, Stockholm
1986
Joseph Nechvatal: Photographs,Greathouse, New York, NY
Joseph Nechvatal, Anna Friebe Galerie, Cologne
Joseph Nechvatal, Vanquard Gallery, Philadelphia
1985
Joseph Nechvatal, Brooke Alexander, New York, NY
Joseph Nechvatal, Anders Tornberg Gallery, Lund
XS: An Installation, Gray Art Gallery, East Carolina Univerity, Greenville (catalogue)
1984
Joseph Nechvatal, Brooke Alexander, New York, NY (catalogue)
Joseph Nechvatal: Grace Under Pressure,Gallery Nature Morte, New York, NY
1983
Joseph Nechvatal, Brooke Alexander, New York, NY
Joseph Nechvatal, Semaphore Gallery, New York, NY
Joseph Nechvatal, Spiritual America, New York, NY
1982
Joseph Nechvatal, Real Art Ways, Hartford, Ct.
Joseph Nechvatal: The Occult Power of
Technology: Part II, The Kitchen,
New York, NY
1981
The Occult Power of Technology: Part I, P.S. #1, Long Island City, NY
1980
Methadone Median, abandoned methadone
center on west Canal Street, New York, NY
Selected Group Exhibitions
2006
The Downtown Show : The New York Art Scene
1974-1984, Grey Art Gallery. NYU, New York City
The Downtown Show : The New York Art
Scene 1974-1984, Andy Warhol Museum, Pittsburgh
The Downtown Show : The New York Art
Scene 1974-1984,Austin Museum of Art, Texas
2005
ElectroScape Shanghai
Zendai Museum of Modern Art, Shanghai
6eme carrefour de l'image de l'Ocan Indien, Le Port.
Ile de la Runion
Vintage East Village, Hal Bromm Gallery, New York
Viral
Counter Attack, Art Metz 2004. Foire europenne d'Art Contemporain.
Image-Mouvement, Metz France (with music2eye)
2004
Digital Sublime :Gwangju Biennale MOCA Taipei (catalogue)
reprotech,
New York
Academy of Science, New York City (catalogue)
Hyper-Runt:
Anxiety and Malformation in the Techno Womb, Inliquid, Philadelphia
Art In Motion, University of Southern California
School of Fine Arts, L.A.
Touch and Temperature, Bitforms Gallery, New York City
trans>, Participant Inc, New York City
Viral
Counter Attack, Rsidence la Gat lyrique. Paris. France (with
music2eye)
East Village USA, New Museum, New York (catalogue)
Touch and Temperature, Deborah Colton Gallery, Houston
Viral
Counter Attack, Festival
Art-borescence 01 Paris. France (with
music2eye)
Viral Counter Attack, Galerie RLBQ. Festival RIAM01.
Marseille. France (with
music2eye)
2003
Synthetic Lightings: Complex Simulations of Nature, Center for
Photography, Woodstock, NY
Polarities, The Wall Street Journal Lobby Gallery, New
York City (catalogue)
FuturNET, Rome
NOTEBOOK, Artscape, Pinkard Gallery, Maryland Institute
College of Art, Baltimore
Peam2003, Pescara Italy (CD-Rom catalogue)
THE SPIRITUAL IN DIGITAL ART, Evergreen Cultural Centre,
Coquitlam, Canada
Open For Action, The Center For Book Arts, New York, NY
2002
Post-Flesh, University Gallery, California State
University, Sacramento, CA
media_city seoul 2002, Seoul Museum of Art, Seoul, South
Korea (catalogue)
Ornamente : 3
Positions of Conceptual Art, Galerie Berndt, Koln
NIGHT VISION, Illinois
State University, Normal, Illinois (catalogue)
Contaminaction, Jeune Creation, Paris
Reality Revisited, IN SITU, Aalst, Belgium (web
catalogue http://www.eyewithwings.net/reality_revisited)
Reality Revisited, Galerie Martin Kudlek, Koln,
Germany (web catalogue)
NIGHT VISION, White Columns, New York City
(catalogue)
SPLIT FESTIVAL, Split, Croatia
info@blah :: mining the data glut, iKatun,
Boston
20001
LE PROJET VIRUS 2001, Mains DOeuvres, Paris
Cin-o-matic: Memory and Cinematic Perception, T he New
Museum, New York City
The Collector, Universal Concepts Unlimited Gallery, New
York City
1.44 Megs, Moving Image Gallery, New York City
The Graphic Art Biennial, Gyr, Hungary
2000
Noise: The Digital and the Discrete,Whipple Museum of the History of Science, Cambridge (catalogue, with
essay by Bruno Latour)
The Perpetual Well, Samuel Harn Museum of Art, Gainesville, Florida
The Perpetual Well, Parrish Art Museum, Southhampton, NY
Rounders, UCU Gallery, New York City
polyALTERITY, UMF Art Gallery, Farmington, Maine (catalogue)
1999
REFLEX: Matthias Groebel, Joseph
Nechvatal & Endre Tt,Galerie Berndt, Kln
Digital Hybrids, McDonough Museum of Art, Youngstown, Ohio (catalogue)
The Techo-Digital Sublime, Central Fine Arts, New York City (web-site)
MA(R)KING, Central Arts, Tuscon, curated by Elaine E. King (catalogue)
Three Computer-related Artists, Galerie Berndt, Kln
Links: Schilderkunst in Extremis? Kunstcentrum Sittard, Maastricht
Diverse Dialogues, Aljira Center for Contemporary Art, Newark
Old School, Life, New York City, curated by Carlo McCormick
1998
Body Mcanique, Wexner Center, Columbus Ohio (catalogue)
Thundergulch: Computer Arts Fellows, NYC Technology Center
Chaos and Capacity, Central Fine Arts, Inc. NYC
1997
Art Fractal, Gallerie Ricard, Paris (catalogue and web-site)
Zoom (Fractal), Stae University of New York, NY, Purchase (catalogue)
1995
BLAST Bioinformatica, Kolnischer Kunstverein, Koln (catalogue)
BLAST,
Galerie des Archives, Paris (catalogue)
Veered Science, Huntington Beach Art Center, California (catalogue)
In Corpus Machina, Espace d'Art, Paris
BLAST Bioinfomatica, Javier Lopez Gallery, London
Reinventing The Emblem, Yale University Art Gallery (catalogue)
Die Schnheit Der Fraktale, Galerie Karin Sachs, Munich
Transiti, Arx Art Gallery, Torino, Italy (catalogue)
Art Fractal: t,Galerie Angle Art Contemporain, St. Paul-Tro Chteau
1994
Excess in the Techno-Mediacratic Society, Shoshana Wayne Gallery, Santa Monica, Ca. (curated by Joseph
Nechvatal) (catalogue)
Art & Virus, Gallery Yaki Kornblit, Amsterdam (catalogue)
Tohu-Bohu, Galerie de l' etoile, Paris (catalogue)
Art & Virus, Galleria Del Ventaglio Contemporanea, Udine, Italy (catalogue)
Lo Specchio di Proteo, Perugia, Alessandria, Italy (catalogue)
Figures d'Origines, Chapelle Salpetriere, Paris (catalogue)
1993
Computeruntersttzte Kunst, Kunstlerwerkstatt, Munich (catalogue)
L'Opera Al Femminile, Galleria Arx, Torino
Bodies,
Atelier of Philip Pocock, Kln
Excess in the Techno-Mediacratic Society,
Musee D'Arbois, France (curated by Joseph
Nechvatal) (catalogue)
Excess in the Techno-Mediacratic Society,Galerie Krinzinger, Vienna (curated by Joseph Nechvatal)
Erlebnis E Alterita, Galleria Marco Noire, Torino (catalogue)
Hiding / Revealing, Galerie In Situ, Aalst
La Fractalite Dans L'Art, Campus de La Doua, Villeurbanne (catalogue)
1993
Mediale Hamburg (catalogue)
Painting as Paradigm, Stark Gallery, New York, NY
Procedures: Informatiques, Ecole Nationale Superieure des Beaux Arts, Paris
Presentation, NeuerAachenerKunstverein, Aachen
1992
Ecstasy,
Dooley Le Cappellaine, New York, NY
L'Epreuve Numerique, Centre National de la Photographie, Paris
New York, NY Artists, Galerie Bernhard Steinmetz, Bonn
10th Anniversary Visiting Artists
Exhibition, Ewing Gallery, University of Tennessee at
Knoxville
Representation, Reproduction and
Photography, Usdan Gallery, Bennington College,
Bennington, VT
1991
Outside Ameirca: Going into the 90s, Fay Gold Gallery, Atlanta
1990
20th Anniversary Exhibition White Columns, New York, NY
All Quiet on the Western Front, Galerie Antoine Candau, Paris (catalogue)
Exchange of Information, New York, NY Telephone New York, NY
Le Tableau des Riches Inventions, Picaron Editions, Amsterdam
The Unique Print: 70s into 90s, Lois & Michael Torf Gallery, Museum of Fine Arts, Boston
1989
Theater on Paper, The Drawing Center, New York, NY
Once upon A Time There Was A Photograph, Barbara Gillman Gallery, Miami
After Collapse: Rebuilding Expressive
Media, State University, Amherst, Ma.
Strange Attractors: Signs of Chaos, The New Museum of Contemporary Art, New York, NY (catalogue)
Standplaats AKI, Akademie Voor Beeldende Kunst, Enschede, The Netherlands
Moderne Kunst, Malmo
Kunsthallen Brandts Klaedefabrik, Odense, Malmo Sweden
Erotic America, (curated by Joseph Nechvatal) Galerie Antoine Candau, Paris (catalogue)
1988
Art at the End of the Social, Rooseum, Malmo, Sweden (catalogue)
New Visions of the Apocalypse, Museum of Art, Rhode Island School of Design, Providence (catalogue)
New York, NY Now, Guthenberg Art Museum (traveled in Sweden and Finland) (catalogue)
Perpetual Subversions, Bruno Facchetti, New York, NY
Computer Assisted: The Computer in Contemporary Art
Freedman Gallery, Albright College, Reading, Pa.
Committed to Print, The Museum of Modern Art, New York, NY (catalogue)
1987
Chemical Field, De Zaak, Groningen
Digital Visions: Computers and Art, Everson Museum of Art, Syracuse (catalogue)
Digital Visions: Computers and Art, IBM Gallery NYC (catalogue)
New Coordinates, Simard, Halm and Shee Gallery, Los Angeles
1987
Documenta 8, Kassel Germany (catalogue)
This is not a Photograph: Twenty Years of
Large-Scale, Photography: 1966-1986, The John
& Mable Ringling Museum of Art, Sarasota, Fl. (catalogue)
This is not a Photograph: Twenty Years of
Large-Scale, Photography: 1966-1986, Akron Art
Museum, Ohio (catalogue)
This is not a Photograph: Twenty Years of
Large-Scale, Photography: 1966-1986, The Chrysler
Museum, Norfolk, Va. (catalogue)
1986
Drawings from the Collection of Dorothy
and Herbert Vogel, University of Arkansas at Little Rock
Drawings from the Collection of Dorothy
and Herbert Vogel, University of Alabama Moody Gallery of Art
Drawings from the Collection of Dorothy
and Herbert Vogel, Tuscaloosa Pennsylvania State University
Drawings from the Collection of Dorothy
and Herbert Vogel, Palmer Museum of Art, University Park
Il Cangiante, Padiglione d'Arte Contemporanea, Milano
Metabody, Hallwalls, Buffalo, NY (catalogue)
Spiritual America, CEPA, Buffalo, NY
Pay Attencion, Brandts Palchus Galleri, Copenhagen
Drawings, Piezo Electric, New York, NY
Time after Time, Diane Brown Gallery, New York, NY
Face It,
Anders Tornberg Gallery, Lund, Sweden
1985
Infotainment,Texas Gallery, Houston (catalogue)
Infotainment, Rhona Hoffman Gallery, Chicago (catalogue)
Infotainment, Vanquard Gallery, Philadelphia (catalogue)
Infotainment, Aspen Art Museum, Aspen Colo. (catalogue)
Infotainment, De Selby Gallery, Amsterdam (catalogue)
Infotainment, Galerie Montenay-Delsol, Paris (catalogue)
Correspondences: New York, NY Art Now, Laforet Museum Harajuku, Tokyo (catalogue)
Correspondences: New York, NY Art Now, Tochigi Prefectural Museum of Fine Arts, Utsunomiya
Correspondences: New York, NY Art Now, Tagaki Hall Espace Media, Kobe (catalogue)
Anniottanta Castel Sismondo, Palazzina Moster, Chiesa di Santa Maria ad Nives, Rimini
Anniottanta Castel Sismondo, Galleria Comunale d'Arte Moderna, Bologna
Whitney Biennial: Group Material, The Whitney Museum of American Art, New York, NY
Memento Mori, Moore College of Art Gallery, Philadelphia (catalogue)
1984
Drawings, Paintings, and Sculpture, Brooke Alexander, New York, NY
Smart Art: New Work from New York, NY, Carpenter Center for the Visual Arts, Harvard University, Cambridge,
Ma. (catalogue)
Disarming Images: Art for Nuclear
Disarmament, Contemporary Arts Center, Cincinnati
(catalogue) (travelled to ten institutions in the United States)
Via Satellite, Amerika-Haus, Cologne (catalogue)
Natural Genre, Fine Arts Gallery, School of Visual Arts, Florida State University
(catalogue)
The New Capital, White Columns, New York, NY
Drawings by Contemporary Figurative
Artists, Meyerhoff Gallery, Maryland Institute,
College of Art, Baltimore (catalogue)
Humanism: An Undercurrent, University of South Florida, Tampa
Romance and Catastrophe, Piezo Electric, New York, NY
Contemporary Perspectives, Center Gallery, Bucknell University, Lewisburg, Pa.
Motives,
Albright-Know Art Gallery, Buffalo, NY (catalogue)
New York, NY New: 26 Artists, Studio di Corrado Levi, Milano (catalogue)
Dessins,
Gillespie-Laage-Salamin, Paris
1983
New York, NY, Kunstmuseum, Aalborg
(catalogue)
New York, NY, Randers Kunstmuseum (catalogue)
Contemporary Drawings, Barbara Krakow, Boston
Four New York, NY Artists, Jack Tilton Gallery, New York, NY
Rotating Group Show, Paula Cooper Gallery, New York, NY
Speed Trials, White Columns, New York, NY
Joseph Nechvatal / Not Vital / Robin
Weglinski, Gallery Nature Morte, New York, NY
1982
The Atomic Salon, Ronald Feldman Gallery, New York, NY
1981
The Positive Show, ABC No Rio, New York, NY
New Drawings, The Drawing Center, New York, NY (catalogue)
The Doomsday Show, Artists Space, New York, NY
The Monumental Art Show, Brooklyn, NY
The Inauguration Show, ABC No Rio, New York, NY
1980
Collaborative Projects, Brooke Alexander, New York, NY
Murder, Suicid &, Junk, ABC No Rio, New York, NY
Artists for Survival, ABC No Rio,
New York, NY International Workers Day
Exhibition, ABC No Rio, New York, NY
The Times Square Show, Times Square, New York, NY
Selected Installations and Performances
1991
Dilation, performed by the ballerina Lauren Houser at the residence of Bil
Ehrlich, New York, NY
1989
The Man Who Believed He Could Move: A
Celebration of the Bicentennial of the French Revolution, Collaboration with Yves Musard, Dia Art Foundation, New York, NY
1987
Not a Door; A Spectacle, a collaboration between Scott B. Billingsley and Joseph Nechvatal,
Hallwalls, Buffalo NY
1986
XS: The Opera, a collaboration with with Rhys Chatham, Shakespeare Theatre, Boston
1985
The End of the Night, a video collaboration with with Rhys Chatham, Los Angeles County Museum of Art
XS: Night of Power, a collaboration with with Rhys Chatham, 8 BC, New York, NY
XS: Night of Power, a collaboration with with Rhys Chatham, Quando, New York, NY
1984
XS: The Opera Opus, a collaboration with with Rhys Chatham, Pyramid Club, New York, NY
XS: The Opera Opus, a collaboration with with Rhys Chatham, Club Danceteria, New York, NY
XS: The Opera Opus, a collaboration with with Rhys Chatham, 8 BC Club, New York, NY
XS: The Opera Opus, a collaboration with with Rhys Chatham, Dannheisser Foundation, New
York, NY
1983
Isle of Dread, Lower Manhattan Cultural Council, 71 Broadway and 120 Broadway, New
York, NY
Future V Installation, 93 Prince Street, New York, NY
1982
Blame it on the Brain Installation, Zippers Night Club, New York, NY
1981
Contemporary Psychedelia Installation, Club Inroads, New York, NY
Free Speech on Broadway Performance, Performance with Carol Parkinson and Cid Collins, New York, NY
1978
European Art/Performance, with Carol Parkinson and Cid Collins, Tour Centre of Experimental
Theatre, Antwerp
European Art/Performance, with Carol Parkinson and Cid Collins, Ecole d'Architecture , Tournai
European Art/Performance, with Carol Parkinson and Cid Collins, Theatre on the Rijn, Arnhem,
The Netherlands
Nechvatal,
J. 2006, Jean Baudrillard and a Counter-Mannerist Art
of Latent Excess, International Journal of Baudrillard Studies, Volume
3, Number 2 (July 2006).
Nechvatal, J. 2005, Immersive Excess in the Apse of Lascaux, Technoetic
Arts 3:3, pp. 181-192
Nechvatal, J. 2004, Origins of Virtualism: An Interview with
Frank Popper Conducted by Joseph Nechvatal Spring 2004 issue of the CAA Art Journal pp. 62-77
Nechvatal, J. 2004, Frank Popper and Virtualised Art, Winter
2004 tema celeste magazine: issue #101, pp. 48-53
Nechvatal, J. 2003, Voluptuous Viractualism, in Simultaneita :
New Media Arts Magazine, 01/2003, pp. 25-29
Nechvatal, J. 2002, Hotlist : The Esoteric Arts, Artforum
Magazine
Nechvatal, J. 2001, Towards an Immersive Intelligence in Leonardo 9th New
York Digital Salon special issue
Nechvatal, J. 2001, Artists and War : La beaut tragique: Mapping
the Militarization of Spatial Cultural Consciousness in Leonardo 34.1 (2001)
27-29 and at: http://muse.jhu.edu/demo/len/34.1nechvatal.html#authbio
Nechvatal, J. 2001. La
Beaute tragique: Olkowski, Deleuze, and the 'Ruin of Representation in
_Film-Philosophy_, Deleuze Special Issue vol. 5 no. 36, November 2001
http://www.film-philosophy.com/vol5-2001/n36nechvatal
Nechvatal, J. 2000. Viractualiy
Interview by Colin Goldberg. http://www.everbeta.net/txt/110900txtjnint.htm
Nechvatal, J. 2000.
"Alterities: Interdisciplinarity and "Feminine" Practices of
Space" at: http://www.mire.net/penelopes/pages/ntic/cyber/netchaval.htm
Nechvatal, J.
1999. Introduction to Immersive Ideals/Critical Distances : A Study of the
Affinity Between Artistic Idealogies Based in Virtual Reality and Previous Immersive
Idioms http://www.insead.fr/calt/Encyclopedia/ComputerSciences/VR/vr.htm
Nechvatal, J.
1999. Immersive Ideals/Critical Distances ; A Study of the Affinity Between
Artistic Idealogies Based in Virtual Reality and Previous Immersive Idiom.
Newport : University of Wales College (PhD Thesis)
For a
selection of art reviews written from 1993-2000 on other artists by Joseph
Nechvatal - primarily for the web-site Rhizome http://www.zhizome.org
- see: http://www.dom.de/arts/artists/jnech/ under the publications link
Nechvatal, J. 1990a. Selected Writings. Paris: Editions Antoine Candau
Nechvatal, J. 1991a. An Ecstasy of Excess. Mnchengladbach: Juni-Verlag
Nechvatal, J. and Gagneur, D. eds. 1992. Excess
in the Techno-mediacratic Society. Arbois:
Muse d'Arbois
Nechvatal, J. 1983. "Epic Images and
Contemporary History" In Real Life Magazine, No.11/12, Winter, 1983
Nechvatal, J. 1984. "Principles of
Discord" In Unsound, Vol. 1, No. 2
Nechvatal, J. 1985. "Holding Out the
Promise for Pure Regression" In New Observations, No. 28
Nechvatal, J. 1986. "State of the Art /
Art of the State" In Spectacle, Fall Issue,
1986
Nechvatal, J. 1987a. "High Style"
In Arts Magazine, April Issue 1987
Nechvatal, J. 1987b. "Post-Simulation
Decadence" In Arts Magazine, Summer
Issue, 1987
Nechvatal, J. 1987c. "Theoretical
Statement Concerning Computer Robotic Paintings" In Documenta 8
Catalogue, Vol. 3
Nechvatal, J. 1987d. "A Prophylactic
Discourse on Simulated Art" In Code,
December Issue, 1987
Nechvatal, J. 1987e. "Simulation and
Sublimation: The Law is for All" In Unsound, Vol. 3, No. 1
Nechvatal, J. 1988. "Reorganized
Meditations on Mnemonic Threshold" In M/E/A/N/I/N/G Contemporary Art
Issues, No. 4, November, 1988
Nechvatal, J. 1989a. "Artistic
Cynicism" In Art Criticism, Vol. 5, No.
3
Nechvatal, J. 1989b. "Cal Arts Lecture:
An Excerpt" In Lund Art Press, Vol. 2
Nechvatal, J. 1989c.
"Re-conceptualizing Drawing" In De Rijksakademie 08, pp. 12-13
Nechvatal, J. 1990b. "Hyper-death and
the Scopic Corpse. In Artforum, November
Issue, 1990, p. 130
Nechvatal, J. 1990c. "The Urge for
Image and the Saturated Eye" on the Public DomaIn Web Site
Perforations: http://www.pd.org
Nechvatal, J. 1990d. "Stealing from the
Thief's Journal (Extraits traduits du Journal d'un Voleur)" Amsterdam:
Picaron
Nechvatal, J. 1991b. "An Ecstasy of
Excess" In Nechvatal, J. 1991. An Ecstasy of Excess. Mnchengladbach: Juni-Verlag, pp. 3-7
Nechvatal, J. 1991c. "The Artist and
Familars" In Blast, Vol. 1, November
/December, 1991
Nechvatal, J. 1991d. "The Collapse of
the 80's Image" In M/E/A/N/I/N/G Contemporary Art Issues, May Issue
Nechvatal, J. 1992a. "Outrances dans la
Societe Techno-mediacratic" In Nechvatal, J.
and Gagneur, D. 1992. Excess in the Techno-mediacratic Society. Arbois: Muse d'Arbois, p. 1
Nechvatal, J. 1992b. "Innovations in
Image Technology" In M/E/A/N/I/N/G Contemporary Art Issues, No. 11, pp. 38-40
Nechvatal, J. 1993a. "Introduction to
The Art of Excess in the Techno-mediacratic Society" In New
Observationss, No. 94
Nechvatal, J. 1993b. "The Art of Excess
in the Techno-mediacratic Society" In New Observations, No. 94
Nechvatal, J. 1993c. "The Computer and
Conceptual Painting" In Gruson, L.
ed. 1993. Joseph Nechvatal: Computer Virus Project. Arc-et-Senans: Fondation Claude-Nicolas Ledoux, pp. 29-32
Nechvatal, J. 1994. "New Territory of
Significance" In New Observations, No.
104
Nechvatal, J. 1997a. "Immersive
Implications" In Ascott, R. ed. 1997. Consciousness Reframed:
Conference Proceedings. Newport: CAiiA/University
of Wales College
Nechvatal, J. 1997b. "Sex/MachIne/Art:
From Mechanical Repetition to Electronic Flicker" In Intelligent Agent:
Interactive Media In Arts and Education Fall Issue,
pp. 74-79
Nechvatal, J. 1997c. "Computer Cynicism
II" In Intelligent Agent: Interactive Media In Arts and Education Vo. 1, No. 12, pp. 155 and 165-166
Nechvatal, J. 1997d. "Artists and
Familiars" In Ke-thar'sis Summer Issue,
pp. 3-7
Nechvatal, J. 1997e. "Immersive Implications" In New
Observations, No. 116, Fall 1997, pp.46-47
Nechvatal, J. 1998. "Computer Cynicism" Perforations 13,
http://www.pd.org/topos/perforations/perf13/compcyn.html
Nechvatal, J., 1999a. "Frame and Excess" on Perforations 19,
http://www.MacWeb3D.org/
Nechvatal, J., 1999b. "Henri Michaux's Mescaline Engendered
Drawings (and their viral diagrammatic relevance to war)" on Perforations
20, LAST STORIES http://http://www.pd.org/perforations/perf-topics.html
Nechvatal, J., 2000a.La beaut tragique:
Mapping the Militarization of Spatial Cultural Consciousness, Leonardo, Winter
Nechvatal, J., 2000b. Henri Michaux's
Mescaline Engendered Drawings (and their diagrammatic relevance to RHIZOME's
"STARRYNIGHT" programming). Zing Magazine, Winter Edition
Selected Bibliography on the Artist
2005
Frank Popper, From Technological to Virtual Art
Bruce Wands, Art in the Digital Age
Joline Blais & Jon Ippolito, The Edge of Art
Ken
Reingold, Interactive Electronics for Artists and Inventors
2004
Henri-Franois Debailleux, Peinture. Les travaux de Joseph
Nechvatal exposs Paris, 27 octobre 2004, Liberation
John Reed Joseph
Nechvatal Artforum Web 3-2004 Critcs Picks
Alan Liu on Joseph Nechvatal in the book The Laws of Cool, Chicago
Press 2004, pp. 331-336 & 485-486
velyne Rogue Interview with Joseph Nechvatal
artcogitans.com
velyne Rogue Monographie
sur CD de Joseph Nechvatal
http://www.artcogitans.com/Fr./Actus/E.Rogue.CD.J.Nechvatal.doc.pdf
Suzanne Anker on Joseph Nechvatal in reprotech catalogue
2003
Joe Lewis vOluptuary: an algorithmic hermaphornology March issue
Art in America
Christiane Paul on Joseph Nechvatal in Digital Art (Thames &
Hudson) 2003, pp. 57-58
Rachel Greene on Joseph Nechvatal March 26th www.rhizome.org
Sarah Maline on Joseph Nechvatal in polyALTERITY UMF
catalogue
2002
Robert
C. Morgan vOluptuary: an algorithic hermaphornology Tema Celeste Magazine #93 (page 94) Fall
Ken
Johnson on Joseph Nechvatal, New York Times
Barbara
Weidle Computer paintings artnet.com
2001
Nanette
Wylde Regarding a Digital Aesthetic: Speculation in Context
Kevin
Haas on Joseph Nechvatal at http://www.accumulated.org/sgc.html
Margot
Lovejoy on Joseph Nechvatal in "Postmodern Currents: Art and Artists in
the Age of Electronic Media", Prentice Hall Press
Ellen
Levy on Joseph Nechvatal in
Responses, Art Journal Spring 2001
2000
ROBERT C. MORGAN. Joseph Nechvatal at Universal Concepts Unlimited ,NY Arts Magazine, December
Issue, p.69
David Ebony, Joseph Nechvatal at Universal Concepts Unlimited, Artnet
Magazine - http://www.artnet.com/Magazine/reviews/ebony/ebony(3)11-22-00.asp
Joy Garnett, Newsgrist's Top 3: Nechvatal, Held, Ritchie,
Newsgrist, Volume 1, no. 51 (2000)
Robert C. Morgan, Digital Hybrids, pp. 75-76, in Art Press #255 (March)
1999
John Johnston, "Machinic Vision",
p.39, in Critical Inquiry, Vol. 26, No.
1
Richard Krueger, Digital Hybrids
Catalogue,
p. 5,Youngstown
Paul D. Miller, The Techno-Digita Sublime,
Artbyte, Sept/Oct
1996
Wayne Enstice & Melody Peters, Drawing:
Space, Form, & Expression, New Jersy:
Prentice Hall, pp.312-313
Jay Murphy, "Joseph Nechvatal", Galeries
Magazine
staff, "Bilder Zwischen Kulturwert und
Schaulust" Kunstmarket Koln
staff, "Joseph Nechvatal:
Computervirussen", Aalst Press
1995
staff, "Art Enters The Digital
Age", Art News, Sept/Oct
staff, "Joseph Nechvatal's Virus
Developement", Cause Toujours #2, Mai
staff, "Joseph Nechvatal",
CD-Media, Juin
Ccile Ambert, "Virus Project",
Nov Art, Juin,
Annick Hmery, Le Clone Du Trim, Joseph
Nechvatal, Clone Mai,
staff. "Joseph Nechvatal",
Liberation (March 24)
Picard, Gilles-Francois "Les Mysteres
de l'art Fractal", La Gazette No II (17 Mars)
1994
staff. "Computer Virus Project",
Bomb (Winter)
staff, "Joseph Nechvatal", Gazet
Van Antwerpen
staff, "Joseph Nechvatal;
Computerbilder", Kunst Munich
Annik Hmery, Joseph Nechvatal sur les traces de Pasteur http://www.imaginet.fr/clone/nechvat.htm
1993
Morgan, Robert C. Nechvatals Visionary
Computer Virus In Gruson, L. ed. 1993. Joseph Nechvatal:
Computer Virus Project. Arc-et-Senans: Fondation
Claude-Nicolas Ledoux, pp. 8-15
staff. "Digital Diseases", Details
(November)
staff. "Joseph Nechvatal, l'art sur
ordinateur", Le Progress (August)
Conde, Susan "La Fractalite dans
l'Art" (June)
Morgan, Robert C. "Joseph Nechvatal:
Lamentations of the Soul" After the Deluge
Pagel, David "Techno Domination",
Los Angeles Times (September)
Gruson, L. A Case of Contamination In
Gruson, L. ed. 1993. Joseph Nechvatal: Computer Virus Project. Arc-et-Senans: Fondation Claude-Nicolas Ledoux, pp. 6-7
1992
Andre, Michael "Joseph Nechvatal",
Cover (April)
Hagen, Charles "A Show of Five Artists Who Use the Look of Photo
Reproduction", The New York, NY Times (May 18)
Pocock, Philip "Interview with Joseph
Nechvatal", Journal of Contemporary Art (Fall)
1991
Crockett, Tobey "I, Robot",
Village View (March 1-7)
Frank, Peter "Art Pick of the
Week", LA Weekly (March 22-28)
Mennetrier, J.L. "Joseph Nechvatal
nouveau ' locataire' de la residence d'artiste", La Voit du Jura
(September)
Tonkinson, Carole "Footloose",
Elle Magazine (May)
1990
Amine, Patrick "Joseph Nechvatal,
Galerie Antoine Candau", Art Press
Borum, Jenifer P. "Joseph
Nechvatal", Artforum (October)
Cyphers, Peggy "Joseph Nechvatal",
Arts (September)
Engelhorn, Patrizia "Landspace of
Points", Prinz Magazine (November)
Groome, Carle VP. "Ex Statis by Joseph
Nechvatal", Ear (October)
Pallentin, Christian "Kunst", Siam
(December)
Steinlechner, Carin "Joseph
Nechvatal", Donnerstag (October)
1989
staff "Joseph Nechvatal", Los
Angeles Times (March 10)
Collins,Tricia & Milazzo, Richard
"Hyperframes: A Post-Appropriation Discourse", Vol 1
Ehinger, Asa "Joseph malar med
dator", Sydsvenskan, Lund
Frank, Peter "Pick of the Week",
LA Weekly (April 7-13)
French, David "Joseph Nechvatal",
Artscene (March)
Geer, Suvan "Joseph Nechvatal", L.
A. Times, (December 15)
Lovejoy, Margot "Postmodern Currents :
Art and Artists in the Age of
Electronic Media", UMI Research
Kandel, Susan "Joseph Nechvatal",
Arts (Summer)
Marks, Ben "A Technology Under
Control", Artweek (March)
1988
Bromberg, Craig "The Collaborative
Itch", ArtNews (November)
McCormick, Carlo "Joseph
Nechvatal", Artforum (March)
Miller, John "Joseph Nechvatal",
Artscribe (Summer)
Morgan, Robert C. "Joseph
Nechvatal", Arts (March)
Sem-Sandberg, Steve "Vart Visuella
Kaos" (Our Visual Chaos) Svenska Dagladet (December 2)
Smith, Lawrence R.- and Hagley, Doug
"An Interview with Joseph Nechvatal", Caliban 5
Zellen, Jody "Joseph Nechvatal at
Shoshana Wayne", Art Issues (Summer)
1987
Hoog, Eckhard "Im Dschungel der Bilder
Joseph Nechvatal im Aachener
Kunstverein", Aachener Volkszeitung
(May 22)
Levi, Corrado "Joseph Nechvatal",
Cover (February)
Lottmann, Joachim "Documenta-Eindrcke
von der Erffnung" Wolkenkratzer Art Journal (summer)
Malsch, Friedemann "Joseph Nechvatal
Galerie Anna Friebe" Kunstforum (January)
Siffrin-Peters, Annette "Gewirr aus
feinen Linien. Documenta-Teilnehmer
Joseph Nechvatal vorab in Aachen zu sehen,
Aachener Nachrichten (May 22)
1986
Collins, Tricia and Milazzo, Richard
"New York, NY: Tropical Codes", Kunstforum (March)
Collins, Tricia and Milazzo, Richard
"Joseph Nechvatal: Grace Under Pressure", Differentia (Fall)
McCormick, Carlo " Joseph
Nechvatal", Unsound Magazine (Vol.3 No.1)
Larson, Kay "The Flash of Truth",
New York, NY Magazine" (October 27)
Levin, Kim "Artwalk", Village
Voice (October 21)
Levin, Kim "Joseph Nechvatal" The
Village Voice (October 14)
Morlung, Ursula "Pollock als Vorbild:
Joseph Nechvatal in der Galerie Anna Friebe", Klner Stadt (October 24)
Raab, Jrgen "Humanisierung der Technik:
Joseph Nechvatal bei Anna Friebe", Klner Illustrierte (November)
1985
Collins, Tricia and Milazzo, Richard
"The New Sleep: Stasis and the Image-Bound Environment", Art Journal
(Fall)
Crary, Jonathan "Joseph Nechvatal at
Brooke Alexander",Art in America (January)
1985
Moore, Alan and Miler, Marc "ABC No Rio
Dinero: The Story of a Lower East Side Art Gallery", Published by ABC No
Rio with Collaborative Projects Inc. New York, NY
Pincus-Witten, Robert "The New
Irascibles", Arts (September)
Raynor, Vivian "Joseph Nechvatal",
The New York, NY Times (October 18)
1984
Brooks, Rosetta "Interview-Rhys Chatham
& Joseph Nechvatal", ZG, (#12 Fall)
Cotter, Holland "Joseph
Nechvatal", Arts (November)
Deak, Edit "The Critic Sees through the
Cabbage Patch", Artforum, (April)
Fisher, Jean "Joseph Nechvatal",
Artforum, (January)
Glueck, Grace "Joseph Nechvatal",
The New York, NY Times (September 21)
Jones, Ronald "Joseph Nechvatal",
Arts (December)
Kleyn, Robert "The Shadow
Reflected", ZG (#12 Fall)
Kleyn, Robert "Protective
Mimicry", Vanquard (March)
Kuspit, Donald "Joseph Nechvatal",
Artforum (December)
Masheck, Joseph Smart Art, Published by Willis, Locker & Owens, New York, NY
Robinson, Walter and McCormick, Carlo
"Slouching Toward Avenue D", Art in America (Summer)
1983
Fine, Kimberly "Joseph Nechvatal East
Village Eye (October15)
Levin, Kim " Shock of the Old",
Village Voice (September 27)
Levin, Kim "Joseph Nechvatal / Not
Vital / Robin Weglinski", The Village Voice (May 17)
McCormick, Carlo "Joseph
Nechvatal", New York, NY Beat (December)
1982
Lawson, Thomas "Joseph Nechvatal (The
Kitchen)", Artforum (April)
Raynor, Vivian "The Automatic
Salon", The New York, NY Times (June 18)
Russell, John "Inaugural Show-Jack
Tilton Gallery", The New York, NY Times (October 7)
Public Collections
Israel Museum, Jerusalem, Israel
Musee Leon Dierx, La Reunion, France
Los Angeles County Museum of Art; USA
Saline Royale, Arc-et-Senans, France
Musee de Dole, France
Portland
Museum of Art
Rose Goldsen Archive of New Media Art at Cornell University
Weatherspoon Art Gallery, University of
North Carolina, Greensboro, USA
The Schyl Foundation, Malmo Konsthall,
Sweden
The Museum of Modern Art, New York, NY, USA
The Jewish Museum, New York, NY USA
Moderna Muset, Stockholm, Sweden
The Municipal Museum of Art, Gyr, Hungary
The National Gallery of Art, Washington, USA
Museum of Contemporary Art, Los Angeles, USA
RobertShiffler Foundation, Greenville Ohio, USA
Malm Konsthall, Sweden