terrOrless phantOms

 

 

ÒWhen the very first perception of an image is linked to a structure of reproduction, then we are dealing with the realm of phantomsÉÓ

- Jacques Derrida

 

 

 

Artist Statement:

The works in the series terrOrless phantOms attempt a non-systematic examination of some fundamental, but increasingly fragile, underpinnings of Western Culture. The working premise of terrOrless phantOms is that only a few, vague, curvatious shapes are needed for a lost cultural fantasy to take shape outside of ourselves. As such, these digital paintings attempt to conjure up a forlorn wellspring of myth (both collective and personal). But a myth that signals the dynamic critical intricacy of a contemporary practice engaged in the fragile wedding of image production and image resistance. That is why they involve themselves in an enigmatic world of dissimulation games of disguise and candor.

 

 

These images are made up of an oddly permutable concoction of sexual body parts largely based on my digital photographs of ancient Greek and Roman sculpture. Obviously the work evokes a process of self-sampling and psychic self-mixing as well. Perhaps less obviously, the intent is a critique of the ideological excess of terror as engaged in by both fanatical anti-western terrorists and western mainstream media-govenment when it uses unsubstantiated myth to create seemingly objective representational meaning. We have been living through a rather pernicious bout of this recently. But I also wish to bring to the table a subversive reading of computational media by presenting, as well, a classical-based artistic hyper-self-consciousness that nevertheless articulates contemporary concerns regarding truth, identity and objectivity - and our need to question them.

 

Joseph Nechvatal 2007

 

 

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Thus when the God, whatever God was he,

Had form'd the whole, and made the parts agree,

That no unequal portions might be found,

He moulded Earth into a spacious round:

Then with a breath, he gave the winds to blow;

And bad the congregated waters flow.

 

-Ovid

 

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bury the evidence

 

 

explOsive suggestivity

 

 

waiting On a revelatiOn

 

 

this is nOt a myth

 

 

tOO bOld bacchae

 

 

dissimulatiOn games

 

 

disguise Or candOur

 

 

terrOrless One

 

 

disgraced misanthrOpe

 

 

hive mind time

 

 

mOdest libertine

 

 

unmasking jester

 

 

age Of prOpaganda

 

 

cOrrOsive candOr

 

 

dark bacchae

 

 

cOmpression transfOrmatiOn

 

 

meet my myth

 

 

underwOrld

 

 

chimera

 

 

nOimaginatiOn

 

 

 

 

 

 

 

 

 

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