|
1967 |
Maserik Gallery, Tel Aviv. |
|
1968 |
Goldberg Gallery, Edinburgh Festival. |
|
1973 |
Annely Juda Fine Art, London. |
|
1975 |
‘Urban landscape exchange’, GLAA, London. |
|
1976 |
Serpentine Gallery, London. |
|
1977 |
‘Simple fractions’, House Gallery, London. |
|
1979 |
‘Replacing’ ICA, London (Catalogue, Sarah
Kent, illus). |
|
|
‘The commercial show’, Barry Barker Ltd,
London. |
|
1981 |
‘If painting then ‘, Riverside Studios,
London. |
|
|
‘Mirroring’, Lewis Johnstone Gallery, London. |
|
|
‘Bluff and double bluff, Matt’s Gallery,
London. |
|
1982 |
Lewis Johnstone Gallery, London. |
|
1983 |
‘Representations’, Lewis Johnstone Gallery,
London. |
|
|
‘Neither a tree nor a picture’, Galerie
Akumulatory, Poznan. |
|
1984 |
‘Actualities’, Matt’s Gallery, London
(Catalogue, David Coxhead, illus). |
|
1985 |
‘Subverting a temporary edition’ Carnerawork,
London. |
|
|
Anthony Reynolds Gallery, London. |
|
1987 |
‘Pidgin paintings’, Anthony Reynolds Gallery,
London (Catalogue, Patricia |
|
|
Bickers, illus). |
|
1989 |
‘Stacks’, Anthony Reynolds Gallery, London. |
|
|
Rotterdam
Kunststichtung, Rotterdam. |
|
|
‘Safety regulation painting no.6’, Victoria
Miro, London. |
|
1990 |
Ikon Gallery, Birmingham (Catalogue). |
|
1991 |
Arnolfini Gallery, Bristol. |
|
|
Chisenhale Gallery, London. |
|
|
Anthony Reynolds Gallery, London. |
|
|
Gabrielle
Maubrie, Paris. |
|
|
Harry
Zellweger, Basel. |
|
1993 |
Kunstverein,
Karlsruhe. |
|
|
Gallery
HAM, Nagoya, Japan. |
|
1996 |
Curator, ‘The Pleasure of Aesthetic Life’, The
Showroom, London. |
|
|
‘Three Takes’, Anthony Reynolds Fine Art,
London. |
|
1997 |
Gabrielle Maubrie, Paris. |
|
1998 |
De Markten, Brussels, April. |
|
|
Minerva Gallery, Tel Aviv, April. |
|
1999 |
Gabrielle Maubrie, Paris |
|
|
Minerva Gallery, Tel Aviv |
|
1967 |
Paris
Biennale. |
|
1971 |
‘London
Art Spectrum’, Alexandra Palace, London. |
|
1972 |
‘Sculpture and sculptors’ drawings’, Annely Juda
Fine Art, London. |
|
1974 |
‘Off the top of their heads’, Artists’ Meeting
Place, London. |
|
1975 |
Garage Art Ltd, London. |
|
1967 |
Paris Biennale |
|
1971 |
London Art Spectrum, Alexandra Palace,
London |
|
1972 |
Sculpture
and sculptors drawings, Annely Juda Fine Art, London |
|
1974 |
Off the top
of their heads, Artists’ Meeting Place, London |
|
1975 |
Garage Art
Ltd, London |
|
1977 |
On Site,
Arnolfini Gallery, Bristol |
|
1978 |
Sound,
Whitechapel Gallery, London |
|
|
London
Calling, Acme Gallery, London and to Peterloo Gallery,
Manchester |
|
1981 |
The Garden
of Knowledge, The Critics Gallery, Warsaw |
|
|
Lewis
Johnstone Gallery, London |
|
1982 |
Un nuovo classicismo, Premio Lubiam, Padua |
|
|
Lewis
Johnstone Gallery, London |
|
1983 |
Photo(graphic)
vision, Winchester Gallery, Winchester |
|
1984 |
Aperto,Venice Biennale |
|
|
Problems
of Picturing, Serpentine Gallery, London (Catalogue,Sarah Kent, illus) |
|
1985 |
New Art I,
Anthony Reynolds Gallery, London |
|
|
Masterpieces
of the Avantgarde: Three Decades of Contemporary
Art - The_ |
|
|
Seventies,
Annely Juda Fine Art, London |
|
1986 |
Furniture
Sculpture, Victoria Miro Gallery, London |
|
|
No Place
Like Home, Cornerhouse, Manchester |
|
1987 |
John Moores
Liverpool Exhibition 15, Walker Art Gallery, Liverpool
(Catalogue, illus no 4) |
|
|
|
|
|
On a Plate,
Serpentine Gallery, London |
|
|
Instalment -
5 British Artists, Plan K, Brussels (Catalogue,illus) |
|
1988 |
‘ Fragments
of False Houses, Pomeroy Purdy Gallery, London |
|
1989 |
Evidence,
Anthony Reynolds Gallery, London |
|
|
Anthony
Reynolds Gallery (Dering Street), London |
|
|
The Tree of
Life, touring to Manchester, Penzance, |
|
|
Exeter,
London, Sheffield, Bradford, Durham, Eastbourne, |
|
|
Peterborough,Edinburgh, Ayr, Lincoln, Coventry (Catalogue, illus) |
|
1989 |
John Moores
Liverpool Exhibition 16, Walker Art Gallery, Liverpool
(prize winner) |
|
1990 |
Counterpoint,
Gimpel Fils, London |
|
1991 |
Kunstlandschaft Europa, Kunstverein Freiburg |
|
1992 |
Surface
Values, Kettle’s Yard, Cambridge |
|
|
15/1, Melania Basarab, London |
|
|
With
Attitude, Galerie Guy Ledune, Brussels |
|
|
And What Do
You Represent?, Anthony Reynolds Gallery, London |
|
1993 |
Moving into
View, Royal Festival Hall, London, and touring (catalogue) |
|
|
Second Tyne International,
Newcastle-upon-Tyne (catalogue, illus) |
|
1993 |
Spit in the
Ocean, Anthony Reynolds Gallery, London |
|
|
Portrait
Now, National Portrait Gallery, London (catalogue, |
|
|
illus, text
by Robin Gibson)) |
|
1994 |
Original
Paintings, Institut Francais, London |
|
|
Anthony
Reynolds Gallery, London |
|
|
London Landescapes, Associazone Culturale Velan, Torino |
|
1995 |
Cubitt
Gallery, (with Gavin Brown, Jemina Stehll, Paul Noble), London |
|
|
Pretext:
Heteronyms, Clink Street Studios, London |
|
1996 |
Anthony
Reynolds Gallery, London |
|
1997 |
L’empreinte, Musee National d’Art Moderne,
Centre Georges Pompidou, Paris |
|
|
Irredeemable
Skeletons, Shillam + Smith 3, London |
|
|
Humanism
2020, Ein-Hod Sculpture Bianalle, Israel |
|
|
619 KBB 75,
mobile, Paris and tour |
|
1998 |
Craft,
Kettle’s Yard, Cambridge (catalogue) |
|
|
A-Z
(curator: Matthew Higgs), The Approach, London |
|
|
Context, Jewish Arabic Cultural Centre, Haifa (cat.) |
|
|
4 Schilders-4x solo-4 peintres, De Markten,
Brussels |
|
|
Aalst paper biennale, Aalst |
|
1999 |
Furniture I,
Richard Salmon, Studio 4, London |
|
|
John Moores
Exhibition 21, Liverpool (Prize winner) |
|
|
Porcupines/Arthinking 1999, 291 Gallery, Lodon |
|
|
British
Artists, Galerie Krinzinger, Vienna |
|
|
Artfocus,
Jerusalem Biennale |
|
2000 |
British Art
Show 5, Edinburgh and tour (cat.) |
|
|
Live in Your
Head: Concept and Experiment in Britain, 1965-75,
Whitechapel |
|
|
Art Gallery,
London (cat.) |
|
|
Amikam
Toren/lan Breakwell, Anthony Reynolds Gallery, London |
|
|
Galway Arts
Centre, Ireland |
|
2001 |
Makeshift,
University of Brighton |
|
|
Men at Home,
Kalisher Gallery, Tel Aviv |
|
|
Live in Your
Head, Museu do Chiado, Lisbon |
|
|
A B See D,
Anthony Reynolds Gallery, London |