2015
portrait by Zack Garlitos
Joseph Nechvatal, Ph.D.
email joseph@nechvatal.net
twitter @twinkletwink
instagram josephnechvatal
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blog josephnechvatal.wordpress.com
Joseph Nechvatal's contemporary art practice engages in the
fragile wedding of image production and image resistance. Through his version
of an art-of-noise, he
brings a subversive reading to the human body through computational viruses,
articulating concerns regarding safety, identity and objectivity. In the
introduction to the book Selected Essays 1981-2001 by Peter Halley, Richard
Milazzo describes Joseph Nechvatals theoretic output as a systematic onslaught
of critical theory. (Halley, Peter Selected Essays 1981-2001, Edgewise Press.
2013, pp. 34 35)
Since 1986, Nechvatal has worked with
ubiquitous electronic visual information, computers and computer-robotics. His
computer-robotic assisted paintings and computer software animations are shown
regularly in galleries and museums throughout the world. From 1991-1993 he
worked as artist-in-resident at the Louis Pasteur Atelier and the Saline Royale
/ Ledoux Foundation's computer lab in Arbois, France on The Computer Virus
Project: an experiment with computer viruses as a creative stratagem. In 2002
he extended that artistic research into the field of viral artificial life
through his collaboration with the programmer Stphane Sikora.
Dr. Nechvatal earned his Ph.D. in the
philosophy of art and new technology at The Centre for Advanced Inquiry in the
Interactive Arts (CAiiA) at the University of Wales, Newport, UK where he
served as conference coordinator for the 1st International CAiiA Research
Conference Consciousness Reframed: Art and Consciousness in the Post-Biological
Era (July 1997); an international conference which looked at new developments
in art, science, technology and consciousness. From 1999 to 2013 Nechvatal taught
in the mfa graduate department at the School of Visual Arts in New York City
(SVA). His book of essays Towards an Immersive Intelligence: Essays on the
Work of Art in the Age of Computer Technology and Virtual Reality (1993-2006)
was published by Edgewise Press in 2009. In 2011 his book Immersion Into Noise
was published by the University of Michigan Library's Scholarly
Publishing Office in conjunction with the Open Humanities Press. He
has also published two books with Punctum Press: Miny (ed.) (2014) and Destroyer of Naivets (2015).
The Joseph Nechvatal archive
is housed at The Fales Library (Downtown Special Collection) at N.Y.U. in New
York City
Collected
Nechvatal essays and reviews published at Hyperallergic
can be accessed here
Collected
Nechvatal interviews and reviews published at The Brooklyn Rail here
Collected
Nechvatal essays and reviews at published Whitehot
Magazine of Contemporary Art can be accessed here
Web
archives of papers by and on Nechvatal can be accessed here at academia.edu and here at
www.scribd.com
Recorded
and printed interviews, audio works and key texts are archived on the web here at Internet Archive Org https://archive.org/
Biography
1951 Born in
Chicago, Illinois
1969 Hinsdale
Central High School
1974 B.F.A.
Southern Illinois University
1974-75 M.F.A.
Studio Work Cornell University
1977-78 M.Phil
Work in Philosophy Columbia University
1999 Ph.D. in
the Philosophy of Art at the Centre for Advanced Inquiry in the Interactive
Arts (CAiiA-STAR), University of Wales, Newport, Wales, U.K.
2003-2009
Professor at Stevens Institute of Technology, Hoboken, N.J.
1999-2014
Professor at The School of Visual Arts (SVA), NYC
2014 Moved to
Paris, France
2014 2020 Parisian
Correspondent for Hyperallergic
Grants
1983 Caps Grant,
Painting
1985 National
Endowment for the Arts, Painting
1985 National
Endowment for the Arts, Opera and Musical Theater
1985
Massachusetts Council of the Arts, Performance
1985 Fabric
Workshop Residency
1986 National
Endowment for the Arts, InterArts
1986 Foundation
for Contemporary Performance Arts, Inc.
1988 New York,
NY Foundation for the Arts, Painting
1989
Pollock-Krasner Foundation Award
1991-1993
Artist-in-Residence, Atelier Louis Pasteur, Arbois, France
1992-1993
Artist-in-Resident, Fondation Claude-Nicolas Ledoux's computer lab in
Arc-et-Senans, France
1992 New York,
NY Foundation for the Arts, Painting
1995 Artist-in
Residence, Cit internationale des arts, Paris
1996-8 Research
Fellowship, University of Wales, CAiiA, Newport, U. K.
1997 New York
Foundation for the Arts: Computer Arts
2003 New York
Foundation for the Arts: Computer Arts
2020 Foundation
for Contemporary Arts, Inc.
Selected
One-Person-Exhibitions
2020
Orlando et
la tempte, Galerie Richard, Paris
Informed
Men (1986-1987), Galerie Richard at Kunstmatrix
Viral
Venture, White Page Gallery / Fuori Visioni art center, Piacenza, Italy
2019
Joseph
Nechvatal: Computer Virus Project 1.0, J. Yuan & Associates, Artsy, New
York City
2018
viral
pastOral pleasures, Galerie Omnius, Arles, France
2017
Computer
Virus 1.0 and the Return of Lazarus, Galerie Richard, New York City
2016
Destroyer
of Naivets: Computer Virus 1.0, Galerie Richard, Paris
1% Owns 50% of
the World, Anthology Film Archives, New York City
2015
Odyssey
pandemOnium, Galerie Richard, New York City
viral
castratO, Budapest Art Factory, Budapest
bOdy
pandemOnium, Art Laboratory Berlin, Berlin
2014
PrOtOcOls nOn, Galerie Richard,
Paris
Joseph Nechvatal: From
Photography to Post-Photography, Galerie Omnius, Arles, France
2013
Aesthetic States of
Frenzy, The New School, April 13th (projection/reading) New York City
Destroyer of Naivets (live projection), Neurosciences, Esthtique
et Complexit, GDR ESARS, Paris
nOise anusmOs, Galerie Richard, New York City
Immersion Into Noise,
performance/lecture, Zentrum fr Kunst und Medientechnologie (ZKM), Karlsruhe
Germany 10/27/2012
2011
Viral Venture large screen projection, Beatrice Theatre, School of
Visual Arts, New York City
2010
Art Rtinal Revisit: Histoire de lOeil, Galerie Jean-Luc &
Takako Richard, Paris
vOglia, Claudio Bottello Galerie, Torino, Italy
Viral Venture, cole Suprieure d'AudioVisuel, Universit de
Toulouse le Mirail, Toulouse
Viral Venture, White Slab, screening sponsored by The Thing, Apr
27th, New York, NY
2009
terra incOgnitO,
Wm Turner Gallery, Atlanta, Georgia, USA
2008
Joseph
Nechvatal: Recent Paintings, Galerie Jean-Luc & Takako Richard, Paris
2006
Joseph Nechvatal, The Butler Institute of American Art's Beecher
Center, Youngstown, Ohio
Metaphysics and the Virtual, Roger Smith Lab Gallery, NYC
2005
cOntaminatiOns, Le chteau de
Linardi, Senouillac France
Translaocation
of the Virtual Reality, Galerie In Situ, Aalst, Belgium
Ex-naturae, la Chapelle des Templiers, Metz, France
2004
Aventures
Virales, Galerie Mabel Semmler, Paris
Real Time,
Universal Concepts Unlimited Gallery, New York City
After Virus,
Galerie RLBQ, Marseille, France
Viral
Counter-Attack,Espace Landowski, Paris (with Music2eye)
After Attack,
Heart Galerie, Paris (with Music2eye)
2002
vOluptuary: an
algorithic hermaphornology, Universal Concepts Unlimited Gallery, New York City
2001
SilicOn valley : nunciative mOdality and a viral redux, Galerie
Karin Sachs, Munich
Compliant 2.0 Libidinal Bodies in the Bit-stream (Enhanced Corpus
Rotundum), Julia Friedman Gallery, Chicago
Transformers
(Virus Projects 1.0 & 2.0) Moving Image Gallery, New York City (two-person
exhibition of Joseph Nechvatal and Cory Arcangel)
2000
ec-satyricOn
2000,Universal Concepts Unlimited Gallery, New York City
1999
Viral Beauty,
Boston Cyber Arts, Boston
1997
Das Neural Netz,
(collaboratively with Mathias Groebel) Galerie Karin Sachs, Munich
1996
Joseph Nechvatal
Retrospective, Galerie Berndt, Kln (catalogue)
Joseph Nechvatal & Steve Miller,Parsons Gallery, Paris
Les Archons Galerie Multimdia IESA Institut dEtudes Suprieures
des Arts, Paris
1995
Alt.sex,
(collaboratively with Mathias Groebel) Galerie In Situ, Aalst, Belgium
Les Archons,
Galerie Multimedia, Paris
Angels,Broken
Hearts and Computer Viruses, Galerie Karin Sachs, Munich
1994
Computer Virus
Project, Espace d'Art Yvonamor Palix, Paris (catalogue)
Information
Bruit Culture, Galerie Traje, Besancan, France
Computer Virus
Project, Galerie In Situ, Aalst, Belgium (catalogue)
1993
Computer Virus
Project, The Saline Royale, Arc-et-Senans, France (catalogue)
The Destiny of
Painting, Galerie Karin Sachs, Munich
1992
Joseph
Nechvatal, Galerie Antoine Candau, Paris
Tombeaux, Brooke
Alexander, New York, NY, NY
1991
Joseph
Nechvatal, Shoshana Wayne Gallery, Santa Monica, CA
1990
Joseph Nechvatal,
Musee des Beaux Arts de Dole, France (CD Rom catalogue)
Joseph
Nechvatal, Brooke Alexander, New York, NY (catalogue)
Joseph
Nechvatal,Galerie Karin Sachs, Munich
Joseph
Nechvatal, Galerie Antoine Candau, Paris (catalogue)
1989
Joseph
Nechvatal,Gallery Fahl, Stockholm
Joseph
Nechvatal, Anders Tornberg Gallery, Lund (catalogue)
Joseph
Nechvatal, Shoshana Wayne Gallery, Santa Monica, CA
1988
Joseph Nechvatal
Computer-Robotic Paintings: 1986-1987, Illinois State University, Normal
(catalogue)
Joseph
Nechvatal, De Selby Gallery, Amsterdam
Joseph
Nechvatal, Galerie Antoine Candau, Paris
1987
Joseph
Nechvatal, Brooke Alexander, New York, NY
Joseph
Nechvatal, NeuerAachenerKunstverein, Aachen
Joseph
Nechvatal, Gallery Engstrom, Stockholm
1986
Joseph Nechvatal:
Photographs,Greathouse, New York, NY
Joseph
Nechvatal, Anna Friebe Galerie, Cologne
Joseph
Nechvatal, Vanquard Gallery, Philadelphia
1985
Joseph
Nechvatal, Brooke Alexander, New York, NY
Joseph
Nechvatal, Anders Tornberg Gallery, Lund
XS: An Installation,
Gray Art Gallery, East Carolina Univerity, Greenville (catalogue)
1984
Joseph
Nechvatal, Brooke Alexander, New York, NY (catalogue)
Joseph
Nechvatal: Grace Under Pressure,Gallery Nature Morte, New York, NY
Motives Installation:
Nature and NATO, Joseph Nechvatal and Christy Rupp. Albright-Knox Art Gallery
1983 (catalogue)
Joseph
Nechvatal, Brooke Alexander, New York, NY
Joseph
Nechvatal, Semaphore Gallery, New York, NY
Joseph
Nechvatal, Spiritual America, New York, NY
1982
Joseph
Nechvatal: When Things Get Rough on Easy Street, The Kitchen, New York, NY
1981
Joseph
Nechvatal: The End of the World, Real Art Ways, Hartford, Connecticut
The Occult Power
of Technology: Part I, P.S. #1, Long Island City, NY
The Occult Power
of Technology: Part II, The Drawing Center New York, NY
Nuke Me, Nuke My
Dog video for Colab Potato Wolf cable broadcast show produced by Joseph
Nechvatal with performance by Ilona Granet and reading by Michael Parker
1979
Methadone
Median, abandoned methadone center on west Canal Street, New York, NY
Selected Group Exhibitions
2021
Grands Formats, Galerie Richard, Paris
One Hour International Short Film Festival (OHISFF), March 21,
artHAUS, Auckland
2020
Viral Venture, The Sensorium Art Show: Media Virality and the
Lockdown Aesthetic, University of East London. University Square Stratford,
London
Audiosphere: Social Experimental Audio, Pre- and Post-Internet,
Museo Nacional Centro de Arte Reina Sofa, Madrid, Spain
Untitled, Galerie Richard, Paris
Non/Voluti, Politecnico, Milano, Italy
Festival del silencio, Aparador Cuchilla, Mexico City
Oeuvres Choisies, Galerie Richard, Paris
Colab No More Store, James Fuentes Gallery, New York City
2019
Art and Artificial Intelligence, ZKM: Center for Art and Media,
Karlsruhe, Germany
Encountered Error, Socit, Brussels, Belgium
30 ans, Galerie Richard, Paris
2018
Digital Painting, Galerie Richard, New York City
Platos Cave, EIDIA House, Brooklyn, New York City
80s New York, Brooke Alexander Gallery, New York City
Mark Me: Group Drawing Show, Cross Contemporary Art, Saugerties,
New York
Color Matters,Galerie Richard, New York City
2017
Body Esc: Taboo - Transgression Transcendence zin Art &
Science 26-28 May 2017, Ionian University, Corfu Greece
The Real Estate Show: Documentation of the original show from 1980
from the Archive Collection of ABC No Rio, Spor Klubu, Berlin
The Real Estate Show Extended/Berlin, Kunstpunkt, Berlin
arte/scienza/biotecnologia II, Museo del Ferrocarril, San Luis
Potosf, Mexico
Collection Particulire, Galerie Omnius, Arles, France
Publishing as an
Artistic Toolbox, Kunsthalle Wien, Vienna (Tellus #20 Media Myth, curated by
Joseph Nechvatal, exhibited)
2016
Every Future Has A Price: 30 Years After Infotainment, Elizabeth
Dee Gallery, New York City
Paradise: underground culture in NYC 1978-84, Steven Harvey Fine
Art Projects, New York City
arte/scienza/biotecnologia, Museo Nacional de la Mscara, San Luis
Potos, Mexico
A More Store, Printed Matter, Inc., New York City
AHA Festival, Chalmers University of Technology, Departments of
Architecture and Physics, Gothenburg Sweden
Battambang International Digital Arts Festival, Battambang,
Cambodia (July 19th - 24th) Zan-A-Key Art Space, showing Les 1% possdent 50%
du mode (1% Owns 50% of the World) loop
A Show about Colab (and
Related Activities) Printed Matter, New York, NY
Art, Access & Decay:
New York 1975-1985, Subliminal Projects, Los Angeles
Looking at Music
3.0, (Tellus) MOMA, New York, NY
Art Protects, Galerie Yvon Lambert, Paris, France
Pixxelpoint, Nova Gorica,
Slovenia
Parallel Threads, School of Visual Arts Gallery, New York, NY
Electronic work in the Collection Frank Popper, Centre d'Art
Contemporain Frank Popper, Marcigny, France
2009
Art Protects, Galerie Yvon Lambert, Paris, France
Collection of Frank Popper, Centre d'Art Contemporain Frank
Popper, Marcigny, France
Redux, Wm Turner
Gallery, Atlanta, Georgia, USA
Colab Show, 100
Church Street, New York, NY
Maniac, Hartford
ArtSpace Gallery, Hartford, Connecticut
2008
Beaux Arts:
French Contemporary, Wm Turner Gallery, Atlanta, Georgia
Colab Reduxe,
Brooke Alexander Gallery, New York, NY
After The Net,
Observatori, Valencia, Spain (catalogue: Observatori 2008: After The Future, p.
80)
ECAM 2008, The
National Center for the Arts, Mexico City, Mexico
Continuous
Current, Westside Gallery, New York, NY
2007
The End(s) of Photography: Modeling the Photographic, McDonough
Museum of Art, Youngstown, Ohio
Insatiable Streams, Beijing BS1 Contempoary Art Center,
Caochangdi, China
iea: Ten Years of The Institute for Electronic Arts, BS1
Contemporary Art Center and Zero Field Art Center, Beijing, China
Sound Art in a Limo,in cooperation with the Armory Art Fair,
curator Holly Crawford, NYC
AIDES,Yvon Lambert, Paris
2006
The Downtown
Show : The New York Art Scene 1974-1984, Grey Art Gallery. NYU, New York City
Reshuffle,Center for Curatorial Studies Bard College, New York
City
Copilandia, Gratis, Sevilla, Spain
The Downtown
Show : The New York Art Scene 1974-1984, Andy Warhol Museum, Pittsburgh
Numeripop, Viral Counter Attack (with music2eye) St Brieuc,
France
The Downtown
Show : The New York Art Scene 1974-1984,Austin Museum of Art, Texas
Honest Echo, 2 X 13 Gallery, New York City
Computer Fine Art Collection of Doron Golan, [DAM]
Ausstellungsrume des Digital Art Museum, Berlin
Re:connect, Institute for Electronic Arts, Alfred, NY
2005
ElectroScape Shanghai Zendai Museum of Modern Art, Shanghai
6eme carrefour de l'image de l'Ocan Indien, Le Port. Ile de la
Runion
Vintage East Village, Hal Bromm Gallery, New York
2004
Digital Sublime : Gwangju Biennale MOCA
Taipei
(catalogue)
reprotech, New York Academy of Science, New York City (catalogue)
Hyper-Runt: Anxiety and Malformation in the Techno Womb, Inliquid,
Philadelphia
Art In Motion, University of Southern California School of Fine
Arts, L.A.
Touch and Temperature, Bitforms Gallery, New York City
trans>, Participant Inc, New York City
Viral Counter Attack, Art Metz. Foire europenne d'Art
Contemporain. Image-Mouvement, Metz France (with music2eye)
Digital Stories,[DAM] Ausstellungsrume des Digital Art Museum,
Berlin
Viral Counter Attack, Rsidence la Gat lyrique. Paris. France
(with music2eye)
East Village USA, New Museum, New York (catalogue)
Touch and Temperature, Deborah Colton Gallery, Houston
Viral Counter Attack, Festival Art-borescence 01 Paris. France
(with music2eye)
Viral Counter Attack, Galerie RLBQ. Festival RIAM01. Marseille.
France (with music2eye)
2003
Synthetic Lightings: Complex Simulations of Nature, Center for
Photography, Woodstock, NY
Polarities, The Wall Street Journal Lobby Gallery, New York City
(catalogue)
FuturNET, Rome
NOTEBOOK, Artscape, Pinkard Gallery, Maryland Institute College of
Art, Baltimore
Peam2003, Pescara Italy (CD-Rom catalogue)
THE SPIRITUAL IN DIGITAL ART, Evergreen Cultural Centre,
Coquitlam, Canada
Open For Action,
The Center For Book Arts, New York, NY
2002
Post-Flesh, University Gallery, California State University,
Sacramento, CA
media_city seoul 2002, Seoul Museum of Art, Seoul, South Korea
(catalogue)
Ornamente : 3 Positions of Conceptual Art, Galerie Berndt, Koln
NIGHT VISION, Illinois State University, Normal, Illinois (catalogue)
Contaminaction, Jeune Creation, Paris
Reality Revisited, IN SITU, Aalst, Belgium (web catalogue http://www.eyewithwings.net/reality_revisited)
Reality Revisited, Galerie Martin Kudlek, Koln, Germany (web
catalogue)
NIGHT VISION, White Columns, New York City (catalogue)
SPLIT FESTIVAL, Split, Croatia
info@blah :: mining the data glut, iKatun, Boston
20001
LE PROJET VIRUS
2001, Mains DOeuvres, Paris
Cin-o-matic: Memory and Cinematic Perception, T he New Museum, New
York City
The Collector,
Universal Concepts Unlimited Gallery, New York City
1.44 Megs,
Moving Image Gallery, New York City
The Graphic Art Biennial, Gyr, Hungary
2000
Remote Experience Dependency, Universal Concepts Unlimited, New
York City
Noise: The
Digital and the Discrete,Whipple Museum of the History of Science, Cambridge
(catalogue, with essay by Bruno Latour)
The Perpetual
Well, Samuel Harn Museum of Art, Gainesville, Florida
The Perpetual
Well, Parrish Art Museum, Southhampton, NY
Rounders,
Universal Concepts Unlimited, New York City
polyALTERITY,
UMF Art Gallery, Farmington, Maine (catalogue)
1999
Reflex: Matthias Groebel, Joseph Nechvatal, Endre Tt, Galerie Berndt, Koln
Digital Hybrids,
McDonough Museum of Art, Youngstown, Ohio (catalogue)
The
Techo-Digital Sublime, Central Fine Arts, New York City
MA(R)KING,
Central Arts, Tuscon, curated by Elaine E. King (catalogue)
Three
Computer-related Artists, Galerie Berndt, Kln
Links:
Schilderkunst in Extremis? Kunstcentrum Sittard, Maastricht
Diverse
Dialogues, Aljira Center for Contemporary Art, Newark
Old School,
Life, New York City, curated by Carlo McCormick
1998
Body Mcanique,
Wexner Center, Columbus Ohio (catalogue)
Thundergulch:
Computer Arts Fellows, NYC Technology Center
Chaos and
Capacity, Central Fine Arts, Inc. NYC
1997
Art Fractal,
Gallerie Ricard, Paris (catalogue)
Zoom (Fractal),
Stae University of New York, NY, Purchase (catalogue)
1995
BLAST
Bioinformatica, Kolnischer Kunstverein, Koln (catalogue)
BLAST, Galerie
des Archives, Paris (catalogue)
Veered Science,
Huntington Beach Art Center, California (catalogue)
In Corpus
Machina, Espace d'Art, Paris
BLAST
Bioinfomatica, Javier Lopez Gallery, London
Reinventing The
Emblem, Yale University Art Gallery (catalogue)
Die Schnheit Der
Fraktale, Galerie Karin Sachs, Munich
Transiti, Arx
Art Gallery, Torino, Italy (catalogue)
Art Fractal:
t,Galerie Angle Art Contemporain, St. Paul-Tro Chteau
Alternatives: 20
Years of Hallwalls Contemporary Arts Center 1975-1995, Burchfield-Penney Arts
Center, and Castellani Art Museum Buffalo, NY
1994
Excess in the
Techno-Mediacratic Society, Shoshana Wayne Gallery, Santa Monica, Ca. (curated
by Joseph Nechvatal) (catalogue)
Logo, Non Logo,
Thread Waxing Space, New York, NY (curated by Morgan, Robert C. and Restany,
Pierre and Salpeter, Ellen F.)
Art & Virus,
Gallery Yaki Kornblit, Amsterdam (catalogue)
Tohu-Bohu,
esthtiques de la complexit fractale, Galerie de l' etoile, Paris (catalogue)
Art & Virus,
Galleria Del Ventaglio Contemporanea, Udine, Italy (catalogue)
Lo Specchio di
Proteo, Perugia, Alessandria, Italy (catalogue)
Figures
d'Origines, Chapelle Salpetriere, Paris (catalogue)
1993
Computeruntersttzte
Kunst, Kunstlerwerkstatt, Munich (catalogue)
L'Opera Al Femminile,
Galleria Arx, Torino
Bodies, Atelier
of Philip Pocock, Kln
Excess in the
Techno-Mediacratic Society, Musee D'Arbois, France (curated by Joseph
Nechvatal) (catalogue)
Excess in the
Techno-Mediacratic Society,Galerie Krinzinger, Vienna (curated by Joseph
Nechvatal)
Erlebnis E
Alterita, Galleria Marco Noire, Torino (catalogue)
Hiding /
Revealing, Galerie In Situ, Aalst
La Fractalite
Dans L'Art, Campus de La Doua, Villeurbanne (catalogue)
Mediale Hamburg
(catalogue)
Painting as
Paradigm, Stark Gallery, New York, NY
Procedures:
Informatiques, Ecole Nationale Superieure des Beaux Arts, Paris
Presentation,
NeuerAachenerKunstverein, Aachen
1992
Ecstasy, Dooley
Le Cappellaine, New York, NY
L'Epreuve
Numerique, Centre National de la Photographie, Paris
New York, NY
Artists, Galerie Bernhard Steinmetz, Bonn
10th Anniversary
Visiting Artists Exhibition, Ewing Gallery, University of Tennessee at
Knoxville
Representation,
Reproduction and Photography: Andy Warhol, Richard Artschwager, Ellen Brooks,
Mark Tansey and Joseph Nechvatal, Usdan Gallery, Bennington College,
Bennington, VT (catalogue)
1991
Outside Ameirca:
Going into the 90s, Fay Gold Gallery, Atlanta
1990
20th Anniversary
Exhibition White Columns, New York, NY
All Quiet on the
Western Front, Galerie Antoine Candau, Paris (catalogue)
Exchange of
Information, New York, NY Telephone New York, NY
Le Tableau des
Riches Inventions, Picaron Editions, Amsterdam
The Unique
Print: 70s into 90s, Lois & Michael Torf Gallery, Museum of Fine Arts,
Boston
1989
Theater on
Paper, The Drawing Center, New York, NY
Once upon A Time
There Was A Photograph, Barbara Gillman Gallery, Miami
After Collapse:
Rebuilding Expressive Media, State University, Amherst, Ma.
Strange
Attractors: Signs of Chaos, The New Museum of Contemporary Art, New York, NY
(catalogue)
Standplaats AKI,
Akademie Voor Beeldende Kunst, Enschede, The Netherlands
Moderne Kunst,
Malmo Kunsthallen Brandts Klaedefabrik, Odense, Malmo Sweden
Erotic America,
(curated by Joseph Nechvatal) Galerie Antoine Candau, Paris (catalogue)
1988
Art at the End
of the Social, Rooseum, Malmo, Sweden (catalogue)
New Visions of
the Apocalypse, Museum of Art, Rhode Island School of Design, Providence
(catalogue)
New York, NY
Now, Guthenberg Art Museum (traveled in Sweden and Finland) (catalogue)
Perpetual
Subversions, Bruno Facchetti, New York, NY
Computer
Assisted: The Computer in Contemporary Art Freedman Gallery, Albright College,
Reading, Pa.
Committed to
Print, The Museum of Modern Art, New York, NY (catalogue)
1987
Chemical Field,
De Zaak, Groningen
Digital Visions:
Computers and Art, Everson Museum of Art, Syracuse (catalogue)
Digital Visions:
Computers and Art, IBM Gallery NYC (catalogue)
New Coordinates,
Simard, Halm and Shee Gallery, Los Angeles
1987
Documenta 8,
Kassel Germany (catalogue)
This is not a
Photograph: Twenty Years of Large-Scale, Photography: 1966-1986, The John &
Mable Ringling Museum of Art, Sarasota, Fl. (catalogue)
This is not a
Photograph: Twenty Years of Large-Scale, Photography: 1966-1986, Akron Art
Museum, Ohio (catalogue)
This is not a
Photograph: Twenty Years of Large-Scale, Photography: 1966-1986, The Chrysler
Museum, Norfolk, Va. (catalogue)
1986
Drawings from
the Collection of Dorothy and Herbert Vogel, University of Arkansas at Little
Rock
Drawings from
the Collection of Dorothy and Herbert Vogel, University of Alabama Moody
Gallery of Art
Drawings from
the Collection of Dorothy and Herbert Vogel, Tuscaloosa Pennsylvania State
University
Drawings from
the Collection of Dorothy and Herbert Vogel, Palmer Museum of Art, University
Park
Il Cangiante,
Padiglione d'Arte Contemporanea, Milano
Metabody,
Hallwalls, Buffalo, NY (catalogue)
Spiritual
America, CEPA, Buffalo, NY
Pay Attencion,
Brandts Palchus Galleri, Copenhagen
Drawings, Piezo
Electric, New York, NY
Time after Time,
Diane Brown Gallery, New York, NY
Face It, Anders
Tornberg Gallery, Lund, Sweden
1985
Infotainment,Texas
Gallery, Houston (catalogue)
Infotainment,
Rhona Hoffman Gallery, Chicago (catalogue)
Infotainment,
Vanquard Gallery, Philadelphia (catalogue)
Infotainment,
Aspen Art Museum, Aspen Colo. (catalogue)
Infotainment, De
Selby Gallery, Amsterdam (catalogue)
Infotainment,
Galerie Montenay-Delsol, Paris (catalogue)
XEROX: States of
the Art, Todds Copy, New York, NY
Purgatorio Show
85, C.U.A.N.D.O., New York, NY
Correspondences:
New York, NY Art Now, Laforet Museum Harajuku, Tokyo (catalogue)
Correspondences:
New York, NY Art Now, Tochigi Prefectural Museum of Fine Arts, Utsunomiya
Correspondences:
New York, NY Art Now, Tagaki Hall Espace Media, Kobe (catalogue)
Anniottanta
Castel Sismondo, Palazzina Moster, Chiesa di Santa Maria ad Nives, Rimini
Anniottanta
Castel Sismondo, Galleria Comunale d'Arte Moderna, Bologna
Whitney
Biennial: Group Material, The Whitney Museum of American Art, New York, NY
Memento Mori,
Moore College of Art Gallery, Philadelphia (catalogue)
Ingenious
Fabrications: Recent Projects from the Fabric Workshop, Gallery 400, University
of Illinois at Chicago, Chicago
1984
Drawings,
Paintings, and Sculpture, Brooke Alexander, New York, NY
Smart Art: New
Work from New York, NY, Carpenter Center for the Visual Arts, Harvard
University, Cambridge, Ma. (catalogue)
Disarming
Images: Art for Nuclear Disarmament, Contemporary Arts Center, Cincinnati
(catalogue) (travelled to ten institutions in the United States)
Via Satellite,
Amerika-Haus, Cologne (catalogue)
Natural Genre,
Fine Arts Gallery, School of Visual Arts, Florida State University (catalogue)
The New Capital,
White Columns, New York, NY (curated by Collins & Milazzo)
Drawings by
Contemporary Figurative Artists, Meyerhoff Gallery, Maryland Institute, College
of Art, Baltimore (catalogue)
Humanism: An
Undercurrent, University of South Florida, Tampa
Romance and
Catastrophe, Piezo Electric, New York City
Contemporary
Perspectives, Center Gallery, Bucknell University, Lewisburg, Pa.
Motives,
Albright-Know Art Gallery, Buffalo, NY (catalogue)
New York, NY
New: 26 Artists, Studio di Corrado Levi, Milano (catalogue)
Dessins,
Gillespie-Laage-Salamin, Paris
1983
New York, NY, Kunstmuseum,
Aalborg (catalogue)
New York, NY,
Randers Kunstmuseum (catalogue)
Contemporary
Drawings, Barbara Krakow, Boston
Four New York,
NY Artists, Jack Tilton Gallery, New York, NY
Rotating Group
Show, Paula Cooper Gallery, New York, NY
Speed Trials,
White Columns, New York, NY
Joseph Nechvatal
/ Not Vital / Robin Weglinski, Gallery Nature Morte, New York, NY
1982
The Atomic
Salon, Ronald Feldman Gallery, New York, NY
1981
The Positive
Show, ABC No Rio, New York, NY
New Drawings,
The Drawing Center, New York, NY (catalogue)
The Doomsday
Show, Artists Space, New York, NY
The Monumental
Art Show, Brooklyn, NY
The Inauguration
Show, ABC No Rio, New York, NY
1980
Colab :
Collaborative Projects, Brooke Alexander, New York, NY
Murder, Suicid
&, Junk, ABC No Rio, New York, NY
Artists for
Survival, ABC No Rio, New York, NY
Power for Peace:
Our Lost Horizon, White Columns, New York, NY curated by Peter von Brandenburg
The Times Square
Show, Times Square, New York, NY
Audio Work
(excluding numerous cassette compilations)
2021
Wave Farm WGXC
radio 90.7-FM broadcast of the 49 minute OrlandO et la tempte viral symphOny
redux suite
2020
KOWS FM, an FCC
licensed Community Radio Station broadcasting from Occidental, California at 92.5
FM, broadcast Orlando et la tempte viral symphOny redux on December 31st
on the No Pigeonholes show
Audiometric
Radio broadcast an excerpt of Orlando et la tempte viral symphOny redux on
December 19
Joseph Nechvatal
and Andrew Deutsch published an audio art track on bandcamp called Orlando et
la tempte viral symphOny redux (16:13 min) on October 13
Wave Farm Radio
WGXC 90.7-FM broadcast the complete viral symphOny on June 6th from
10pm-11:59pm
chOke 433 was
broadcast on the Staalplaat Radio Show 2020-27 on DFM.nu on December 24th
Harvestworks, on
June 23, 2020 at 5 pm, broadcast on Twitch.tv/harvestworks of the CD first
movement of viral symph0ny by Joseph Nechvatal with interviews with the artist
Wave Farm WGXC
radio 90.7-FM broadcast Cave Bacchus Destroyer of Naivets on June 20th
from 10pm-11:59pm
chOke, 433
audio collage internet release via Bandcamp on evolution sound chaos cut theory
project assembled by Institute For Alien Research
Orlando et la
tempte viral symphOny redux, in collaboration with Andrew Deutsch, 1613
audio track internet released on Bandcamp
Endless
Entertainment, 411 audio collage internet released by PBK Recordings on
Bandcamp, first released on cassette by PBK Recordings in 1990
2017
Ego Masher track
included in An Anthology Of Noise & Electronic Music #6 by Sub Rosa Label
Publishing as an
Artistic Toolbox, Kunsthalle Wien, Vienna (Tellus #20 Media Myth, curated by
Joseph Nechvatal, exhibited)
Destroyer of
Naivets (snippet) published on Generator Twenty Seven Years, C-110 cassette
& download published by Generations Unlimited
2016
Destroyer of
Naivets by Cave Bacchus (Joseph Nechvatal, Black Sifichi, Rhys Chatham) CD
(E207) released on the Entracte label
Five channel playback performance of the Destroyer of Naivets
recording by Cave Bacchus (Joseph Nechvatal, Black Sifichi, Rhys Chatham) at
Harvestworks, New York City
viral symphOny sound sculpture at AHA Festival, Chalmers
University of Technology, Departments of Architecture and Physics, Gothenburg
Sweden
2015
3 pOstmOrtems (for
Dieter Roth), noise music performance at Art Laboratory Berlin, Berlin
2014
A three minute
excerpt from viral symphOny was included on Master Cactus, a special edition
issue cassette release curated by Gen Ken Montgomery Cassette
2013
Gen Ken
Montgomery performed and recorded 3 pOstmOrtems (for Robert Rauschenberg) - an
adaptation of the last movement from viral symphOny - as part of his Generator
Sound Art exhibition held at Audio Visual Arts gallery (AVA) in New York City
on October 3rd, 2013
2012
viral symphOny was
re-mastered into 5.1 surround sound and presented as an immersive concert on
April 12, 2012 at Harvestworks in New York City
The complete
viral symphOny was performed as the soundtrack to a digital art projection by
Joseph Nechvatal (in collaboration with Stephane Sikora) on April 28, 2012 at
Galerie Richard in New York
2010
The complete
viral symphOny was Web published in 2010 as part of the W2F Festival
Viral Concerto
by Rhys Chatham (based on the viral symphOny) was performed at Galerie Richard
(Paris) on September 26, 2010
The complete
viral symphOny was performed as the soundtrack to a digital art projection by
Joseph Nechvatal (in collaboration with Stephane Sikora) on September 26, 2010
at Galerie Richard in Paris
2010
viral symphOny
performed in its entirety on web radio SYN France from September 30 to October
7th three times a day
2009
viral symphOny
performed in its entirety at Diapason, Brooklyn, New York, Feb. 13th
SoundLAB VI
selected artist
viral venus
vibratOr web published at Soanyway
2008
viral symphOny
chosen as prize winner at the 9th Festival Internacional de Investigacin
Artstica de Valencia, After The Net, 5 29 June 2008, Valencia, Spain
(catalogue: Observatori 2008: After The Future, p. 80)
viral symphOny
(28'09) and murmuring tOngue Of Ovid (20:53) web published at UbuWeb http://www.ubu.com/sound/nechvatal.html
200
viral symphOny,
CD produced by the IEA label
2000
~~~~~~~~~~~~~~~~~venus-~~vibrator,
even, CD with electronic musical background generated by David Lee Myers,
produced by David Lee Myers
1988
Tellus #20 Media
Myth, Audio Cassette Magazine, curated by Joseph Nechvatal
1986
Tellus #13 Power
Electronics, Tellus Audio Cassette Magazine, curated by Joseph Nechvatal
Babbling Tongues
of Metamorphosis, audiocassette produced by Sound of Pig Music
1985
True and False,
audiocassette produced by XOX
New York Radio
Night, Joseph Nechvatal & Tron Von Hollywood, audiocassette produced by
Sound of Pig Music, SOP 168
German Future -
European Plan, audiocassette produced by Sound of Pig Music, SOP 277
Out of Context,
3 Absurd excerpts by Joseph Nechvatal with various artists, cassette attached
to a booklet by velcro. Reissued as a limited-edition CDR in 2010.
1984
Reckless, audiocassette
produced by Sound of Pig Music, SOP 217
Purge (One
Continuous Loop), audiocassette produced by Sound of Pig Music, SOP 273
1983
Sleep, audio
cassette produced by Sound of Pig Music SOP 140
Selected Installations and Performances
2020
Wave Farm Radio
WGXC 90.7-FM broadcast the complete viral
symphOny on June 6th from 10pm - 11:59 pm
Harvestworks, on
June 23, 2020 at 5 pm, broadcast on Twitch.tv/harvestworks of the CD first
movement of viral symph0ny by Joseph
Nechvatal with interviews with the artist
Wave Farm WGXC
radio 90.7-FM broadcas Cave Bacchus Destroyer
of Naivets on June 20th from 10pm-11:59pm
2018
Pull My Crazy :
a conversation on culture with Jean-Jacques Lebel and Joseph Nechvatal, Mona
Bismarck American Center Paris
2016
1% Owns 50% of
the World, Anthology Film Archives, New York City, May 16-22nd
Four screen
installation of 1% Owns 50% of the World at Harvestworks, New York City, May
27th
2015
Les 1% possdent
50% du monde, animation projection, Galerie Richard Paris,September 27th
3 pOstmOrtems (for
Dieter Roth), noise music performance at Art Laboratory Berlin, Berlin
2010
viral symphOny:
a-life live projection followed by viral cOncertO a musical collaboration with
Rhys Chatham, Galerie Jean-Luc & Takako Richrad, Paris, September 26th
2002
Victoria High
Quality reads ~~~~~~~~~~~~~~~~~venus-~~vibrator, even, Universal Concepts
Unlimited, NYC
1991
Dilation,
performed by the ballerina Lauren Houser at the residence of Bil Ehrlich, New
York, NY
1989
The Man Who
Believed He Could Move: A Celebration of the Bicentennial of the French
Revolution, Collaboration with Yves Musard, Dia Art Foundation, New York, NY
1987
Not a Door; A
Spectacle, a collaboration between Scott B. Billingsley and Joseph Nechvatal,
Hallwalls, Buffalo NY
1986
XS: The Opera, a
collaboration with with Rhys Chatham, Shakespeare Theatre, Boston
1985
The End of the
Night, a video collaboration with with Rhys Chatham, Los Angeles County Museum
of Art
XS: Night of
Power, a collaboration with with Rhys Chatham, 8 BC, New York, NY
XS an
installation collaboration with with Rhys Chatham in Purgatorio Show 85,
C.U.A.N.D.O., New York, NY
1984
XS: The Opera
Opus, a collaboration with with Rhys Chatham, Pyramid Club, New York, NY
XS: The Opera
Opus, a collaboration with with Rhys Chatham, Club Danceteria, New York, NY
XS: The Opera
Opus, a collaboration with with Rhys Chatham, 8BC, New York, NY
XS: The Opera
Opus, a collaboration with with Rhys Chatham, Dannheisser Foundation, New York,
NY
Motives Installation:
Nature and NATO, Joseph Nechvatal and Christy Rupp. Albright-Knox Art Gallery,
curated by Claudia Gould (catalogue)
1983
Isle of Dread,
Lower Manhattan Cultural Council, 71 Broadway and 120 Broadway, New York, NY
Future V
Installation, 93 Prince Street, New York, NY
ABC-NO RIO
Island of Negative Utopia, February 1-5, co-producer with Seton Smith, The
Kitchen, New York, NY
1982
Blame it on the
Brain Installation, Zippers Night Club, New York, NY
1981
The End of the
World, Real Art Ways, Hartford, Connecticut
Contemporary
Psychedelia Installation, Club Inroads, New York, NY
1980
Free Speech on
Broadway Performance, art performance with Carol Parkinson and Cid Collins, New
York, NY
1979
co-organizer of
3 day Public Arts International / Free Speech performance series at 75 Warren
Street, New York, NY (catalogue)
1978
European
Art/Performance, with Carol Parkinson and Cid Collins, Tour Centre of
Experimental Theatre, Antwerp, Belgium
European
Art/Performance, with Carol Parkinson and Cid Collins, Ecole d'Architecture, Tournai,
Belgium
European
Art/Performance, with Carol Parkinson and Cid Collins, Theatre on the Rijn,
Arnhem, The Netherlands
Selected Publications by the Artist
Nechvatal, J. 2018. Before and Beyond the Bachelor Machine, Arts:
Special Issue: The Machine as Art (in the 20th Century), MDPI Open Access
Journal, Basel, Switzerland
Nechvatal, J. 2018. Ecstatic Ascott, Cybernetics & Human
Knowing, Vol. 25, pp. 31-42
Nechvatal, J. 2016. Dan Mellamphy & Nandita Biswas Mellamphy
(eds.) The Digital Dionysus, Aesthetic States of Frenzy: Nietzsches Aesthetic
Palimpsest, pp. 218-235, Chapter 14
Nechvatal, J. 2016. (audio CD) Destroyer of Naivets by Cave
Bacchus (Joseph Nechvatal, Black Sifichi, Rhys Chatham) CD (E207) released on
the Entracte label
Nechvatal, J. 2015. (poetry book) Destroyer of Naivets, Punctum Press. Brooklyn, New York
Nechvatal, J. 2015. The Deleuze effect: vOluptuary drOid
dcOlletage, Metaverse Creativity, Volume 5 Number 1, pp. 67-83
Nechvatal, J. 2015. Colab, Max Schumann (ed.), A Book About Colab
(and Related Activities) Printed Matter, Inc p. 172
Nechvatal, J. 2015. The unseen/seenness of becOming multiple
Interalia Magazine, August issue
Nechvatal, J. 2014 - onward: collected critical art writings at
Hyperallergic http://hyperallergic.com/author/joseph_nechvatal/
Nechvatal, J. 2014. (book/cd) (ed.) Miny, Punctum Press & Punctum Records. Brooklyn, New York
& Austin, Texas
Nechvatal, J. 2011. (book) Immersion Into Noise, Open Humanities
Press with University of Michigan. Ann Arbor, MIchigan
Nechvatal, J. 2010a. Correspondence Course: An Epistolary History
of Carolee Schneemann and Her Circle by Kristine Stiles and Carolee Schneemann,
p.470
Nechvatal, J. 2010b. Joseph Nechvatal radio interview with Michael Rush on
MoMAPS1 Art Radio
Nechvatal, J. 2009. (book) Towards an Immersive Intelligence:
Essays on the Work of Art in the Age of Computer Technology and Virtual Reality
(1993-2006) Edgewise Press, NY
Nechvatal, J. 2007. Sophie Hope (ed.) Almanac of Political Art,
London
Nechvatal, J. 2006a, Jean Baudrillard and a Counter-Mannerist Art
of Latent Excess, International Journal of Baudrillard Studies, Volume 3,
Number 2 (July 2006).
Nechvatal, J. 2006b. degeneratiOns
by Joseph Nechvatal: captured real-time audio/visual viral attacks DVD produced
by The Institute for Electronic Arts Alfred University
Nechvatal, J. 2006c. Art,
Science and Critique, paper delivered at The Institute for Cultural
Research Department of History Lancaster University, Lancaster U.K.
Nechvatal, J. 2005a, Immersive Excess in the Apse of Lascaux,
Technoetic Arts 3:3, pp. 181-192
Nechvatal, J. 2005b. Guest on the March 21 Bio-Blurb radio show Virus Redux-Reconfiguring Culture on WPS1
Art Radio Edition #8 with Suzanne Anker, Christiane Paul and McKenzie Wark
Nechvatal, J. 2004a, Origins of Virtualism: An Interview with
Frank Popper Conducted by Joseph Nechvatal Spring 2004 issue of the CAA Art
Journal pp. 62-77
Nechvatal, J. 2004b, Frank Popper and Virtualised Art, Winter 2004
tema celeste magazine: issue #101, pp. 48-53
Nechvatal, J. 2003a, Voluptuous Viractualism, in Simultaneita :
New Media Arts Magazine, 01/2003, pp. 25-29
Nechvatal, J. 2003b. Joseph Nechvatal, CD-rom produced by
Music2eye at the MFA Computer Art Dept. at the School of Visual Arts
Nechvatal, J. 2002, Hotlist : The Esoteric Arts, Artforum Magazine
Nechvatal, J. 2001a, Towards an Immersive Intelligence in Leonardo
9th New York Digital Salon special issue
Nechvatal, J. 2001b, Artists and War : La beaut tragique: Mapping
the Militarization of Spatial Cultural Consciousness in Leonardo 34.1 (2001)
27-29
Nechvatal, J. 2001c. La Beaute tragique: Olkowski, Deleuze, and
the Ruin of Representation in Film-Philosophy: Deleuze Special Issue vol. 5 no.
36, November 2001 http://www.film-philosophy.com/vol5-2001/n36nechvatal
Nechvatal, J.,
2000a.La beaut tragique: Mapping the Militarization of Spatial Cultural
Consciousness Leonardo, Winter
Nechvatal, J.,
2000b. Henri Michaux's Mescaline Engendered Drawings Zing Magazine, Winter
Edition
Nechvatal, J. 2000c. Viractualiy Interview by Colin Goldberg on
EverBeta
Nechvatal, J. 1999a. (book) Immersive Ideals/Critical Distances: A
Study of the Affinity Between Artistic Idealogies Based in Virtual Reality and
Previous Immersive Idiom. Newport : University of Wales College (PhD Thesis)
Nechvatal, J., 1999b.
Frame and Excess Perforations 19
Nechvatal, J.
1998. Computer Cynicism Perforations 13
Nechvatal, J.
1997a. Immersive Implications In Ascott, R. ed. 1997. Consciousness Reframed:
Conference Proceedings. Newport: CAiiA/University of Wales College
Nechvatal, J.
1997b. Sex/MachIne/Art: From Mechanical Repetition to Electronic Flicker In
Intelligent Agent: Interactive Media In Arts and Education Fall Issue, pp.
74-79
Nechvatal, J.
1997c. Computer Cynicism In Intelligent Agent: Interactive Media In Arts and
Education Vo. 1, No. 12, pp. 155 and 165-166
Nechvatal, J.
1997d. Artists and Familiars In Ke-thar'sis Summer Issue, pp. 3-7
Nechvatal, J.
1997e. Immersive Implications In New Observations, No. 116, Fall 1997,
pp.46-47
Nechvatal, J.
1994. New Territory of Significance In New Observations, No. 104
Nechvatal, J.
1993a. Introduction to The Art of Excess in the Techno-mediacratic Society In
New Observationss, No. 94
Nechvatal, J.
1993b. The Art of Excess in the Techno-mediacratic Society In New
Observations, No. 94
Nechvatal, J.
1993c. The Computer and Conceptual Painting In Gruson, L. ed. 1993. Joseph
Nechvatal: Computer Virus Project. Arc-et-Senans: Fondation Claude-Nicolas
Ledoux, pp. 29-32
Nechvatal, J.
1992a. Outrances dans la Societe Techno-mediacratic In Nechvatal, J. &
Gagneur, D. 1992. Excess in the Techno-mediacratic Society. Arbois: Muse
d'Arbois, p. 1
Nechvatal, J.
1992b. Innovations in Image Technology In M/E/A/N/I/N/G Contemporary Art
Issues, No. 11, pp. 38-40
Nechvatal, J.
and Gagneur, D. eds. (book) 1992. Excess in the Techno-mediacratic Society.
Arbois: Muse d'Arbois
Nechvatal, J.
1991b. An Ecstasy of Excess In Nechvatal, J. 1991. An Ecstasy of Excess.
Mnchengladbach: Juni-Verlag, pp. 3-7
Nechvatal, J.
1991c. The Artist and Familars In Blast, Vol. 1, November /December, 1991
Nechvatal, J.
1991d. The Collapse of the 80s Image In M/E/A/N/I/N/G Contemporary Art
Issues, May Issue
Nechvatal, J.
1991e. (book) An Ecstasy of Excess. Mnchengladbach: Juni-Verlag
Nechvatal, J.
1990a. (book) Selected Writings. Paris: Editions Antoine Candau
Nechvatal, J.
1990b. Hyper-death and the Scopic Corpse. In Artforum, November Issue, 1990,
p. 130
Nechvatal, J.
1990c. The Urge for Image and the Saturated Eye on the Public DomaIn Web Site
Perforations
Nechvatal, J.
1990d. Stealing from the Thief's Journal (Extraits traduits du Journal d'un
Voleur) Amsterdam: Picaron
Nechvatal, J.
1988. Reorganized Meditations on Mnemonic Threshold In M/E/A/N/I/N/G Contemporary
Art Issues, No. 4, November, 1988
Nechvatal, J.
1989a. Artistic Cynicism In Art Criticism, Vol. 5, No. 3
Nechvatal, J.
1989b. Cal Arts Lecture: An Excerpt In Lund Art Press, Vol. 2
Nechvatal, J.
1989c. Re-conceptualizing Drawing In De Rijksakademie 08, pp. 12-13
Nechvatal, J.
1987a. High Style In Arts Magazine, April Issue 1987
Nechvatal, J.
1987b. Post-Simulation Decadence In Arts Magazine, Summer Issue, 1987
Nechvatal, J.
1987c. Theoretical Statement Concerning Computer Robotic Paintings In
Documenta 8 Catalogue, Vol. 3
Nechvatal, J.
1987d. A Prophylactic Discourse on Simulated Art In Code, December Issue,
1987
Nechvatal, J.
1987e. Simulation and Sublimation: The Law is for All In Unsound, Vol. 3, No.
1
Nechvatal, J.
1987f. What the Songs Look Like : Contemporary Artists Interpret Talking Heads
Songs (visual double page interpretation of the Talking Heads song I Zimbra) Harpercollins, New York, pp.
86-87
Nechvatal, J.
1986. State of the Art / Art of the State In Spectacle, Fall Issue, 1986
Nechvatal, J.
1985a Superfacts. Spectacle: A Field Journal from Los Angeles: Number 4 (September 1985)
Nechvatal, J.
1985b. Holding Out the Promise for Pure Regression In New Observations, No.
28
Nechvatal, J.
1984. Principles of Discord In Unsound, Vol. 1, No. 2
Nechvatal, J.
1983. Epic Images and Contemporary History In Real Life Magazine, No.11/12,
Winter, 1983
Nechvatal, J.
1979. (co-editor/publisher) Public Arts International / Free Speech (catalogue)
Selected
Bibliography on the Artist
2020
Stphanie Lemoine, Imaginaires du virus, Le Journal des Arts, May
12th issue
Kenneth Goldsmith, Duchamp Is My Lawyer: The Polemics, Pragmatics,
and Poetics of UbuWeb, Columbia University Press, New York, p. 243
Bradley Rubenstein, Press Eject and Give Me the Tape: Dialogues,
Interviews and Exchanges 2001-2020, Joseph Nechvatal Interview with Taney Roniger & Bradley Rubenstein, Meridian Art
Publishing, pp. 42-52
Barbara Ellison, Thomas Bey William Bailey & Francisco Lpez, Sonic
Phantoms: Composition with Auditory Phantasmatic Presence, Bloomsbury Academic,
London, pp. 114 and p. 208
2018
Paul Crowther, Digital Art: Aesthetic Creation, Routledge, London
& New York, pp.130 134 (2 images)
Gary Indiana, Vile Days: The Village Voice Art Columns 19851988,
edited by Bruce Hainley, Semiotext(e) pp. 200 & 237
Matthias Mayer, The Real Estate Show: Extended Berlin, Kunstpunkt
Berlin, 1 image
Florian Balotescu, Spatiul Poetic, Editura Tracus Arte, pp.
409,479-478,501 & image on the book cover
2015
Max Schumann (ed.), A Book About Colab (and Related Activities)
Printed Matter, Inc, pp. 101 (on my Free Speech: Performance Art Festival),
153, 161 (3 video images), 172 (full page text by Nechvatal on Colab), 175
(full page image), 207 (image bottom left), 214 (2 images top of the page), 229
(in top photo, second to the right)
Thyrza Goodeve, The Migrant as Conscientous Objector: Joseph
Nechvatal Interview, December/January 2015-2016,The Brooklyn Rail, pp. 14,15,16
Taney Roniger, Infected Paintings as an Allegory of Migration,
Hyperallergic.com December 7, 2015
Alex Woolf, The Impact of Technology in Art, Heinemann Press,
ISBN-10: 1484626400, pp 12-13
GianCarlo Pagliasso, Il deficit estetico nell'arte contemporanea.
Un'analisi critica della forma-merce figurativa nel XXI secolo, Marcovalerio
(collana Saggi) p.108
2014
Charlene
Spretnak, The Spiritual Dynamic in Modern Art : Art History Reconsidered, 1800
to the Present, Palgrave Macmillan, p. 135, image #13
Marie-Laure Ryan, Lori Emerson, and Benjamin J. Robertson
(eds), The Johns Hopkins Guide to Digital Media, Johns Hopkins University
Press, p.501
GianCarlo
Pagliasso, Cosmo e Virus: Joseph Nechvatal a Parigi, Zeta rivista
internationale de poesia e ricerche, December 2014, page 3 (full page with 3 reproductions)
2013
Richard Milazzo, Introduction, Peter Halley, Selected Essays
1981-2001, Edgewise Press, N.Y, 2013, pp. 34-35
Patrick
Lichty, Variant Analyses: Interrogations of New Media Art and Culture,
Amsterdam, pp. 5, 83, 166
2012
Michael Bird, 100 Ideas
that Changed Art, Laurence King Publishing Limited. 2012, pp. 198-199,
reproduction of the painting Orgiastic abattOir : flawless ignudiO
Douglas Dreishpoon,
Louis Grachos & Heather Pesanti,, Decade: Contemporary Collecting
2002-2012, Albright-Knox Art Gallery, Buffalo, New York, 2012, p. 382,
reproduction of two drawings from 1984
Thomas
Bey William Bailey, Unofficial Release: Self-Released And Handmade Audio In
Post-Industrial Society, Belsona Books Ltd., pp. 88-89, 2012
GianCarlo
Pagliasso, nOise anusmOs, Verso #81 (Traduit de l'italien par Grard-Georges
Lemaire)
Jamie
Allen, Book review of Joseph Nechvatals Immersion Into Noise, continent.2.1
The
Lookout: Joseph Nechvatal at Galerie Richard, Art in America Staff, April 2012,
Art in America
2011
Dominique
Moulon, Art contemporain nouveaux mdias, ditions Scala, 2011, p. 108
Gwen Allen,
Artists' Magazines: An Alternative Space for Art', The MIT Press, 2011, p. 304
2010
Manuela de Barros, Noisy Viral Threat : Joseph Nechvatal: Review
of Art rtinal revisit: histoire de loeil Published in Digitalarti Mag #4
October 2010
2009
Edward A. Shanken, Art and Electronic Media. London: Phaidon, pp.
42, 285, 160
Corrado Levi, andata cos: Cronaca e critica dell'arte
1970-2008, Joseph Nechvatal intervistato nel suo studio a New York (1985-86),
pp. 130-135
2008
Marie-Paule Ngre, Des artistes en leur monde, volume 2, la
Gazette de l'Hotel Drout, pp. 8283
John Johnston, The Allure of Machinic Life: Cybernetics,
Artificial Life, and the New AI, MIT Press, cover
The Dorothy and Herbert Vogel Collection: Fifty Works for Fifty
States, National Gallery of Art, pp. 191 & 227
2007
Ebon Fisher, Wigglism, Leonardo, Vol. 40, Number I, p 40, color
image p. 43
Dominique Moulon, Confrence Report : Media Art in France, Un
Point d'Actu, L'Art Numerique, pp. 124125
2006
Frank Popper, From Technological to Virtual Art, MIT Press, pp.
120-123
Bruce Wands, Art in the Digital Age, Thames & Hudson Ltd, p.
65
Brandon Taylor,
Thames & Hudson Ltd, p. 221
Donald Kuspit, Arte Digital y Videoarte, Circulo de Bellas Artes
Madrid, p. 33-35, color illustrations 2,3& 4
Dennis Michael Jon & Kristin Makholm, Vermillion Editions
Limited: A History and Catalogue 1977-1992, pp. 186-187, illustrations of
Nechvatal prints The Sex Prayers (1985) p. 86 & Push (1985-93) p. 87,
Minneapolis Institute of Arts
Maximillien de Lafayette,United States and the World Face to Face:
America's Best and Worst
2005
Joline Blais and Jon Ippolito, The Edge of Art,Thames & Hudson
Ltd, p. 213
Mario Costa, Phenomenology of New Tech Arts, Artmedia, Salerno, p.
6 & pp. 36 38
Ken Reingold, Interactive Electronics for Artists and Inventors
Donald Kuspit, The Matrix of Sensations, artnet web magazine,
http://www.artnet.com/magazineus/features/kuspit/kuspit8-5-05.asp
2004
Christine Buci-Glucksmann,Lart lՎpoque virtuel, in Frontires
esthtiques de lart, Arts 8, Paris: LHarmattan
Henri-Franois Debailleux, Peinture. Les travaux de Joseph
Nechvatal exposs Paris, 27 octobre 2004, Liberation
Brandon Taylor on Joseph Nechvatal in the book Collage, Thames
& Hudson Ltd, p. 221
Dominique Moulon, L'art numerique: spectateur-acteuret vie artificielle,
Les images numeriques #47-48, pp. 124125
John Reed Joseph Nechvatal Artforum Web 3-2004 Critcs Picks
Alan Liu on Joseph Nechvatal in the book The Laws of Cool, Chicago
Press, pp. 331-336 & 485-486
velyne Rogue Interview with Joseph Nechvatal artcogitans.com
(defunct site) now pdf archived at Internet Archive Org
velyne Rogue, Monographie sur CD de Joseph Nechvatal
Suzanne Anker on Joseph Nechvatal in reprotech catalogue
2003
Joe Lewis vOluptuary: an algorithmic hermaphornology March issue
Art in America
Christiane Paul on Joseph Nechvatal in Digital Art (Thames &
Hudson) 2003, pp. 57-58
Rachel Greene on Joseph Nechvatal, March 26th Rhizome
David M. Roth Postfesh Artweek April 2003
Sarah Maline on Joseph Nechvatal in polyALTERITY UMF catalogue
2002
Robert C. Morgan vOluptuary: an algorithic hermaphornology Tema
Celeste Magazine #93 (p. 94) Fall
Ken Johnson, Joseph Nechvatal Art Guide, New York Times, June 7
Barbara Weidle Computer paintings Artnet
Nanette Wylde Regarding a Digital Aesthetic: Speculation in
Context
Kevin Haas on Joseph Nechvatal at http://www.accumulated.org/sgc.html
Margot Lovejoy on Joseph Nechvatal in Postmodern Currents: Art
and Artists in the Age of Electronic Media Prentice Hall Press
Ellen Levy on Joseph Nechvatal in Responses Art Journal Spring
2001
2000
Robert C.
Morgan, Joseph Nechvatal at Universal Concepts Unlimited NY Arts Magazine,
December Issue, p.69
David Ebony, Joseph Nechvatal at Universal Concepts Unlimited
Artnet Magazine - http://www.artnet.com/Magazine/reviews/ebony/ebony(3)11-22-00.asp
Joy Garnett, Newsgrist's Top 3: Nechvatal, Held, Ritchie Newsgrist,
Volume 1, no. 51 (2000)
Robert C.
Morgan, Digital Hybrids pp. 75-76, in Art Press #255 (March)
1999
John Johnston, Machinic
Vision p.39, in Critical Inquiry, Vol. 26, No. 1
Richard Krueger,
Digital Hybrids Catalogue, p. 5,Youngstown
Paul D. Miller,
The Techno-Digita Sublime, Artbyte, Sept/Oct
1998
Craig Bromberg, The Double Life of a Ludlow Street Landlord, New
York Magazine (March 23rd)
1996
Wayne Enstice
& Melody Peters, Drawing: Space, Form, & Expression, New Jersy:
Prentice Hall, pp.312-313
Jay Murphy, Joseph
Nechvatal Galeries Magazine
staff, Bilder
Zwischen Kulturwert und Schaulust Kunstmarket Koln
staff, Joseph
Nechvatal: Computervirussen Aalst Press
1995
staff, Art
Enters The Digital Age Art News, Sept/Oct
staff, Joseph
Nechvatal's Virus Developement Cause Toujours #2, Mai
staff, Joseph
Nechvatal CD-Media, Juin
Ccile Ambert, Virus
Project Nov Art, Juin,
Annick Hmery,
Le Clone Du Trim, Joseph Nechvatal, Clone Mai,
staff. Joseph
Nechvatal Liberation (March 24)
Picard,
Gilles-Francois Les Mysteres de l'art Fractal La Gazette No II (17 Mars)
1994
staff, Computer
Virus Project Bomb (Winter)
staff, Joseph
Nechvatal Gazet Van Antwerpen
staff, Joseph
Nechvatal; Computerbilder Kunst Munich
Annik Hmery, Joseph Nechvatal sur les traces de Pasteur
Imaginet
1993
Morgan, Robert
C. Nechvatals Visionary Computer Virus In Gruson, L. ed. 1993. Joseph
Nechvatal: Computer Virus Project. Arc-et-Senans: Fondation Claude-Nicolas
Ledoux, pp. 8-15
staff. Digital
Diseases Details (November)
staff. Joseph
Nechvatal, l'art sur ordinateur Le Progress (August)
Conde, Susan La
Fractalite dans l'Art (June)
Morgan, Robert
C. Joseph Nechvatal: Lamentations of the Soul After the Deluge book)
Pagel, David Techno
Domination Los Angeles Times (September)
Gruson, L. A
Case of Contamination In Gruson, L. ed. 1993. Joseph Nechvatal: Computer Virus
Project. Arc-et-Senans: Fondation Claude-Nicolas Ledoux, pp. 6-7
1992
Andre, Michael Joseph
Nechvatal Cover (April)
Hagen, Charles A
Show of Five Artists Who Use the Look of Photo Reproduction The New York, NY
Times (May 18)
Pocock, Philip Interview
with Joseph Nechvatal Journal of Contemporary Art (Fall)
1992
Frank, Peter Art
Pick of the Week LA Weekly (March 22-28)
Mennetrier, J.L.
Joseph Nechvatal nouveau ' locataire' de la residence d'artiste La Voit du
Jura (September)
Tonkinson,
Carole Footloose Elle Magazine (May)
1991
Crockett, Tobey I,
Robot James Rosenquist and Joseph Nechvatal Village View, L.A. (March 1)
1990
Amine, Patrick Joseph
Nechvatal, Galerie Antoine Candau Art Press
Borum, Jenifer
P. Joseph Nechvatal Artforum (October)
Cyphers, Peggy Joseph
Nechvatal Arts (September)
Engelhorn,
Patrizia Landspace of Points Prinz Magazine (November)
Groome, Carle VP.
Ex Statis by Joseph Nechvatal Ear (October)
Pallentin,
Christian Kunst Siam (December)
Steinlechner,
Carin Joseph Nechvatal Donnerstag (October)
1989
staff Joseph
Nechvatal Los Angeles Times (March 10)
Collins,Tricia
& Milazzo, Richard Hyperframes: A Post-Appropriation Discourse Vol 1
Ehinger, Asa Joseph
malar med dator Sydsvenskan, Lund
Frank, Peter Pick
of the Week LA Weekly (April 7-13)
French, David Joseph
Nechvatal Artscene (March)
Geer, Suvan Joseph
Nechvatal L. A. Times, (December 15)
Lovejoy, Margot Postmodern
Currents : Art and Artists in the Age of Electronic Media UMI Research
Kandel, Susan Joseph
Nechvatal Arts (Summer)
Marks, Ben A
Technology Under Control Artweek (March)
1988
Bromberg, Craig The
Collaborative Itch ArtNews (November)
McCormick, Carlo
Joseph Nechvatal Artforum (March)
Miller, John Joseph
Nechvatal Artscribe (Summer)
Morgan, Robert
C. Joseph Nechvatal Arts (March)
Anderson, Jack Review/Dance;
Of 1789 and Other Revolutions New York Times (December 6)
Sem-Sandberg,
Steve Vart Visuella Kaos (Our Visual Chaos) Svenska Dagladet (December 2)
Smith, Lawrence
R.- and Hagley, Doug An Interview with Joseph Nechvatal Caliban 5
Zellen, Jody Joseph
Nechvatal at Shoshana Wayne Art Issues (Summer)
1987
Hoog, Eckhard Im
Dschungel der Bilder Joseph Nechvatal im Aachener
Kunstverein
Aachener Volkszeitung (May 22)
Levi, Corrado Joseph
Nechvatal Cover (February)
Lottmann,
Joachim Documenta-Eindrcke von der Erffnung Wolkenkratzer Art Journal
(summer)
Malsch,
Friedemann Joseph Nechvatal Galerie Anna Friebe Kunstforum (January)
Siffrin-Peters,
Annette. Gewirr aus feinen Linien. Documenta-Teilnehmer
Joseph Nechvatal
vorab in Aachen zu sehen, Aachener Nachrichten (May 22)
1986
Collins, Tricia
and Milazzo, Richard New York, NY: Tropical Codes Kunstforum (March)
Rockwell, John, Where
Avant-Garde Meets Rock-and-Roll, Music Flourishes New York Times (July 27)
Palmer, Robert The
Names May Change, But the Beat Goes On New York Times (June 19th)
Collins, Tricia
and Milazzo, Richard Joseph Nechvatal: Grace Under Pressure Differentia
(Fall)
McCormick, Carlo
Joseph Nechvatal Unsound Magazine (Vol.3 No.1)
Larson, Kay The
Flash of Truth New York, NY Magazine (October 27)
Levin, Kim Artwalk
Village Voice (October 21)
Levin, Kim Joseph
Nechvatal The Village Voice (October 14)
Morlung, Ursula Pollock
als Vorbild: Joseph Nechvatal in der Galerie Anna Friebe Klner Stadt (October
24)
Raab, Jrgen Humanisierung
der Technik: Joseph Nechvatal bei Anna Friebe Klner Illustrierte (November)
1985
Collins, Tricia
and Milazzo, Richard The New Sleep: Stasis and the Image-Bound Environment
Art Journal (Fall)
Crary, Jonathan Joseph
Nechvatal at Brooke AlexanderArt in America (January)
1985
Moore, Alan and Miler,
Marc ABC No Rio Dinero: The Story of a Lower East Side Art Gallery Published
by ABC No Rio with Collaborative Projects Inc. New York, NY
Pincus-Witten,
Robert The New Irascibles Arts (September)
Raynor, Vivian Joseph
Nechvatal The New York, NY Times (October 18)
1984
Brooks, Rosetta Interview-Rhys
Chatham & Joseph Nechvatal ZG, (#12 Fall)
Cotter, Holland Joseph
Nechvatal Arts (November)
Deak, Edit The
Critic Sees through the Cabbage Patch Artforum, (April)
Fisher, Jean Joseph
Nechvatal Artforum, (January)
Glueck, Grace Joseph
Nechvatal The New York, NY Times (September 21)
Jones, Ronald Joseph
Nechvatal Arts (December)
Kleyn, Robert The
Shadow Reflected ZG (#12 Fall)
Kleyn, Robert Protective
Mimicry Vanquard (March)
Kuspit, Donald Joseph
Nechvatal Artforum (December)
Masheck, Joseph
Smart Art, Published by Willis, Locker & Owens, New York, NY
Robinson, Walter
and McCormick, Carlo Slouching Toward Avenue D Art in America (Summer)
Iackson, Isaac Messages
Folio, (February) p. 14
1983
Fine, Kimberly Joseph
Nechvatal East Village Eye (October15)
Levin, Kim
Shock of the Old Village Voice (September 27)
Levin, Kim Joseph
Nechvatal / Not Vital / Robin Weglinski The Village Voice (May 17)
McCormick, Carlo
Joseph Nechvatal New York, NY Beat (December)
1982
Lawson, Thomas Joseph
Nechvatal (The Kitchen) Artforum (April)
Raynor, Vivian The
Automatic Salon The New York, NY Times (June 18)
Russell, John Inaugural
Show-Jack Tilton Gallery The New York, NY Times (October 7)
Public and Private Collections
The Museum of
Modern Art, New York, NY, USA
Los Angeles
County Museum of Art, Los Angeles, USA
Museum of
Contemporary Art, Los Angeles, USA
The Art
Institute of Chicago, Chicago, USA
Israel Museum,
Jerusalem, Israel
Jubitz Center
for Modern and Contemporary Art, Portland Art Museum, Portland, Oregon
artothek: Raum fr junge
Kunst, Kln, Germany
The Schyl
Foundation, Malmo Konsthall, Sweden
The Olsson Art
Collection, Stockholm, Sweden
The Jewish
Museum, New York, NY, USA
Moderna Muset,
Stockholm, Sweden
New Mexico
Museum of Art, Museum of New Mexico, Santee Fe, New Mexico, USA
Albright-Knox
Art Gallery, Buffalo, New York, USA
Smithsonian
American Art Museum, Washington, DC, USA
Musee Leon
Dierx, La Reunion, France
Frac Franche-Comte,
France
Museum of Art,
Rhode Island School of Design, Providence, Rhode Island, USA
Saline Royale,
Arc-et-Senans, France
Saint Louis Art
Museum, St. Louis, Missouri, USA
Musee de Dole,
Dole, France
Portland Museum
of Art, Portland, Maine, USA
Rose Goldsen
Archive of New Media Art at Cornell University, Ithaca, NY, USA
Pennsylvania
Academy of Fine Arts, Philadelphia, Pennsylvania, USA
Weatherspoon Art
Gallery, University of North Carolina, Greensboro, USA
The Municipal
Museum of Art, Gyr, Hungary
Robert Shiffler
Foundation, Greenville Ohio, USA
The Minneapolis
Institute of Arts, Minneapolis, USA
Malm Konsthall,
Sweden
University of
Michigan Museum of Art, Ann Arbor, Michigan, USA
University of
Alaska Museum of the North, Fairbanks, Alaska, USA
Honolulu Academy
of Arts, Honolulu, Hawaii, USA
Cedar Rapids
Museum of Art, Cedar Rapids, Iowa, USA
Spencer Museum
of Art, The University of Kansas, Lawrence, Kansas, USA
Academy Art
Museum, Easton, Maryland, USA
Frederick R.
Weisman Art Museum, University of Minnesota, Minneapolis, Minnesota, USA
Columbia Museum
of Art, Columbia, South Carolina, USA
South Dakota Art
Museum, South Dakota State University, Brookings, South Dakota, USA (image
reproduced in The Dorothy and Herbert Vogel Collection: Fifty Works for Fifty
States, National Gallery of Art, 2008, p. 191)
Memphis Brooks
Museum of Art, Memphis, Tennessee, USA
Blanton Museum
of Art, University of Texas at Austin, Austin, Texas, USA
Nora Eccles
Harrison Museum of Art, Utah State University, Logan, Utah, USA
Robert Hull
Fleming Museum, University of Vermont, Burlington, Vermont, USA
Mississippi
Museum of Art, Jackson, Mississippi, USA
Yellowstone Art
Museum, Billings, Montana, USA
Marjorie Barrick
Museum, University of Nevada Las Vegas, Las Vegas, Nevada, USA
Hood Museum of
Art, Dartmouth College, Hanover, New Hampshire, USA
Plains Art
Museum, Fargo, North Dakota, USA
Akron Art
Museum, Akron, Ohio, USA
Oklahoma City
Museum of Art, Oklahoma City, Oklahoma, USA
University of
Wyoming Art Museum, Laramie, Wyoming, USA (image reproduced in The Dorothy and
Herbert Vogel Collection: Fifty Works for Fifty States, National Gallery of
Art, 2008, p. 227)