2015 portrait by Zack Garlitos
Joseph Nechvatal,
Ph.D.
email joseph@nechvatal.net
twitter (aka X) @twinkletwink
instagram josephnechvatal
facebook Joseph Nechvatal
blog josephnechvatal.wordpress.com
Joseph
Nechvatal's contemporary art practice engages in the fragile wedding of image
production and image resistance. Through his version of an art-of-noise, he brings a
subversive reading to the human body through computational viruses,
articulating concerns regarding safety, identity and objectivity. In the
introduction to the book Selected Essays 1981-2001 by Peter Halley, Richard
Milazzo describes Joseph Nechvatals theoretic output as a systematic onslaught
of critical theory. (Halley, Peter Selected Essays 1981-2001, Edgewise Press.
2013, pp. 34 35)
Since 1986, Nechvatal has worked with
ubiquitous electronic visual information, computers and computer-robotics. His
computer-robotic assisted paintings and computer software animations are shown
regularly in galleries and museums throughout the world. From 1991-1993 he
worked as artist-in-resident at the Louis Pasteur Atelier and the Saline Royale
/ Ledoux Foundation's computer lab in Arbois, France on The Computer Virus
Project: an experiment with computer viruses as a creative stratagem. In 2002
he extended that artistic research into the field of viral artificial life
through his collaboration with the programmer Stphane Sikora.
Dr. Nechvatal earned his Ph.D. in the philosophy of art and new
technology at The Centre for Advanced Inquiry in the Interactive Arts (CAiiA)
at the University of Wales, Newport, UK where he served as conference
coordinator for the 1st International CAiiA Research Conference Consciousness
Reframed: Art and Consciousness in the Post-Biological Era (July 1997); an
international conference which looked at new developments in art, science,
technology and consciousness. From 1999 to 2014 Nechvatal taught in the mfa
graduate department at the School of Visual Arts in New York City
(SVA). His book of essays Towards an Immersive Intelligence: Essays on the
Work of Art in the Age of Computer Technology and Virtual Reality (1993-2006)
was published by Edgewise Press in 2009. In 2011 his book Immersion Into Noise
was published by the University of Michigan Library's Scholarly
Publishing Office in conjunction with the Open Humanities Press. It
was republished in a 2nd edition in 2022. Nechvatal has also
published 3 books with Punctum Press: Miny
(ed.)
(2014) (historical noise aesthetics), Destroyer of Naivets (2015) (poetry) and
Styling Sagaciousness (2022) (poetry). In 2023 his 1995 cybersex farce novella ~~~~~~~~~~~~~~~~~venus~~vibrator, even
was published by Orbis Tertius Press.
The Joseph Nechvatal archive
is housed at The Fales Library Downtown Collection at the NYU Special
Collections Library at NYU in New York City
Collected Nechvatal
Critic Picks published at Artforum
can be accessed here
Collected
Nechvatal essays and reviews published at Hyperallergic
can be accessed here
Collected
Nechvatal interviews and reviews published at The Brooklyn Rail here
Collected
Nechvatal essays and reviews at published Whitehot
Magazine of Contemporary Art can be accessed here
Web
archives of papers by/on Nechvatal can be accessed here at academia.edu
Recorded
and printed interviews, audio works & key texts web archived here at Internet Archive Org https://archive.org/
Biography
1951 Born in
Chicago, Illinois
1969 Hinsdale
Central High School, Hinsdale, Illinois
1973 B.F.A.
Southern Illinois University, Carbondale, Illinois
1974-75 M.F.A.
studio work Cornell University, New York
1995 Moved to
Tribecca (18 N. Moore), New York City
1977-78 M.Phil work
in Philosophy Columbia University, New York City
1980 Moved to the
Lower East Side (143 Ludlow Street), New York City
1983 Co-founder and
co-editor of Tellus Audio Cassette
Magazine (1983-1993), New York City
1999 Ph.D. in
the Philosophy of Art at the Centre for Advanced Inquiry in the Interactive
Arts (CAiiA-STAR), University of Wales, Newport, Wales, U.K.
1999-2000 Professor
of Art and Technology, School of Art and Design, Alfred University, Alfred, New
York
1999-2014
Professor of Art and Technology at The School of Visual Arts (SVA), New York
City
2003-2009
Professor of Art and Technology at Stevens Institute of Technology, Hoboken,
New Jersy
2014 Moved to
Paris (Montparnasse), France
2014-2020 Parisian
Correspondent for Hyperallergic, Paris, France
Grants/Awards
1973 Rickert-Ziebold
Trust Award, Southern Illinois University School of Art and Design
1983 Caps Grant,
Painting
1985 National
Endowment for the Arts, Painting
1985 National
Endowment for the Arts, Opera and Musical Theater
1985
Massachusetts Council of the Arts, Performance
1985 Fabric
Workshop Residency
1986 National
Endowment for the Arts, InterArts
1986 Foundation
for Contemporary Performance Arts, Inc.
1988 New York,
NY Foundation for the Arts, Painting
1989
Pollock-Krasner Foundation Award
1991-1993
Artist-in-Residence, Atelier Louis Pasteur, Arbois, France
1992-1993
Artist-in-Resident, Fondation Claude-Nicolas Ledoux's computer lab in
Arc-et-Senans, France
1992 New York,
NY Foundation for the Arts, Painting
1995 Artist-in
Residence, Cit internationale des arts, Paris
1996-8 Research
Fellowship, University of Wales, CAiiA, Newport, U. K.
1997 New York
Foundation for the Arts: Computer Arts
2003 New York
Foundation for the Arts: Computer Arts
2020 Foundation
for Contemporary Arts, Inc
2024 Winner in
Painting at the Dcathlon dApollon competition, Chteau de Montsoreau-Muse
dart contemporain, Montsoreau France
Selected
One-Person-Exhibitions
2024
Le mariage
dOrlando et Artaud, mme, La Gnrale Nord-Est, Paris
2022
Turning
the Viral Tempest, Galerie Richard, Paris
2021
Viral
Venture, Masaryk University, Brno, Czech Republic, Oct. 27, curated by Jozef
Cseres
2020
Orlando et
la tempte, Galerie Richard, Paris
Informed
Men (1986-1987), Galerie Richard at Kunstmatrix
Viral
Venture, White Page Gallery / Fuori Visioni art center, Piacenza, Italy
2019
Joseph
Nechvatal: Computer Virus Project 1.0, J. Yuan & Associates, Artsy, New
York City
2018
viral
pastOral pleasures, Galerie Omnius, Arles, France
2017
Computer
Virus 1.0 and the Return of Lazarus, Galerie Richard, New York City
2016
Destroyer
of Naivets: Computer Virus 1.0, Galerie Richard, Paris
1% Owns 50% of
the World, Anthology Film Archives, New York City
2015
Odyssey
pandemOnium, Galerie Richard, New York City
viral
castratO, Budapest Art Factory, Budapest
bOdy
pandemOnium, Art Laboratory Berlin, Berlin
2014
PrOtOcOls nOn, Galerie Richard,
Paris
Joseph Nechvatal: From
Photography to Post-Photography, Galerie Omnius, Arles, France
2013
Aesthetic States of
Frenzy, The New School, April 13th (projection/reading) New York City
Destroyer of Naivets (live projection), Neurosciences, Esthtique
et Complexit, GDR ESARS, Paris
nOise anusmOs, Galerie Richard, New York City
Immersion Into Noise,
performance/lecture, Zentrum fr Kunst und Medientechnologie (ZKM), Karlsruhe
Germany 10/27/2012
2011
Viral Venture large screen projection, Beatrice Theatre, School of
Visual Arts, New York City
2010
Art Rtinal Revisit: Histoire de lOeil, Galerie Jean-Luc &
Takako Richard, Paris
vOglia, Claudio Bottello Galerie, Torino, Italy
Viral Venture, cole Suprieure d'AudioVisuel, Universit de
Toulouse le Mirail, Toulouse
Viral Venture, White Slab, screening sponsored by The Thing, Apr
27th, New York, NY
2009
terra incOgnitO,
Wm Turner Gallery, Atlanta, Georgia, USA
2008
Joseph
Nechvatal: Recent Paintings, Galerie Jean-Luc & Takako Richard, Paris
2006
Joseph Nechvatal, The Butler Institute of American Art's Beecher
Center, Youngstown, Ohio
Metaphysics and the Virtual, Roger Smith Lab Gallery, NYC
2005
cOntaminatiOns, Le chteau de
Linardi, Senouillac, France
Translaocation
of the Virtual Reality, Galerie In Situ, Aalst, Belgium
Ex-naturae, la Chapelle des Templiers, Metz, France
2004
Aventures
Virales, Galerie Mabel Semmler, Paris
Real Time,
Universal Concepts Unlimited Gallery, New York City
After Virus,
Galerie RLBQ, Marseille, France
Viral
Counter-Attack,Espace Landowski, Paris (with Music2eye)
After Attack,
Heart Galerie, Paris (with Music2eye)
2002
vOluptuary: an
algorithic hermaphornology, Universal Concepts Unlimited Gallery, New York City
2001
SilicOn valley : nunciative mOdality and a viral redux, Galerie
Karin Sachs, Munich
Compliant 2.0 Libidinal Bodies in the Bit-stream (Enhanced Corpus
Rotundum), Julia Friedman Gallery, Chicago
Transformers
(Virus Projects 1.0 & 2.0) Moving Image Gallery, New York City (two-person
exhibition of Joseph Nechvatal and Cory Arcangel)
2000
ec-satyricOn
2000,Universal Concepts Unlimited Gallery, New York City
1999
Viral Beauty,
Boston Cyber Arts, Boston
1997
Das Neural Netz,
(collaboratively with Mathias Groebel) Galerie Karin Sachs, Munich
1996
Joseph Nechvatal
Retrospective, Galerie Berndt, Kln (catalogue)
Joseph Nechvatal & Steve Miller, Parsons Gallery, Paris
Les Archons Galerie Multimdia IESA Institut dEtudes Suprieures
des Arts, Paris
1995
Alt.sex,
(collaboratively with Mathias Groebel) Galerie In Situ, Aalst, Belgium
Les Archons,
Galerie Multimedia, Paris
Angels,Broken
Hearts and Computer Viruses, Galerie Karin Sachs, Munich
1994
Computer Virus
Project, Espace d'Art Yvonamor Palix, Paris (catalogue)
Information
Bruit Culture, Galerie Traje, Besancan, France
Computer Virus
Project, Galerie In Situ, Aalst, Belgium (catalogue)
1993
Computer Virus
Project, The Saline Royale, Arc-et-Senans, France (catalogue)
The Destiny of
Painting, Galerie Karin Sachs, Munich
1992
Joseph
Nechvatal, Galerie Antoine Candau, Paris
Tombeaux, Brooke
Alexander, New York, NY, NY
1991
Joseph
Nechvatal, Shoshana Wayne Gallery, Santa Monica, CA
1990
Joseph
Nechvatal, Musee des Beaux Arts de Dole, France (CD Rom catalogue)
Joseph
Nechvatal, Brooke Alexander, New York, NY (catalogue)
Joseph
Nechvatal, Galerie Karin Sachs, Munich
Joseph
Nechvatal, Galerie Antoine Candau, Paris (catalogue)
1989
Joseph
Nechvatal,Gallery Fahl, Stockholm
Joseph
Nechvatal, Anders Tornberg Gallery, Lund (catalogue)
Joseph
Nechvatal, Shoshana Wayne Gallery, Santa Monica, CA
1988
Joseph Nechvatal
Computer-Robotic Paintings: 1986-1987, Illinois State University, Normal
(catalogue)
Joseph
Nechvatal, De Selby Gallery, Amsterdam
Joseph
Nechvatal, Galerie Antoine Candau, Paris
Joseph
Nechvatal, The Rupture, Vanguard Gallery, Philadelphia
1987
Joseph
Nechvatal, NeuerAachenerKunstverein, Aachen
Joseph
Nechvatal, Gallery Engstrom, Stockholm
1986
Joseph
Nechvatal, Brooke Alexander, New York, NY
Joseph
Nechvatal: Photographs,Greathouse, New York, NY
Joseph
Nechvatal, Anna Friebe Galerie, Cologne
Joseph
Nechvatal, Vanquard Gallery, Philadelphia
1985
Joseph
Nechvatal, Brooke Alexander, New York, NY
Joseph
Nechvatal, Anders Tornberg Gallery, Lund
XS: An
Installation, Gray Art Gallery, East Carolina Univerity, Greenville (catalogue)
1984
Joseph Nechvatal,
Brooke Alexander, New York, NY (catalogue)
Joseph
Nechvatal: Grace Under Pressure,Gallery Nature Morte, New York, NY
Motives Installation:
Nature and NATO, Joseph Nechvatal and Christy Rupp. Albright-Knox Art Gallery
(catalogue)
1983
Joseph Nechvatal,
Brooke Alexander, New York, NY
Joseph
Nechvatal, Semaphore Gallery, New York, NY
Joseph
Nechvatal, Spiritual America, New York, NY
1982
Joseph
Nechvatal, When Things Get Rough on Easy Street, The Kitchen, New York, NY
Gothic Horrors,
video broadcast on Colab Potato Wolf cable broadcast November 16th
1981
Joseph Nechvatal,
The End of the World, Real Art Ways, Hartford, Connecticut
The Occult Power
of Technology: Part I, P.S. #1, Long Island City, NY
The Occult Power
of Technology: Part II, The Drawing Center New York, NY
1980
Nuke Me, Nuke My
Dog, video program for Colab Potato Wolf cable broadcast December 12th
produced by Joseph Nechvatal with performances by Ilona Granet & reading by
Michael Parker
1979
Private Parts, December
16, one day DIY art exhibition hung in a squated abandoned methadone center at
530 Canal Street, New York City
Selected Group Exhibitions
2024
Apollo's Decathlon, Chteau de Montsoreau Museum of Contemporary
Art, Montsoreau
Hello Brooklyn! / Techspressionism 2024, Kingsborough Art Museum, Kingsborough
Community College, City University of New York, Brooklyn, New York
2023
Who You Staring At: Culture visuelle de la scne no wave des
annes 1970 et 1980, The Centre Pompidou, Level 4, Espace des Collections film,
vido, son et uvres numriques February 1st to June 19th
Friends, Neighbors, & Distant Comrades: Alan Moores Private
Collection of 80s NYC Art, Frederick Layton Gallery, The Milwaukee Institute
of Art & Design, Milwaukee
2022
Micro Mondes, muse du quai Branly, Paris
Techspressionism: Digital & Beyond, Southampton Arts Center, Southampton
Long Island, USA
Licences et codes picturaux l're numrique, Le Muse de l'Hospice
Saint-Roch, Issoudun, France
Symphony For The Metaverse, MEET: Digital Culture Center, Milano,
Italy
Gilles Deleuze, Flix Guattari and Cosmic Art, virtual art
exhibition, Laurentian University, Canada
2021
Viral Venture 360, Sound Becomes Site, Wrong Biennale/Synthesis
Gallery, Berlin, Germany
The Alan Moore Project, Milwaukee
One Hour International Short Film Festival (OHISFF), March 21,
artHAUS, Auckland
Grands Formats, Galerie Richard, Paris
2020
Viral Venture, The Sensorium Art Show: Media Virality and the
Lockdown Aesthetic, University of East London. University Square Stratford,
London
Audiosphere: Social Experimental Audio, Pre- and Post-Internet,
Museo Nacional Centro de Arte Reina Sofa, Madrid, Spain
Untitled, Galerie Richard, Paris
Non/Voluti, Politecnico, Milano, Italy
Festival del silencio, Aparador Cuchilla, Mexico City
Oeuvres Choisies, Galerie Richard, Paris
Colab No More Store, James Fuentes Gallery, New York City
2019
Art and Artificial Intelligence, ZKM: Center for Art and Media,
Karlsruhe, Germany
Encountered Error, Socit, Brussels, Belgium
30 ans, Galerie Richard, Paris
2018
Digital Painting, Galerie Richard, New York City
Platos Cave, EIDIA House, Brooklyn, New York City
80s New York, Brooke Alexander Gallery, New York City
Mark Me: Group Drawing Show, Cross Contemporary Art, Saugerties,
New York
Color Matters,Galerie Richard, New York City
2017
Body Esc: Taboo - Transgression Transcendence zin Art &
Science 26-28 May 2017, Ionian University, Corfu Greece
The Real Estate Show: Documentation of the original show from 1980
from the Archive Collection of ABC No Rio, Spor Klubu, Berlin
The Real Estate Show Extended/Berlin, Kunstpunkt, Berlin
arte/scienza/biotecnologia II, Museo del Ferrocarril, San Luis
Potosf, Mexico
Collection Particulire, Galerie Omnius, Arles, France
Publishing as an
Artistic Toolbox, Kunsthalle Wien, Vienna (Tellus #20 Media Myth, curated by
Joseph Nechvatal, exhibited)
2016
Every Future Has A Price: 30 Years After Infotainment, Elizabeth
Dee Gallery, New York City
Paradise: underground culture in NYC 1978-84, Steven Harvey Fine
Art Projects, New York City
arte/scienza/biotecnologia, Museo Nacional de la Mscara, San Luis
Potos, Mexico
A More Store, Printed Matter, Inc., New York City
AHA Festival, Chalmers University of Technology, Departments of
Architecture and Physics, Gothenburg Sweden
Battambang International Digital Arts Festival, Battambang,
Cambodia (July 19th - 24th) Zan-A-Key Art Space, showing Les 1% possdent 50%
du mode (1% Owns 50% of the World) loop
A Show about Colab (and
Related Activities) Printed Matter, New York, NY
Art, Access & Decay:
New York 1975-1985, Subliminal Projects, Los Angeles, curated by Peter Frank
and Lisa Kahane
Looking at Music
3.0, (Tellus) MoMA, New York, NY
Art Protects, Galerie Yvon Lambert, Paris, France
Pixxelpoint, Nova
Gorica, Slovenia
Parallel Threads, School of Visual Arts Gallery, New York, NY
Electronic work in the Collection Frank Popper, Centre d'Art
Contemporain Frank Popper, Marcigny, France
2009
Art Protects, Galerie Yvon Lambert, Paris, France
"90'",
Arc-et-Senans (France), Institut Claude-Nicolas Ledoux, 19 juin 2009-04 octobre
2009
Collection of Frank Popper, Centre d'Art Contemporain Frank
Popper, Marcigny, France
Redux, Wm Turner
Gallery, Atlanta, Georgia, USA
Colab Show, 100
Church Street, New York, NY
Maniac, Hartford
Art Space Gallery, Hartford, Connecticut
2008
Beaux Arts:
French Contemporary, Wm Turner Gallery, Atlanta, Georgia
Colab Reduxe,
Brooke Alexander Gallery, New York, NY
After The Net,
Observatori, Valencia, Spain (catalogue: Observatori 2008: After The Future, p.
80)
ECAM 2008, The
National Center for the Arts, Mexico City, Mexico
Continuous
Current, Westside Gallery, New York, NY
2007
The End(s) of Photography: Modeling the Photographic, McDonough
Museum of Art, Youngstown, Ohio
Insatiable Streams, Beijing BS1 Contempoary Art Center,
Caochangdi, China
iea: Ten Years of The Institute for Electronic Arts, BS1
Contemporary Art Center and Zero Field Art Center, Beijing, China
Sound Art in a Limo,in cooperation with the Armory Art Fair,
curator Holly Crawford, NYC
AIDES,Yvon Lambert, Paris
2006
The Downtown
Show : The New York Art Scene 1974-1984, Grey Art Gallery. NYU, New York City
Reshuffle,Center for Curatorial Studies Bard College, New York
City
Copilandia, Gratis, Sevilla, Spain
Numeripop, Viral Counter Attack (with music2eye) St Brieuc,
France
The Downtown
Show : The New York Art Scene 1974-1984,Austin Museum of Art, Texas
Honest Echo, 2 X 13 Gallery, New York City
Computer Fine Art Collection of Doron Golan, [DAM] Ausstellungsrume
des Digital Art Museum, Berlin
Re:connect, Institute for Electronic Arts, Alfred, NY
2005
ElectroScape Shanghai Zendai Museum of Modern Art, Shanghai
6eme carrefour de l'image de l'Ocan Indien, Le Port. Ile de la
Runion
Vintage East Village, Hal Bromm Gallery, New York
2004
Digital Sublime : Gwangju Biennale MOCA
Taipei
(catalogue)
reprotech, New York Academy of Science, New York City (catalogue)
Hyper-Runt: Anxiety and Malformation in the Techno Womb, Inliquid,
Philadelphia
Art In Motion, University of Southern California School of Fine
Arts, L.A.
Touch and Temperature, Bitforms Gallery, New York City
trans>, Participant Inc, New York City
Viral Counter Attack, Art Metz. Foire europenne d'Art
Contemporain. Image-Mouvement, Metz France (with music2eye)
Digital Stories,[DAM] Ausstellungsrume des Digital Art Museum,
Berlin
Viral Counter Attack, Rsidence la Gat lyrique. Paris. France
(with music2eye)
East Village USA, New Museum, New York (catalogue)
Touch and Temperature: Art in the Age of Cybernetic Totalism,
Deborah Colton Gallery, Houston
Viral Counter Attack, Festival Art-borescence 01 Paris. France
(with music2eye)
Viral Counter Attack, Galerie RLBQ. Festival RIAM01. Marseille.
France (with music2eye)
2003
Synthetic Lightings: Complex Simulations of Nature, Center for
Photography, Woodstock, NY
Polarities, The Wall Street Journal Lobby Gallery, New York City
(catalogue)
FuturNET, Rome
Notebook, Artscape, Pinkard Gallery, Maryland Institute College of
Art, Baltimore
Peam2003, Pescara Italy (CD-Rom catalogue)
The Spiritual in Digital Art, Evergreen Cultural Centre,
Coquitlam, Canada
Open For Action,
The Center For Book Arts, New York, NY
2002
Post-Flesh, University Gallery, California State University,
Sacramento, CA
media_city seoul 2002, Seoul Museum of Art, Seoul, South Korea
(catalogue)
Ornamente : 3 Positions of Conceptual Art, Galerie Berndt, Koln
NIGHT VISION, Illinois State University, Normal, Illinois (catalogue)
Contaminaction, Jeune Creation, Paris
Reality Revisited, IN SITU, Aalst, Belgium (web catalogue http://www.eyewithwings.net/reality_revisited)
Reality Revisited, Galerie Martin Kudlek, Koln, Germany (web
catalogue)
NIGHT VISION, White Columns, New York City (catalogue)
SPLIT FESTIVAL, Split, Croatia
info@blah :: mining the data glut, iKatun, Boston
20001
LE PROJET VIRUS
2001, Mains DOeuvres, Paris
Cin-o-matic: Memory and Cinematic Perception, T he New Museum, New
York City
The Collector,
Universal Concepts Unlimited Gallery, New York City
1.44 Megs,
Moving Image Gallery, New York City
The Graphic Art Biennial, Gyr, Hungary
2000
Remote Experience Dependency, Universal Concepts Unlimited, New
York City
Noise: The
Digital and the Discrete,Whipple Museum of the History of Science, Cambridge
(catalogue, with essay by Bruno Latour)
The Perpetual
Well, Samuel Harn Museum of Art, Gainesville, Florida
The Perpetual
Well, Parrish Art Museum, Southhampton, NY
Rounders,
Universal Concepts Unlimited, New York City
polyALTERITY,
UMF Art Gallery, Farmington, Maine (catalogue)
1999
Reflex: Matthias Groebel, Joseph Nechvatal, Endre Tt, Galerie Berndt, Koln
Digital Hybrids,
McDonough Museum of Art, Youngstown, Ohio (catalogue)
The
Techo-Digital Sublime, Central Fine Arts, New York City
MA(R)KING,
Central Arts, Tuscon, curated by Elaine E. King (catalogue)
Three
Computer-related Artists, Galerie Berndt, Kln
Links:
Schilderkunst in Extremis? Kunstcentrum Sittard, Maastricht
Diverse
Dialogues, Aljira Center for Contemporary Art, Newark
Old School,
Life, New York City, curated by Carlo McCormick
1998
Body Mcanique,
Wexner Center, Columbus, Ohio (catalogue)
Thundergulch:
Computer Arts Fellows, NYC Technology Center
Chaos and
Capacity, Central Fine Arts, Inc. NYC
1997
Art Fractal, Gallerie
Ricard, Paris (catalogue)
Zoom (Fractal),
Stae University of New York, NY, Purchase (catalogue)
1995
BLAST
Bioinformatica, Kolnischer Kunstverein, Koln (catalogue)
BLAST, Galerie
des Archives, Paris (catalogue)
Veered Science,
Huntington Beach Art Center, California (catalogue)
In Corpus
Machina, Espace d'Art, Paris
BLAST
Bioinfomatica, Javier Lopez Gallery, London
Reinventing The
Emblem, Yale University Art Gallery (catalogue)
Die Schnheit Der
Fraktale, Galerie Karin Sachs, Munich
Transiti, Arx
Art Gallery, Torino, Italy (catalogue)
Art Fractal:
t, Galerie Angle Art Contemporain, St. Paul-Tro Chteau
Alternatives: 20
Years of Hallwalls Contemporary Arts Center 1975-1995, Burchfield-Penney Arts
Center, and Castellani Art Museum Buffalo, NY
1994
Excess in the
Techno-Mediacratic Society, Shoshana Wayne Gallery, Santa Monica, Ca. (curated
by Joseph Nechvatal) (catalogue)
Logo, Non Logo,
Thread Waxing Space, New York, NY (curated by Morgan, Robert C. and Restany,
Pierre and Salpeter, Ellen F.)
Art & Virus,
Gallery Yaki Kornblit, Amsterdam (catalogue)
Tohu-Bohu,
esthtiques de la complexit fractale, Galerie de l' etoile, Paris (catalogue)
Art & Virus,
Galleria Del Ventaglio Contemporanea, Udine, Italy (catalogue)
Lo Specchio di
Proteo, Perugia, Alessandria, Italy (catalogue)
Figures d'Origines,
Saint-Louis Chapel at the Piti-Salpetriere Hospital, Paris (catalogue)
1993
Computeruntersttzte
Kunst, Kunstlerwerkstatt, Munich (catalogue)
LOpera Al
Femminile, Galleria Arx, Torino
Bodies, Atelier Philip
Pocock, Kln
Excess in the
Techno-Mediacratic Society, Musee D'Arbois, France (curated by Joseph
Nechvatal) (catalogue)
Excess in the
Techno-Mediacratic Society, Galerie Krinzinger, Vienna (curated by Joseph
Nechvatal)
Erlebnis E
Alterita, Galleria Marco Noire, Torino (catalogue)
Hiding /
Revealing, Galerie In Situ, Aalst
La Fractalite
Dans L'Art, Campus de La Doua, Villeurbanne (catalogue)
Mediale Hamburg
(catalogue)
Painting as
Paradigm, Stark Gallery, New York City
Procedures:
Informatiques, Ecole Nationale Superieure des Beaux Arts, Paris
Presentation,
NeuerAachenerKunstverein, Aachen
1992
Ecstasy, Dooley
Le Cappellaine, New York, NY
LEpreuve
Numerique, Centre National de la Photographie, Paris
New York Artists,
Galerie Bernhard Steinmetz, Bonn
10th Anniversary
Visiting Artists Exhibition, Ewing Gallery, University of Tennessee at
Knoxville
Representation,
Reproduction and Photography: Andy Warhol, Richard Artschwager, Ellen Brooks,
Mark Tansey and Joseph Nechvatal, Usdan Gallery, Bennington College, Bennington,
VT (catalogue)
1991
Outside Ameirca:
Going into the 90s, Fay Gold Gallery, Atlanta
1990
20th Anniversary
Exhibition White Columns, New York, NY
All Quiet on the
Western Front, Galerie Antoine Candau, Paris (catalogue)
Exchange of
Information, New York, NY Telephone New York, NY
Le Tableau des
Riches Inventions, Picaron Editions, Amsterdam
The Unique
Print: 70s into 90s, Lois & Michael Torf Gallery, Museum of Fine Arts,
Boston
1989
Theater on
Paper, The Drawing Center, New York, NY
Once upon A Time
There Was A Photograph, Barbara Gillman Gallery, Miami
After Collapse:
Rebuilding Expressive Media, State University, Amherst, Ma.
Strange
Attractors: Signs of Chaos, The New Museum of Contemporary Art, New York, NY
(catalogue)
Standplaats AKI,
Akademie Voor Beeldende Kunst, Enschede, The Netherlands
Moderne Kunst,
Malmo Kunsthallen Brandts Klaedefabrik, Odense, Malmo Sweden
Erotic America,
(curated by Joseph Nechvatal) Galerie Antoine Candau, Paris (catalogue)
1988
Art at the End
of the Social, Rooseum, Malmo, Sweden (catalogue)
New Visions of
the Apocalypse, Museum of Art, Rhode Island School of Design, Providence
(catalogue)
New York, NY
Now, Guthenberg Art Museum (traveled in Sweden and Finland) (catalogue)
Perpetual
Subversions, Bruno Facchetti, New York City
Computer
Assisted: The Computer in Contemporary Art, Freedman Gallery, Albright College,
Reading, Pa.
Committed to
Print, The Museum of Modern Art, New York, NY (catalogue)
Art-Fact, Miami
Miami > New York
Exchange Show, Artifacts, Miami
Miami > New
York Exchange Show, Mars Bar, New York City
1987
Documenta 8,
Kassel Germany (catalogue)
Chemical Field,
De Zaak, Groningen
Digital Visions:
Computers and Art, Everson Museum of Art, Syracuse (catalogue)
Digital Visions:
Computers and Art, IBM Gallery NYC (catalogue)
New Coordinates,
Simard, Halm and Shee Gallery, Los Angeles
This is not a
Photograph: Twenty Years of Large-Scale, Photography: 1966-1986, The John &
Mable Ringling Museum of Art, Sarasota, Fl. (catalogue)
This is not a
Photograph: Twenty Years of Large-Scale, Photography: 1966-1986, Akron Art
Museum, Ohio (catalogue)
This is not a
Photograph: Twenty Years of Large-Scale, Photography: 1966-1986, The Chrysler
Museum, Norfolk, Va. (catalogue)
1986
Lazarus: a Bible
Story by Joseph Nechvatal, part of Willoughby Sharps Downtown New York 1986
video transferred by XFR Collective on 1/2/2023 from VHS source
Drawings from
the Collection of Dorothy and Herbert Vogel, University of Arkansas at Little
Rock
Drawings from
the Collection of Dorothy and Herbert Vogel, University of Alabama Moody
Gallery of Art
Drawings from
the Collection of Dorothy and Herbert Vogel, Tuscaloosa Pennsylvania State
University
Drawings from
the Collection of Dorothy and Herbert Vogel, Palmer Museum of Art, University
Park
Il Cangiante,
Padiglione d'Arte Contemporanea, Milano
Metabody,
Hallwalls, Buffalo, NY (catalogue)
Spiritual
America, C.E.P.A., Buffalo, NY
Pay Attencion,
Brandts Palchus Galleri, Copenhagen
Drawings, Piezo
Electric, New York, NY
Time after Time,
Diane Brown Gallery, New York, NY
Face It, Anders
Tornberg Gallery, Lund, Sweden
1985
Infotainment,Texas
Gallery, Houston (catalogue)
Infotainment,
Rhona Hoffman Gallery, Chicago (catalogue)
Infotainment,
Vanquard Gallery, Philadelphia (catalogue)
Infotainment,
Aspen Art Museum, Aspen Colo. (catalogue)
Infotainment, De
Selby Gallery, Amsterdam (catalogue)
Infotainment,
Galerie Montenay-Delsol, Paris (catalogue)
East Village:
Gallery Nature Morte, AU Centre, Saidye Bronfman Centre, Montreal, Quebec
Xerox: States of
the Art, Todds Copy, New York, NY
Purgatorio Show
85, C.U.A.N.D.O., New York, NY
Correspondences:
New York, NY Art Now, Laforet Museum Harajuku, Tokyo (catalogue)
Correspondences:
New York, NY Art Now, Tochigi Prefectural Museum of Fine Arts, Utsunomiya
Correspondences:
New York, NY Art Now, Tagaki Hall Espace Media, Kobe (catalogue)
Anniottanta
Castel Sismondo, Palazzina Moster, Chiesa di Santa Maria ad Nives, Rimini
Anniottanta
Castel Sismondo, Galleria Comunale d'Arte Moderna, Bologna
Graffiti and
East Village Artists, Librizzi Gallery, New York, NY
Americana, Whitney
Biennial: Group Material, The Whitney Museum of American Art, New York, NY
Memento Mori,
Moore College of Art Gallery, Philadelphia (catalogue)
Ingenious
Fabrications: Recent Projects from the Fabric Workshop, Gallery 400, University
of Illinois at Chicago, Chicago
ABC No Rio: The
First Five Years, City Gallery of the Department of Cultural Affairs, New York,
NY
1984
Drawings,
Paintings, and Sculpture, Brooke Alexander, New York, NY
Smart Art: New
Work from New York, NY, Carpenter Center for the Visual Arts, Harvard
University, Cambridge, Ma. (catalogue)
Disarming
Images: Art for Nuclear Disarmament, Contemporary Arts Center, Cincinnati
(catalogue) (travelled to ten institutions in the United States)
East Village
Art, Niveau Gallery, New York, NY
Via Satellite,
Amerika-Haus, Cologne (catalogue)
Natural Genre,
Fine Arts Gallery, School of Visual Arts, Florida State University (catalogue)
The New Capital,
White Columns, New York, NY (curated by Collins & Milazzo)
Drawings by
Contemporary Figurative Artists, Meyerhoff Gallery, Maryland Institute, College
of Art, Baltimore (catalogue)
Lori Goodman,
Joseph Nechvatal, Walter Robinson: Artworks, Kamikaze Club, NYC (December)
Humanism: An
Undercurrent, University of South Florida, Tampa
Romance and
Catastrophe, Piezo Electric, New York City
Contemporary
Perspectives, Center Gallery, Bucknell University, Lewisburg, Pa.
Motives,
Albright-Know Art Gallery, Buffalo, NY (catalogue)
New York, NY
New: 26 Artists, Studio di Corrado Levi, Milano (catalogue)
Dessins,
Gillespie-Laage-Salamin, Paris
1983
New York, NY, Kunstmuseum,
Aalborg (catalogue)
New York, NY,
Randers Kunstmuseum (catalogue)
Contemporary
Drawings, Barbara Krakow, Boston
Four New York,
NY Artists, Jack Tilton Gallery, New York, NY
Rotating Group
Show, Paula Cooper Gallery, New York, NY
Speed Trials,
White Columns, New York, NY
Joseph Nechvatal
/ Not Vital / Robin Weglinski, Gallery Nature Morte, New York, NY
1982
The Atomic
Salon, Ronald Feldman Gallery, New York, NY
1981
The Positive
Show, ABC No Rio, New York, NY
New Drawings,
The Drawing Center, New York, NY (catalogue)
The Doomsday
Show, Artists Space, New York, NY
Contemporary
Psychedelia, Inroads, May 10, New York, NY
The Monumental
Art Show, Brooklyn, NY
The Inauguration
Show, ABC No Rio, New York, NY
Colab Potato
Wolf Early Evening Video, September 24th, Mudd Club, New York, NY
1980
Colab :
Collaborative Projects, Brooke Alexander, New York, NY
Murder, Suicid
&, Junk, ABC No Rio, New York, NY
Artists for
Survival, ABC No Rio, New York, NY
Power for Peace:
Our Lost Horizon, White Columns, New York, NY curated by Peter von Brandenburg
Colab, The Times
Square Show, Times Square, New York, NY
1979
Colab Potato
Wolf Video Screening, March 26th, 27th & 28th,
Joseph Nechvatal Studio, 18. N. Moore Street, New York, NY
Audio Work
(excluding numerous cassette compilations)
2024
Audio Art
instalation Le mariage dOrlando et
Artaud, mme, March 8th, La Gnrale Nord-Est: Laboratoire
artistique politique et social, Paris
2023
viral symphOny CD
enters the collection of the Music & Arts Library 701 Dodge Columbia
University NYC
viral symphOny CD
enters the MoMA Library, NYC
February 18th,
No Wave Audiometric radio show of selected No Wave tracks curated by Joseph
Nechvatal & Black Sifichi, France
February 9th,
No Wave Special, 1 hour of No Wave music curated for Frosty at dublab, a
non-profit radio station based in Los Angeles
July 9th, Rhys
Chatham; Joseph Nechvatal - Excerpts from XS (1984) played on Manic Antenna:
Episode #127, Move On Up! WRFZ 106.3 FM Rochester, NY
January 20th
TRUE and FALSE : XOX-001 cassette 1985 was broadcast in its entirety on Maggie
Hertz Cat Bomb! Radio at WFMU | 91.1, 90.1, 91.9 FM & wfmu.org
Two Tellus Audio
Cassette Magazines in the Barbara Ess Archive show at White Columns, NY NY
2022
KOWS Radio
Summit 92.FM in Sonoma County, hosted by Don Campa, broadcast an excerpt of the
track Pour finir avec le jugement de dieu viral symphOny plague off Viral
Tempest double vinyl LP published at Mute Sound 1 minute autohypnosis #50
an excerpt of
the track Pour finir avec le jugement de dieu viral symphOny plague off Viral
Tempest double vinyl LP published at Mute Sound 1 minute autohypnosis #50
October 21st ~~~~~~~~~~~~~~~~~venus~~vibrator, even
01 played on German radio in episode #256 of Fundstck radiophonic miniatures
on DLF-Kulturs Kompressor
July 1st
The Church of Noisy Goat re-release of Joseph Nechvatals 1985 audio collage
cassette tape True and False selected as one of the Best Experimental Music projects
on Bandcamp by Marc Masters
July 7th
release of 4:33 naked nOise carnival (2022) audio track on the ASSEMBLAGE
EFFECTS compilation project published by the Institute For Alien Research in
Bath, UK.
The Viral
Tempest: pour finir avec le jugement de dieu viral symphOny plague (herOic
cOjOnes), The Sound of Violence, The New Museum of Networked Art project, curated
by Wilfried Agricola de Cologne, Koln, Germany
April 21st
No Pigeonholes EXP played tracks wOOlf wOrds Of OrlandO and pour finir avec le
jugement de dieu viral symphOny plague (grOundless stOrm) from The Viral
Tempest LP on the radio and internet at KOWS FM, 92.5 FM hosted by Don Campau
March 22 Rodent
Tapes releases on Bandcamp Reckless: a
1984 plunderphonic synthesizer track first released on cassette by Al
Margolis' Sound of Pig cassette label
April 15th
Pentiments publication of The Viral Tempest double vinyl LP and Bandcamp tracks
containing OrlandO et la tempete viral symphOny redux suite (2020) and pour finir
avec le jugement de dieu viral symphOny plague (2021)
February 8th,
WKCR Afternoon New Music radio show premiered Plastic Ono Band Viral Symphony
Joseph
Nechvatal: Selected Sound Works (1981-2021) entered the collection of Artpool
Art Research Center, Budapest, Hungary
2021
October 15th
Joseph Nechvatal: Selected Sound Works (1981-2021) cassette and bandcamp tracks
published by Chicago-based Pentiments experimental music and sound art label
October 12th
Joseph Nechvatal: Selected Sound Works (1981-2021) cassette tracks was played
by Jim O'Rourke on his Flag Radio show broadcast from Kyoto Japan
Joseph
Nechvatal: Selected Sound Works (1981-2021) cassette entered the Museum of
Modern Art/Franklin Furnace Artist Book Collection
October 15th
Cramer Florian played Joseph Nechvatal: Selected Sound Works (1981-2021) on
Radio WORM Rotterdam
December 11th
The Institute of Spectra-Sonic Sound music podcast featured tracks
Dalychtocracy (1985), Psychedelic Hermeneutic (1988) & degeneratiOns (2006)
from Selected Sound Works (1981-2021)
October 27th
Pentiments published on their YouTube chanel audio of Joseph Nechvatal's Sonic
Archeology conversation with Paul Paulun
Joseph
Nechvatal: Selected Sound Works (1981-2021) entered the Literary and Creative
Recordings permenent collection at The British Library, London
Joseph
Nechvatal: Selected Sound Works (1981-2021) cassette entered Vittore Baroni
Archive, Viareggio, Italy
Joseph
Nechvatal: Selected Sound Works (1981-2021) cassette entered the Franklin
Furnace's audio collection
November 6 &
7, Audiometric Black Sifichi broadcast Homage to Joseph Nechvatal & Tellus
Audio Cassette Magazine & Selected Sound Works (1981-2021), on 5 Independent
French FM stations: Jet FM 91.2 Nantes, Aligre FM 93.1 Paris, Radio Active 100
FM Toulon, Eko des Garrigues 88.5 Montpellier, Radio Grenouille 88.8 FM
Marseille
Joseph
Nechvatal: Selected Sound Works (1981-2021) entered the collection of Debatik Center
of Contemporary Art
November 14, chOke
(1983) and viral symphOny compressed (2018) from Joseph Nechvatal: Selected
Sound Works (1981-2021) was introduced and played by Sam Sebren on his Everything
Is Real Radio show on Wave Farm WGXC radio 90.7-FM
June 29th
Tony Coulter presented on the Tape Hiss radio show on WFMU Joseph Nechvatals side
B of Selected Sound Works (1981-2021)
July 20th
the slOw OrlandO Of cOntestatiOn and decOmpOsitiOn track from The Viral Tempest
LP was played at 3pm on Tony Coulters Give the Drummer Radio show on WFMU
July 2nd
7pm Cramer Florian played on Radio WORM Rotterdam the complete viral
symphOny
Wave Farm WGXC
radio 90.7-FM broadcast of the complete pour finir avec le jugement de dieu
viral symphOny plague (2021) 43:13 min, Apr 17th, 8pm
KOWS Radio
Summit 92.FM in Sonoma County broadcast the 1st movement of pour
finir avec le jugement de dieu viral symphOny plague (2021) on Phillip B. Klingler's
(aka PBK) Mutation Theory podcast/radio show Saturday, April 3rd,
7pm
Wave Farm WGXC
radio 90.7-FM broadcast entire OrlandO et la tempte viral symphOny redux suite
DJ Cosmogol 999
played Excerpt I from Reckless (1984)
from Selected Sound Works (1981-2021)
cassette 21 juin 2021 & 2 juin 20h on the radio in France at JETFM91.2
June 5th,
KOWS Radio Summit Mutation Theory ~ hosted by Phillip B. Klingler ~ played
Psychedelic Hermeneutic (1988) from the Pentiments cassette release Selected
Sound Works
Joseph
Nechvatal: Selected Sound Works entered the collection of Sound Archive of
Experimental Music and Sound Art, Murcia, Spain
December 27th,
Selected Sound Works cassette played in full at MUSIKI Radio, Vilnius,
Lithuania radijo-musikii.net
2020
KOWS FM, 92.5 FM,
broadcast Orlando et la tempte viral symphOny redux on December 31st
on the No Pigeonholes EXP show hosted by Don Campau
Audiometric
Radio broadcast an excerpt of Orlando et la tempte viral symphOny redux on
December 19
Joseph Nechvatal
and Andrew Deutsch published an audio art track on bandcamp called Orlando et
la tempte viral symphOny redux (16:13 min) on October 13
Wave Farm Radio
WGXC 90.7-FM broadcast the complete viral symphOny on June 6th from
10pm-11:59pm
chOke 433 was
broadcast on the Staalplaat Radio Show 2020-27 on DFM.nu on December 24th
Harvestworks, on
June 23, 2020 at 5 pm, broadcast on Twitch.tv/harvestworks of the CD first
movement of viral symph0ny by Joseph Nechvatal with interviews with the artist
Wave Farm WGXC
radio 90.7-FM broadcast Cave Bacchus Destroyer of Naivets on June 20th
from 10pm-11:59pm
chOke, 433
audio collage internet release via Bandcamp on evolution sound chaos cut theory
project assembled by Institute For Alien Research
Orlando et la
tempte viral symphOny redux, in collaboration with Andrew Deutsch, 1613
audio track internet released on Bandcamp
Endless
Entertainment, 411 audio collage internet released by PBK Recordings on
Bandcamp, first released on cassette by PBK Recordings in 1990
2019
December 15th,
Ego Masher played on Manic Antenna: Episode #34, Move On Up! WRFZ 106.3 FM
Rochester, NY
2017
Ego Masher track
included in An Anthology Of Noise & Electronic Music #6 by Sub Rosa Label
Publishing as an
Artistic Toolbox, Kunsthalle Wien, Vienna (Tellus #20 Media Myth, curated by
Joseph Nechvatal, exhibited)
Destroyer of
Naivets (snippet) published on Generator Twenty Seven Years, C-110 cassette
& download published by Generations Unlimited
2016
Destroyer of
Naivets by Cave Bacchus (Joseph Nechvatal, Black Sifichi, Rhys Chatham) CD
(E207) released on the Entracte label
Five channel playback performance of the Destroyer of Naivets
recording by Cave Bacchus (Joseph Nechvatal, Black Sifichi, Rhys Chatham) at
Harvestworks, New York City
viral symphOny sound sculpture at AHA Festival, Chalmers
University of Technology, Departments of Architecture and Physics, Gothenburg
Sweden
2015
3 pOstmOrtems (for
Dieter Roth), noise music performance at Art Laboratory Berlin, Berlin
2014
A three minute
excerpt from viral symphOny was included on Master Cactus, a special edition
issue cassette release curated by Gen Ken Montgomery Cassette
October 10, KOWS
FM, 92.5 FM, broadcast of Side A of Reckless (SOP) on the No Pigeonholes EXP
show hosted by Don Campau
2013
Gen Ken
Montgomery performed and recorded 3 pOstmOrtems (for Robert Rauschenberg) - an
adaptation of the last movement from viral symphOny - as part of his Generator
Sound Art exhibition held at Audio Visual Arts gallery (AVA) in New York City
on October 3rd, 2013
2012
viral symphOny
was re-mastered into 5.1 surround sound and presented as an immersive concert
on April 12, 2012 at Harvestworks in New York City
The complete
viral symphOny was performed as the soundtrack to a digital art projection by
Joseph Nechvatal (in collaboration with Stephane Sikora) on April 28, 2012 at
Galerie Richard in New York
October 10, KOWS
FM, 92.5 FM, broadcast of iea CD viral symphOny (excerpt) on the No Pigeonholes
EXP show hosted by Don Campau
2010
The complete
viral symphOny was Web published in 2010 as part of the W2F Festival
Viral Concerto
by Rhys Chatham (based on the viral symphOny) was performed at Galerie Richard
(Paris) on September 26, 2010
The complete
viral symphOny was performed as the soundtrack to a digital art projection by
Joseph Nechvatal (in collaboration with Stephane Sikora) on September 26, 2010
at Galerie Richard in Paris
2010
viral symphOny
performed in its entirety on web radio SYN France from September 30 to October
7th three times a day
2009
viral symphOny
performed in its entirety at Diapason, Brooklyn, New York, Feb. 13th
SoundLAB VI
selected artist
~~~~~~~~~~~~~~~~~venus~~vibrator, even excerpt
web published at Soanyway
2008
viral symphOny
chosen as prize winner at the 9th Festival Internacional de Investigacin
Artstica de Valencia, After The Net, 5 29 June 2008, Valencia, Spain
(catalogue: Observatori 2008: After The Future, p. 80)
viral symphOny
(28'09) and murmuring tOngue Of Ovid (20:53) web published at UbuWeb http://www.ubu.com/sound/nechvatal.html
2006
viral symphOny,
CD produced by the IEA label
2000
~~~~~~~~~~~~~~~~~venus-~~vibrator, even, CD with electronic musical background generated
by David Lee Myers, produced by David Lee Myers
1988
Tellus #20 Media
Myth, Audio Cassette Magazine, curated by Joseph Nechvatal
Space, Shuttle
& Roll - Vol.1 N1, 2 & 3, manufactured by Alien Artists for Artcore Editions,
edition of 100 copies, producer [uncredited] Graf Haufen
Dog!, published
on Total Recess 2 (Grade 2), Mystery Hearsay (aka Mike Honeycutt) #MH008
cassette compilation
Space Shuttle
and Roll Vol. _, Artcore Editions, ACE-28, compilation
1987
Bung Juice, published
on Empty Shadows, Sound of Pig, SOP 090 cassette compilation
1986
Tellus #13 Power
Electronics, Tellus Audio Cassette Magazine, curated by Joseph Nechvatal
Babbling Tongues
of Metamorphosis, audiocassette produced by Sound of Pig Music, SOP 75
1985
True and False,
audiocassette produced by XOX, XOX-001 cassette
New York Radio
Night, Joseph Nechvatal & Tron Von Hollywood, audiocassette produced by
Sound of Pig Music, SOP 168
German Future -
European Plan, audiocassette produced by Sound of Pig Music, SOP 277
Out of Context,
3 Absurd excerpts by Joseph Nechvatal with various artists, cassette attached
to a booklet by velcro. Reissued as a limited-edition CDR in 2010
There Must Be A
Higher Meaning (3:18), published on
Audio Arm #3 Cassette Magazine: Omniana, A.R.P.H. Tapes, A T # 017
chOke, musique
concrte extract taken from Nechvatals cassette release Sleep (1983) published
by Sound of Pig Music SOP 140
1984
Reckless,
audiocassette produced by Sound of Pig Music, SOP 217
Purge (One Continuous
Loop), audiocassette produced by Sound of Pig Music, SOP 273
1983
Sleep, audio
cassette produced by Sound of Pig Music SOP 140
1981
Crown of Thorns,
published on the No Wave compilation anthology LP record Just Another Asshole
#5
Selected Installations, Talks, Appearences & Performances
2024
March 8th, Le
mariage dOrlando et Artaud, mme, audio art instalation, La Gnrale
Nord-Est: Laboratoire artistique politique et social, Paris 14
March 5th,
7:30 pm broadcast conversation between Joseph Nechvatal and Nicolas Ballet on La
Gnrale TT-node intenet radio station https://p-node.org/
2023
March 8th,
screening and talk, XS: The Opera Opus: An Operatic Transvaluation of No Wave
Aesthetics by Joseph Nechvatal and Rhys Chatham, Centre Pompidou Paris Cinema 2
2022
June 9th, public
discussion with Frdric Keck, curator of the Micro-Mondes exhibition, and
Joseph Nechvatal. 6:30, Salon de lecture Jacques Kerchache, Muse du quai
Branly - Jacques Chirac, Paris
July 12th,
Tellus Audio Cassette Magazine Playback Session presentation/talk at Approaching
Downtown: Avant-Garde Cultural Production in New York City, 1970s-1990s at Centre
for American Art, The Courtauld Institute of Art, London
Paul Paulun audio
program of Tellus Audio Cassette Magazine tracks, New York Citys Art Scene on
Tape (1983-1993), published at Sounds Central
2021
Immersion Into
Noise presentation/lecture at Va_ulka Kitchen Brno, October 26th,
Brno, Czech Republic
Screening
of Viral Venture, Masaryk University, Brno, Czech Republic, curated by Jozef
Cseres
Immersive Excess
in the Apse of Lascaux lecture/performance October 30th, Museo e
Istituto Fiorentino di Preistoria, as part of Art Before Art conference organized
by the Fondazione Centro Studi sull'Arte Licia e Carlo Ludovico Ragghianti
(Lucca) and the Museo e Istituto Fiorentino di Preistoria (Florence)
Paul Paulun audio
interview with Joseph Nechvatal about audio art, Tellus Audio Cassette Magazine as part of the legacy of Marcel
Duchamp, conceptual art, the Downtown bar scene, & Fluxus
2020
Wave Farm Radio
WGXC 90.7-FM broadcast the complete viral
symphOny on June 6th from 10pm - 11:59 pm
Harvestworks, on
June 23, 2020 at 5 pm, broadcast on Twitch.tv/harvestworks of the CD first
movement of viral symph0ny by Joseph
Nechvatal with interviews with the artist
Wave Farm WGXC
radio 90.7-FM broadcas Cave Bacchus Destroyer
of Naivets on June 20th from 10pm-11:59pm
2018
Pull My Crazy :
a conversation on culture with Jean-Jacques Lebel and Joseph Nechvatal, Mona
Bismarck American Center Paris
2017
Immersion Into
Noise seminar, King Mongkut's University of Technology Thonburi School of
Architecture and Design, Bangkok, Thailand
2016
1% Owns 50% of
the World, Anthology Film Archives, New York City, May 16-22nd
Immersion Into
Noise seminar, King Mongkut's University of Technology Thonburi School of
Architecture and Design, Bangkok, Thailand
Four screen
installation of 1% Owns 50% of the World at Harvestworks, New York City, May
27th
2015
Les 1% possdent
50% du monde, animation projection, Galerie Richard Paris,September 27th
3 pOstmOrtems (for
Dieter Roth), noise music performance at Art Laboratory Berlin, Berlin
Immersion Into
Noise seminar, King Mongkut's University of Technology Thonburi School of
Architecture and Design, Bangkok, Thailand
2012
Immersion Into
Noise, lecture, Southern Illinois University, Carbondale
2010
viral symphOny:
a-life live projection followed by viral cOncertO a musical collaboration with
Rhys Chatham, Galerie Jean-Luc & Takako Richrad, Paris, September 26th
2002
Victoria High
Quality computer voice reads portion of ~~~~~~ ~~~~~~~~~~~~~~~~~venus~~vibrator,
even at Universal Concepts Unlimited, NYC
1994
The Computer
Virus Project paper/presentation at ISEA2000: 10th International Symposium on
Electronic Art, Ecole Nationale Suprieure Des Beaux Arts De Paris, Paris
1991
Dilation,
performed by the ballerina Lauren Houser at the residence of Bil Ehrlich, New
York, NY
1989
The Man Who
Believed He Could Move: A Celebration of the Bicentennial of the French
Revolution, Collaboration with Yves Musard, Dia Art Foundation, New York, NY
1987
Not a Door: A
Spectacle, collaboration between Scott B. (aka Scott Billingsley) and Joseph
Nechvatal, Hallwalls, Buffalo NY
1986
XS: The Opera, a
collaboration with with Rhys Chatham, Shakespeare Theatre, Boston
1985
The End of the
Night, a video collaboration with with Rhys Chatham, Los Angeles County Museum
of Art
XS: Night of
Power, a collaboration with with Rhys Chatham, 8 BC, New York, NY
XS an
installation collaboration with Rhys Chatham in Purgatorio Show 85,
C.U.A.N.D.O., New York, NY, July 17th
The End of the
Night video collaboration with with Rhys Chatham, Colab Potato Wolf Video
Broadcast, New York, NY
Acting appearance
on Glenn O'Brien TV Party, public access television variety and talk show, New
York, NY
1984
XS: The Opera
Opus, a collaboration with with Rhys Chatham, Pyramid Club, New York, NY
XS: The Opera
Opus, a collaboration with with Rhys Chatham, Club Danceteria, New York, NY
XS: The Opera
Opus, a collaboration with with Rhys Chatham, 8BC, New York, NY
XS: The Opera
Opus, a collaboration with with Rhys Chatham, Dannheisser Foundation, New York,
NY
Motives Installation:
Nature and NATO, Joseph Nechvatal and Christy Rupp. Albright-Knox Art Gallery,
curated by Claudia Gould (catalogue)
1983
Isle of Dread,
Lower Manhattan Cultural Council, 71 Broadway and 120 Broadway, New York, NY
Future V
Installation, 93 Prince Street, New York, NY
ABC NO RIO
Island of Negative Utopia, February 1-5, co-producer with Seton Smith, The
Kitchen, New York, NY
Acting appearannce
on Colab Potato Wolf public access video production of Strife, produced by Alan
Moore, New York, NY
1982
Small supporting
acting role in Rick Tame Meets Gwen at the Bar but it Ends Abruptly, Written
and Directed by Bobby G, Cast: Mike Robinson, Ellen Cooper, Sophie VDT, Becky
Howland, Bebe Smith, Joseph Nechvatal, Kiki Smith
Blame it on the
Brain Installation, Zippers Night Club, New York, NY
1981
The End of the
World, Real Art Ways, Hartford, Connecticut
January 20th,
End of the World Set Installation, Inroads, 150 Mercer Street, New York, NY,
performance of Sonic Youth as the Arcadians
1980
Free Speech on
Broadway Performance, art performance with Carol Parkinson & Cid Collins,
New York, NY
Its War at ABC
No Rio, January 20th, acustic guitar performance, ABC No Rio, New
York, NY (poster)
1979
Co-organizer of
3 day Public Arts International / Free Speech performance series at 75 Warren
Street, New York, NY (catalogue)
1978
European Dance/Art/Performance,
with Carol Parkinson and Cid Collins, Tour Centre of Experimental Theatre,
Antwerp, Belgium
European Dance /Art/Performance,
with Carol Parkinson and Cid Collins, Ecole d'Architecture, Tournai, Belgium
European Dance/Art/Performance,
with Carol Parkinson and Cid Collins, Theatre on the Rijn, Arnhem, The
Netherlands
Selected Publications by the Artist
Nechvatal, J. 2024. Ramm:ell:zee : Racing for Thunder, Rizzoli
Electa, p. 74
Nechvatal, J. 2023. ~~~~~~~~~~~~~~~~~venus~~vibrator,
even 1995 cybersex farce novella published by Orbis Tertius Press on
November 22nd
Nechvatal, J.
2022. The Viral Tempest double vinyl LP with compositions OrlandO et la tempete
viral symphOny redux suite (2020) and pour finir avec le jugement de dieu viral
symphOny plague (2021), Pentiments. Chicago
Nechvatal, J.
2022. The Miny Machine, Arts (ISSN 2076-0752) Special Issue on Machine Art by
MDPI Open Access Journal, Basel, Switzerland
Nechvatal, J. 2022. (poetry book) Styling Sagaciousness, Punctum Press. Santa Barbara, California
Nechvatal, J.
2022. Immersive Excess in the Apse of Lascaux, Art Before Art: L'uomo
cosciente e l'arte delle origini: con e dopo Carlo Ludovico Ragghianti, Edizioni
Fondazione Ragghianti di Lucca, pp. 122-132
Nechvatal, J. 2021. Joseph Nechvatal: Selected Sound Works
(1981-2021) audio cassette, Pentiments. Chicago
Nechvatal, J. 2021. The first 19 pages of the epic poem Styling
Sagaciousness: Oh Great No! was published October 13th at Nomaterialism IV
Nechvatal, J. 2018. Before and Beyond the Bachelor Machine, Arts:
Special Issue: The Machine as Art (in the 20th Century), MDPI Open Access
Journal, Basel, Switzerland
Nechvatal, J. 2018. Ecstatic Ascott, Cybernetics & Human
Knowing, Vol. 25, pp. 31-42
Nechvatal, J. 2016. Dan Mellamphy & Nandita Biswas Mellamphy
(eds.) The Digital Dionysus, Aesthetic States of Frenzy: Nietzsches Aesthetic
Palimpsest, pp. 218-235, Chapter 14
Nechvatal, J. 2016. (audio CD) Destroyer of Naivets by Cave
Bacchus (Joseph Nechvatal, Black Sifichi, Rhys Chatham) CD (E207) released on
the Entracte label
Nechvatal, J. 2015. (poetry book) Destroyer of Naivets, Punctum Press. Brooklyn, New York (now Santa Barbara, California)
Nechvatal, J. 2015. The Deleuze effect: vOluptuary drOid
dcOlletage, Metaverse Creativity, Volume 5 Number 1, pp. 67-83
Nechvatal, J. 2015. Colab, Max Schumann (ed.), A Book About Colab
(and Related Activities) Printed Matter, Inc p. 175
Nechvatal, J. 2015. The unseen/seenness of becOming multiple
Interalia Magazine, August issue
Nechvatal, J. 2014 - onward: collected critical art writings at
Hyperallergic http://hyperallergic.com/author/joseph_nechvatal/
Nechvatal, J. 2014. (book/cd) (ed.) Miny, Punctum Press & Punctum Records. Brooklyn, New York
& Austin, Texas
Nechvatal, J. 2011. (book) Immersion Into Noise, Open Humanities
Press with University of Michigan. Ann Arbor, MIchigan
Nechvatal, J. 2010a. Correspondence Course: An Epistolary History
of Carolee Schneemann and Her Circle by Kristine Stiles and Carolee Schneemann,
p.470
Nechvatal, J. 2010b. Joseph Nechvatal radio interview with Michael Rush on
MoMAPS1 Art Radio
Nechvatal, J. 2009. (book) Towards an Immersive Intelligence:
Essays on the Work of Art in the Age of Computer Technology and Virtual Reality
(1993-2006) Edgewise Press, NY
Nechvatal, J. 2007. Sophie Hope (ed.) Almanac of Political Art,
London
Nechvatal, J. 2006a, Jean Baudrillard and a Counter-Mannerist Art
of Latent Excess, International Journal of Baudrillard Studies, Volume 3,
Number 2 (July 2006).
Nechvatal, J. 2006b. degeneratiOns
by Joseph Nechvatal: captured real-time audio/visual viral attacks DVD produced
by The Institute for Electronic Arts Alfred University
Nechvatal, J. 2006c. Art,
Science and Critique, paper delivered at The Institute for Cultural
Research Department of History Lancaster University, Lancaster U.K.
Nechvatal, J. 2005a, Immersive Excess in the Apse of Lascaux,
Technoetic Arts 3:3, pp. 181-192
Nechvatal, J. 2005b. Guest on the March 21 Bio-Blurb radio show Virus Redux-Reconfiguring Culture on WPS1
Art Radio Edition #8 with Suzanne Anker, Christiane Paul and McKenzie Wark
Nechvatal, J. 2004a, Origins of Virtualism: An Interview with
Frank Popper Conducted by Joseph Nechvatal Spring 2004 issue of the CAA Art
Journal pp. 62-77
Nechvatal, J. 2004b, Frank Popper and Virtualised Art, Winter 2004
tema celeste magazine: issue #101, pp. 48-53
Nechvatal, J. 2003a, Voluptuous Viractualism, in Simultaneita :
New Media Arts Magazine, 01/2003, pp. 25-29
Nechvatal, J. 2003b. Joseph Nechvatal, CD-rom produced by
Music2eye at the MFA Computer Art Dept. at the School of Visual Arts
Nechvatal, J. 2002, Hotlist : The Esoteric Arts, Artforum Magazine
Nechvatal, J. 2001a, Towards an Immersive Intelligence in Leonardo
9th New York Digital Salon special issue
Nechvatal, J. 2001b, Artists and War : La beaut tragique: Mapping
the Militarization of Spatial Cultural Consciousness in Leonardo 34.1 (2001)
27-29
Nechvatal, J. 2001c. La Beaute tragique: Olkowski, Deleuze, and
the Ruin of Representation in Film-Philosophy: Deleuze Special Issue vol. 5 no.
36, November 2001 http://www.film-philosophy.com/vol5-2001/n36nechvatal
Nechvatal, J.,
2000a.La beaut tragique: Mapping the Militarization of Spatial Cultural
Consciousness Leonardo, Winter
Nechvatal, J.,
2000b. Henri Michaux's Mescaline Engendered Drawings Zing Magazine, Winter
Edition
Nechvatal, J. 2000c. Viractualiy Interview by Colin Goldberg on
EverBeta
Nechvatal, J. 1999a. (book) Immersive Ideals/Critical Distances: A
Study of the Affinity Between Artistic Idealogies Based in Virtual Reality and
Previous Immersive Idiom. Newport : University of Wales College (PhD Thesis)
Nechvatal, J.,
1999b. Frame and Excess Perforations 19
Nechvatal, J.
1998. Computer Cynicism Perforations 13
Nechvatal, J.
1997a. Immersive Implications In Ascott, R. ed. 1997. Consciousness Reframed:
Conference Proceedings. Newport: CAiiA/University of Wales College
Nechvatal, J.
1997b. Sex/MachIne/Art: From Mechanical Repetition to Electronic Flicker In
Intelligent Agent: Interactive Media In Arts and Education Fall Issue, pp.
74-79
Nechvatal, J. 1997c.
Computer Cynicism In Intelligent Agent: Interactive Media In Arts and
Education Vo. 1, No. 12, pp. 155 and 165-166
Nechvatal, J.
1997d. Artists and Familiars: Austin Osman Spare In Ke-thar'sis Summer Issue,
pp. 3-7
Nechvatal, J.
1997e. Immersive Implications In New Observations, No. 116, Fall 1997,
pp.46-47
Nechvatal, J.
1994a. New Territory of Significance In New Observations, No. 104
Nechvatal, J.
1994b. The Computer Virus Project, ISEA'94 The 5th International Symposium on
Electronic Art Catalogue Publication series of the University of Art and Design
Helsinki, Edited by Minna Tarkka, ISBN 951-9384-72-3 ISSN 0782-1832 pp. 62-63
Nechvatal, J.
1993a. Introduction to The Art of Excess in the Techno-mediacratic Society In
New Observationss, No. 94
Nechvatal, J.
1993b. The Art of Excess in the Techno-mediacratic Society In New
Observations, No. 94
Nechvatal, J.
1993c. The Computer and Conceptual Painting In Gruson, L. ed. 1993. Joseph
Nechvatal: Computer Virus Project. Arc-et-Senans: Fondation Claude-Nicolas
Ledoux, pp. 29-32
Nechvatal, J.
1992a. Outrances dans la Societe Techno-mediacratic In Nechvatal, J. &
Gagneur, D. 1992. Excess in the Techno-mediacratic Society. Arbois: Muse
d'Arbois, p. 1
Nechvatal, J.
1992b. Innovations in Image Technology In M/E/A/N/I/N/G Contemporary Art
Issues, No. 11, pp. 38-40
Nechvatal, J.
and Gagneur, D. eds. (book) 1992c. Excess in the Techno-mediacratic Society.
Arbois: Muse d'Arbois
Nechvatal, J.
1991a. An Ecstasy of Excess In Nechvatal, J. 1991. An Ecstasy of Excess.
Mnchengladbach: Juni-Verlag, pp. 3-7
Nechvatal, J.
1991b. The Artist and Familars In Blast, Vol. 1, November /December, 1991
Nechvatal, J.
1991c. The Collapse of the 80s Image In M/E/A/N/I/N/G Contemporary Art
Issues, May Issue
Nechvatal, J.
1991d. (book) An Ecstasy of Excess. Mnchengladbach: Juni-Verlag
Nechvatal, J.
1990a. (book) Joseph Nechvatal: Collected Essays (1983-1990). Paris: Editions
Antoine Candau
Nechvatal, J.
1990b. The Urge for Image and the Saturated Eye (A Speculation) Selected
Writings. Paris: Editions Antoine Candau, p. 3
Nechvatal, J.
1990c. Hyper-death and the Scopic Corpse. In Artforum, November Issue, 1990,
p. 130
Nechvatal, J.
1990d. The Urge for Image and the Saturated Eye Perforations
Nechvatal, J.
1990e. (book) Stealing from the Thief's Journal (Extraits traduits du Journal
d'un Voleur) Amsterdam: Picaron, 38 x 28 cm, en ff., couv. aluminium recouvert
d'une peau noire, tui en bois peint. Edition illustre de trois dessins
originaux au crayon colls en regard du texte. Tirage limit 30 ex. num. sur
papier couch, signs par l'artiste.
Nechvatal, J.
1989a. Reorganized Meditations on Mnemonic Threshold In M/E/A/N/I/N/G
Contemporary Art Issues, No. 4, November, 1989. Reprinted in 1990 (book) Joseph
Nechvatal: Collected Essays (1983-1990). Paris: Editions Antoine Candau, p. 21
Nechvatal, J.
1989b. Artistic Cynicism In Art Criticism, Vol. 5, No. 3. Reprinted in 1990 (book)
Joseph Nechvatal: Collected Essays (1983-1990). Paris: Editions Antoine Candau,
pp. 5-8
Nechvatal, J.
1989c. Cal Arts Lecture: An Excerpt In Lund Art Press, Vol. 2. Reprinted in
1990 (book) Joseph Nechvatal: Collected Essays (1983-1990). Paris: Editions
Antoine Candau, pp. 9-12
Nechvatal, J.
1989d. Re-conceptualizing Drawing In De Rijksakademie 08, pp. 12-13
Nechvatal, J.
1989e. High Style In Art Criticism, Volume 4, No 2. Reprinted in 1990 (book) Joseph
Nechvatal: Collected Essays (1983-1990). Paris: Editions Antoine Candau, pp.
23-31
Nechvatal, J. 1989f.
Artists and Familiars: Austin Osman Spare In Real Life, Winter Edition.
Reprinted in 1990 (book) Joseph Nechvatal: Collected Essays (1983-1990). Paris:
Editions Antoine Candau, pp. 13-19
Nechvatal, J.
1988a. A Prophylactic Discourse on Simulated Art In Code, December Issue.
Reprinted in 1990 (book) Joseph Nechvatal: Collected Essays (1983-1990). Paris:
Editions Antoine Candau, pp. 33-36
Nechvatal, J.
1988b. A Prophylactic Discourse on Simulated Art In C Magazine, Fall Issue.
Reprinted in 1990 (book) Joseph Nechvatal: Collected Essays (1983-1990). Paris:
Editions Antoine Candau, pp. 33-36
Nechvatal, J.
1987a. High Style In Arts Magazine, April Issue 1987. Reprinted in 1990 (book)
Joseph Nechvatal: Collected Essays (1983-1990). Paris: Editions Antoine Candau,
pp. 23-31
Nechvatal, J.
1987b. Post-Simulation Decadence In Arts Magazine, Summer Issue, 1987.
Reprinted in 1990 (book) Joseph Nechvatal: Collected Essays (1983-1990). Paris:
Editions Antoine Candau, pp. 33-36
Nechvatal, J.
1987c. Theoretical Statement Concerning Computer Robotic Paintings In
Documenta 8 Catalogue, Vol. 3
Nechvatal, J.
1987e. Simulation and Sublimation: The Law is for All In Unsound, Vol. 3, No.
1 Nechvatal (cover image). Reprinted in 1990 (book) Joseph Nechvatal: Collected
Essays (1983-1990). Paris: Editions Antoine Candau, pp. 41-42
Nechvatal, J.
1987f. (book) What the Songs Look Like : Contemporary Artists Interpret Talking
Heads Songs (visual double page interpretation of the Talking Heads song I Zimbra) Harpercollins, New York, pp.
86-87
Nechvatal, J.
1986a. State of the Art / Art of the State In Spectacle, Fall Issue, 1986.
Reprinted in 1990 (book) Joseph Nechvatal: Collected Essays (1983-1990). Paris:
Editions Antoine Candau, pp. 45-51
Nechvatal, J. 1986b.
Superfacts In Effects : Magazine for New Art Theory Neutral Trends I / No. 3
Winter. Reprinted in 1990 (book) Joseph Nechvatal: Collected Essays (1983-1990).
Paris: Editions Antoine Candau, pp. 43-44
Nechvatal, J.
1986c. Superfacts In Spectacle: A Field Journal from Los Angeles: Number
4 (September 1986). Reprinted in
1990 (book) Joseph Nechvatal: Collected Essays (1983-1990). Paris: Editions
Antoine Candau, pp. 43-44
Nechvatal, J.
1985a. Holding Out the Promise for Pure Regression In New Observations, No.
28. Reprinted in 1990 (book) Joseph Nechvatal: Collected Essays (1983-1990).
Paris: Editions Antoine Candau, pp. 53-57
Nechvatal, J.
1985b. Contribution to Redtape Magazine, Issue 6, Carter, Michael ed., Redtape
No. 6: The Cracked Mirror
Nechvatal, J.
1984a. Principles of Discord In Unsound, Vol. 1, No. 2. Reprinted in 1990
(book) Joseph Nechvatal: Collected Essays (1983-1990). Paris: Editions Antoine
Candau, pp. 59-60
Nechvatal, J.
1984b. Contribution to Redtape Magazine, Issue 5, White Lies, Summer 1984
Nechvatal, J.
1983a. Epic Images and Contemporary History In Real Life Magazine, No.11/12,
Winter, 1983. Reprinted in 1990 (book) Joseph Nechvatal: Collected Essays
(1983-1990). Paris: Editions Antoine Candau, pp. 61-65
Nechvatal, J.
1983b. (book) 2 Thousand Wings: The Winged Penis (prose poem) published in
the No Wave literary compilation Just Another Asshole #6, edited by Glenn
Branca & Barbara Ess, pp. 109-110 in the Primary Information; Facsimile
edition (January 22, 2019)
Nechvatal, J.
1982. (artist book) On the Beach, small edition xerox artist book by Jane
Sherry & Joseph Nechvatal distributed by Printed Matter, collection Museum
of Modern Art Library
Nechvatal, J.
1981a. (artist book) For a Better Care Free Life small edition xerox artist
book distributed by Printed Matter. (collection MoMA: c.1 Franklin Furnace
Collection. MoMA: c.2 Political Art Documentation & Distribution Archive,
Joseph Nechvatal folder)
Nechvatal, J.
1981b. (artist book) Perversity and Degeneration small edition xerox artist
book distributed by Printed Matter. (collection MoMA: c.1 Franklin Furnace
Collection. MoMA: c.2 Political Art Documentation & Distribution Archive,
Joseph Nechvatal folder)
Nechvatal, J.
1981c. (artist book) The Effects of Nuclear War and You, collection Museum of
Modern Art Library, MoMA Manhattan Artists' Books (N327 A12e)
Nechvatal, J.
1981a. (artist book) The Effects of Nuclear War and You, collection Museum of
Modern Art Library, MoMA Manhattan Artists' Books (N327 A12e)
Nechvatal, J.
1980b. (artist book) We Should Work With The Soviets To Avoid Nucleur War, small
edition xerox artist book distributed by Printed Matter, collection Museum of
Modern Art Library
Nechvatal, J.
1980c. (artist book) Barn Burning, small edition xerox artist book
distributed by Printed Matter, Museum of Modern Art Library, MoMA Manhattan
Artists' Books (N327 A12b)
Nechvatal, J.
1980c. (artist book) Forgive Us Our Trespasses, small edition xerox artist book
distributed by Printed Matter, Museum of Modern Art Library, MoMA Manhattan
Artists' Books (N327 A12f)
Nechvatal, J.
1980c. (artist book) African Tribesman Performing Their Last Dance, small
edition xerox artist book distributed by Printed Matter, Museum of Modern Art
Library, MoMA Manhattan Artists' Books (N327 A12a)
Nechvatal, J.
1980c. (artist book) Some Years Ago, With Nothing to Intrest Me, small
edition xerox artist book distributed by Printed Matter, Museum of Modern Art
Library, MoMA Manhattan Artists' Books (N327 A12)
Nechvatal, J.
1980d. (artist book) Open Winter, small edition xerox artist book distributed
by Printed Matter, Museum of Modern Art Library, MoMA Manhattan Artists' Books
(N327 A12o)
Nechvatal, J.
1980e. 20-Megaton Blast Cover Magazine, Vol. 1, No. 4, Winter 1980 / 1981, p.
10
Nechvatal, J.
1979. (book) (co-editor/publisher) Public Arts International / Free Speech (catalogue)
Nechvatal, J.
1979. Untitled In WhiteWalls: A Magazine of Writings by Artists, #3 Autumn
1979 , p. 4
Selected
Bibliography on the Artist
2024
Patrick Frank, Art of the 1980s: As If the Digital Mattered, Walter de Gruyter GmbH, Berlin/Boston,
pp. 4, 537, 74, 133135
Patrick Frank & Duane Preble, Prebles Artforms, 13th
edition, Pearson
Xavier
Lambert, La politique sexuelle dOrlando et la tempte in Dialectique et
cration: Lart comme fait politique, ditions LHarmattan, Collection Ouverture
Philosophique, pp. 31-41 (11 color images) (French)
Brian
Butterick, Susan Martin, Kestutis Nakas (eds.), "We Started a Nightclub":
The Birth of the Pyramid Cocktail Lounge as Told by Those Who Lived It, Damiani
Books, p. 320
2023
Nicolas
Ballet, Shock Factory: Culture visuelle des musiques industrielles (1969-1995),
Les presses du rel Musique & arts sonores Hors-srie, pp. 34, 35, 36, 159,
398
Joey
Seeman & Chris Potash, Punk Under the Sun, HoZac Books. 2023, pp. 178-179
2022
Alan
Moore, Art Worker: Doing Time in the New York Art World, Journal of Aesthetics
& Protest Press, pp. 56-57, 128, 156
Harold
Schellinx, Gebed In Ruis, Brom En Ratel: Noise en Virale Infectie in het Werk
van Joseph Nechvatal, Gonzo (circus), issue 172, pp. 42-45 (Dutch)
Helen
A. Harrison, Techspressionism: Digital and Beyond, Southampton Arts Center,
2022, pp. 42-43
2021
Jay Murphy, New Media and the Artaud Effect, Palgrave Macmillan,
p. 99
Richard Milazzo, A kiss before dying : Walter Robinson, a painter
of pictures and arbiter of critical pleasures, Modena, Italy, Galleria Mazzoli,
p. 280
Robert Barry, Tape Hiss: Joseph Nechvatal & The History Of Tellus
Audio Cassette Magazine, The Quietus, October 30th
Dave Mandl, Review
of Joseph Nechvatal: Selected Sound Works (1981-2021), The Wire, November 2021
(Issue 453), p. 70-72
Massimo Ricci, Joseph Nechvatal: Selected Sound Works (1981-2021)
Review, Touching Extremes, September 18th
November 6 &
7, Audiometric Black Sifichi, Homage to Joseph Nechvatal & Tellus Audio
Cassette Magazine & Selected Sound Works (1981-2021), broadcast on 5 Independent
French FM stations: Jet FM 91.2 Nantes, Aligre FM 93.1 Paris, Radio Active 100
FM Toulon, Eko des Garrigues 88.5 Montpellier, Radio Grenouille 88.8 FM
Marseille
Art Review City, Q&A with Joseph Nechvatal, published November
22, 2021 online
2020
Stphanie Lemoine, Imaginaires du virus, Le Journal des Arts, May
12th issue
Kenneth Goldsmith, Duchamp Is My Lawyer: The Polemics, Pragmatics,
and Poetics of UbuWeb, Columbia University Press, New York, p. 243
Bradley Rubenstein, Press Eject and Give Me the Tape: Dialogues,
Interviews and Exchanges 2001-2020, Joseph Nechvatal Interview with Taney Roniger & Bradley Rubenstein, Meridian Art
Publishing, pp. 42-52
Barbara Ellison, Thomas Bey William Bailey & Francisco Lpez, Sonic
Phantoms: Composition with Auditory Phantasmatic Presence, Bloomsbury Academic,
London, pp. 114 and p. 208
Jessica Robinson, Joseph Nechvatals Art Springs From Algorithms,
Berkshire Fine Arts, June 15th Issue
Florian-Christian Balotescu, Space Porosities or How to Trespess
Space as the First Frontier in Caietele Echinox Volume 38 Planetary Spaces.
The Humanities at the Crossroads of the Local and the Post- Global, Phantasma
Centre de Recherches sur lImaginaire Universit Babe_-Bolyai, Cluj-Napoca,
Roumanie, pp. 221-223, p. 226, 230, 233
Richard Milazzo, Introduction, Jonathan Lasker: New Complete
Essays 1984-2019, Edgewise Press, N.Y, 2013, pp. 16, 17, 18, 32, Commentart p. 202
2019
Barbara Maria Stafford, Ribbon of Darkness: Inferencing from the
Shadowy Arts and Sciences , University of Chicago Press, p. 214
2018
Paul Crowther, Digital Art: Aesthetic Creation, Routledge, London
& New York, pp.130 134 (2 images)
Gary Indiana, Vile Days: The Village Voice Art Columns 19851988,
edited by Bruce Hainley, Semiotext(e) pp. 200 & 237
Matthias Mayer, The Real Estate Show: Extended Berlin, Kunstpunkt
Berlin, 1 image
Florian Balotescu, Spatiul Poetic, Editura Tracus Arte, pp.
409,479-478,501 & image on the book cover
2017
A Strong Couple New Media and Socially Engaged Art, Sjoukje van
der Meulen, Leonardo, MIT Press, Volume 50, Issue 2 April 2017, pp. 170176
Sren Brier, Systems, Power, and the Phenomenological Basis of
Triadic Semiotics, Cybernetics and Human Knowing. 24 (2): 58.
Mario Costa, Artmedia: Loggetto estetico dellavvenire. Storia di
un progetto scientifico. pp. 178-179
2015
Max Schumann (ed.), A Book About Colab (and Related Activities)
Printed Matter, Inc, pp. 101 (on Nechvatals Free Speech: Performance Art
Festival), 110, 153, 155, 161 (3 video images from Gothic Horrors video broadcast on
Colab Potato Wolf cable broadcast
November 16th 1982), 172 (full page text by Nechvatal
on Colab), 175 (full page ABC No Rio poster image), 207 (Nuclear War placemat A
More Store image bottom left), 214 (recto/verso images top of the page of
Nechvatal artist book We Should Work With The Soviets To Avoid Nucleur War), 223,
229 (photo of Nechvatal wearing Jenny Holzers Abuse Of Power Comes As No
Surprise t-shirt, top photo, second to the right), 254 (Nechvatal placemat from
A More Store)
Thyrza Goodeve, The Migrant as Conscientous Objector: Joseph
Nechvatal Interview, December/January 2015-2016,The Brooklyn Rail, pp. 14,15,16
Taney Roniger, Infected Paintings as an Allegory of Migration,
Hyperallergic.com December 7, 2015
Alex Woolf, The Impact of Technology in Art, Heinemann Press,
ISBN-10: 1484626400, pp 12-13
GianCarlo Pagliasso, Il deficit estetico nell'arte contemporanea.
Un'analisi critica della forma-merce figurativa nel XXI secolo, Marcovalerio
(collana Saggi) p.108
2014
Charlene
Spretnak, The Spiritual Dynamic in Modern Art : Art History Reconsidered, 1800
to the Present, Palgrave Macmillan, p. 135, image #13
Marie-Laure Ryan, Lori Emerson, and Benjamin J. Robertson
(eds), The Johns Hopkins Guide to Digital Media, Johns Hopkins University
Press, p. 501
Milazzo, Richard, Peter Nagy: Entertainment Erases History
Works 1982 to 2004 to the Present, EISBox Editions, New York City. pp. 37, 72,
84, 86, 88, 91, 98, 206, 440, 458, 462, 471
GianCarlo
Pagliasso, Cosmo e Virus: Joseph Nechvatal a Parigi, Zeta rivista
internationale de poesia e ricerche, December 2014, page 3 (full page with 3
reproductions)
2013
Richard Milazzo, Introduction, Peter Halley, Selected Essays
1981-2001, Edgewise Press, N.Y, 2013, pp. 34-35
Kerry Brougher, Damage Control: Art and Destruction Since
1950, Munich: Prestel, pp. 40-41
Patrick
Lichty, Variant Analyses: Interrogations of New Media Art and Culture,
Amsterdam, pp. 5, 83, 166
2012
Michael Bird, 100 Ideas
that Changed Art, Laurence King Publishing Limited. 2012, pp. 198-199,
reproduction of the painting Orgiastic abattOir : flawless ignudiO
Douglas Dreishpoon,
Louis Grachos & Heather Pesanti,, Decade: Contemporary Collecting
2002-2012, Albright-Knox Art Gallery, Buffalo, New York, 2012, p. 382,
reproduction of two drawings from 1984
Thomas
Bey William Bailey, Unofficial Release: Self-Released And Handmade Audio In
Post-Industrial Society, Belsona Books Ltd., pp. 88-89, 2012
GianCarlo
Pagliasso, nOise anusmOs, Verso #81 (Traduit de l'italien par Grard-Georges
Lemaire)
Jamie
Allen, Book review of Joseph Nechvatals Immersion Into Noise, continent.2.1
The
Lookout: Joseph Nechvatal at Galerie Richard, Art in America Staff, April 2012,
Art in America
Christophe
Stener, Dictionnaire politique d'internet et du numrique: Les cent enjeux de
la socit numrique, p. 15
2011
Dominique
Moulon, Art contemporain nouveaux mdias, ditions Scala, 2011, p. 108
Gwen Allen,
Artists' Magazines: An Alternative Space for Art', The MIT Press, 2011, p. 304
2010
Manuela de Barros, Noisy Viral Threat : Joseph Nechvatal: Review
of Art rtinal revisit: histoire de loeil Published in Digitalarti Mag #4
October 2010
Yves Citton, TV Art, Ubiquity and Immersion: A Dialogue of
Translation with Joseph Nechvatal. Multitudes, d. Inculte, 2010, pp. 216-222
2009
Edward A. Shanken, Art and Electronic Media. London: Phaidon, pp.
42, 285, 160
Corrado Levi, andata cos: Cronaca e critica dell'arte
1970-2008, Joseph Nechvatal intervistato nel suo studio a New York (1985-86),
pp. 130-135
Eric Gelber,
Review of Towards an Immersive Intelligence: Essays on the Work of Art in the
Age of Computer Technology and Virtual Reality 1993-2006 by Joseph Nechvatal, artcritical:
an online magazine of art and ideas published Tuesday, December 1st, 2009
2008
Marie-Paule Ngre, Des artistes en leur monde, volume 2, la
Gazette de l'Hotel Drout, pp. 8283
John Johnston, The Allure of Machinic Life: Cybernetics,
Artificial Life, and the New AI, MIT Press, cover
The Dorothy and Herbert Vogel Collection: Fifty Works for Fifty
States, National Gallery of Art, pp. 191 & 227
2007
Paula Court, New York Noise: Art and Music from the New York
Underground 1978-88, p. 195
Ebon Fisher, Wigglism, Leonardo, Vol. 40, Number I, p 40, color
image p. 43
Dominique Moulon, Confrence Report : Media Art in France, Un
Point d'Actu, L'Art Numerique, pp. 124125
2006
Frank Popper, From Technological to Virtual Art, MIT Press, pp.
120-123
Bruce Wands, Art in the Digital Age, Thames & Hudson Ltd, p.
65
Brandon Taylor,
Thames & Hudson Ltd, p. 221
Donald Kuspit, Arte Digital y Videoarte, Circulo de Bellas Artes
Madrid, p. 33-35, color illustrations 2,3& 4
Dennis Michael Jon & Kristin Makholm, Vermillion Editions
Limited: A History and Catalogue 1977-1992, pp. 186-187, illustrations of
Nechvatal prints The Sex Prayers (1985) p. 86 & Push (1985-93) p. 87,
Minneapolis Institute of Arts
Michael Carter, Alphabet Slop: Re-Straining the East Village Art
Scene, 1981-1986, Tribes Magazine
Maximillien de Lafayette, United States and the World Face to
Face: America's Best and Worst
Michael Carter, Downtown: Legend, Myth and Institutionalized
Caprice of The New York Art Scene 1974 - 1984, Tribes Magazine
2005
Joline Blais and Jon Ippolito, The Edge of Art,Thames & Hudson
Ltd, p. 213
Mario Costa, Phenomenology of New Tech Arts, Artmedia, Salerno, p.
6 & pp. 36 38
Ken Reingold, Interactive Electronics for Artists and Inventors
Donald Kuspit, The Matrix of Sensations, artnet web magazine,
http://www.artnet.com/magazineus/features/kuspit/kuspit8-5-05.asp
2004
Christine Buci-Glucksmann, Lart lՎpoque virtuel, in Frontires
esthtiques de lart, Arts 8, Paris: LHarmattan
Henri-Franois Debailleux, Peinture. Les travaux de Joseph
Nechvatal exposs Paris, 27 octobre 2004, Liberation
Brandon Taylor on Joseph Nechvatal in the book Collage, Thames
& Hudson Ltd, p. 221
Dominique Moulon, L'art numerique: spectateur-acteuret vie
artificielle, Les images numeriques #47-48, pp. 124125
John Reed Joseph Nechvatal Artforum Web 3-2004 Critcs Picks
Alan Liu on Joseph Nechvatal in the book The Laws of Cool, Chicago
Press, pp. 331-336 & 485-486
velyne Rogue Interview with Joseph Nechvatal artcogitans.com
(defunct site) now pdf archived at Internet Archive Org
velyne Rogue, Monographie sur CD de Joseph Nechvatal
Suzanne Anker on Joseph Nechvatal in reprotech catalogue
2003
Joe Lewis vOluptuary: an algorithmic hermaphornology March issue
Art in America
Christiane Paul on Joseph Nechvatal in Digital Art (Thames & Hudson)
2003, pp. 57-58
Rachel Greene on Joseph Nechvatal, March 26th Rhizome
David M. Roth Postfesh Artweek April 2003
Sarah Maline on Joseph Nechvatal in polyALTERITY UMF catalogue
Sharon Patricia Harper, Strategy in Context The Work and Practice
of New York's Downtown Artists in the Late 1970s and Early 1980s, p. 97
2002
Robert C. Morgan vOluptuary: an algorithic hermaphornology Tema
Celeste Magazine #93 (p. 94) Fall
Ken Johnson, Joseph Nechvatal Art Guide, New York Times, June 7
Barbara Weidle Computer paintings Artnet
Nanette Wylde Regarding a Digital Aesthetic: Speculation in
Context
Kevin Haas on Joseph Nechvatal at http://www.accumulated.org/sgc.html
Margot Lovejoy on Joseph Nechvatal in Postmodern Currents: Art
and Artists in the Age of Electronic Media Prentice Hall Press
Ellen Levy on Joseph Nechvatal in Responses Art Journal Spring
2001
2000
Robert C.
Morgan, Joseph Nechvatal at Universal Concepts Unlimited NY Arts Magazine,
December Issue, p.69
David Ebony, Joseph Nechvatal at Universal Concepts Unlimited
Artnet Magazine - http://www.artnet.com/Magazine/reviews/ebony/ebony(3)11-22-00.asp
Joy Garnett, Newsgrist's Top 3: Nechvatal, Held, Ritchie
Newsgrist, Volume 1, no. 51 (2000)
Robert C.
Morgan, Digital Hybrids pp. 75-76, in Art Press #255 (March)
1999
John Johnston, Machinic
Vision p.39, in Critical Inquiry, Vol. 26, No. 1
Richard Krueger,
Digital Hybrids Catalogue, p. 5,Youngstown
Paul D. Miller,
The Techno-Digita Sublime, Artbyte, Sept/Oct
1998
Craig Bromberg, The Double Life of a Ludlow Street Landlord, New
York Magazine (March 23rd)
1996
Wayne Enstice
& Melody Peters, Drawing: Space, Form, & Expression, New Jersy:
Prentice Hall, pp.312-313
Jay Murphy, Joseph
Nechvatal Galeries Magazine
staff, Bilder
Zwischen Kulturwert und Schaulust Kunstmarket Koln
staff, Joseph
Nechvatal: Computervirussen Aalst Press
Ronald Ehmke
& Elizabeth Licata (editors), (book) Consider the Alternatives: 20 Years of
Contemporary Art at Hallwalls, published by Hallwalls, Inc. Buffalo, NY, pp.
52, 53 & 62
1995
staff, Art
Enters The Digital Age Art News, Sept/Oct
staff, Joseph
Nechvatal's Virus Developement Cause Toujours #2, Mai
staff, Joseph
Nechvatal CD-Media, June
Ccile Ambert, Virus
Project Nov Art, June,
Annick Hmery,
Le Clone Du Trim, Joseph Nechvatal, Clone Mai,
staff. Joseph
Nechvatal Liberation (March 24)
Picard,
Gilles-Francois Les Mysteres de l'art Fractal La Gazette No II (17 Mars)
1994
staff, Computer
Virus Project Bomb (Winter)
staff, Joseph
Nechvatal Gazet Van Antwerpen
staff, Joseph
Nechvatal; Computerbilder Kunst Munich
Annik Hmery, Joseph Nechvatal sur les traces de Pasteur
Imaginet
1993
Morgan, Robert
C. Nechvatals Visionary Computer Virus In Gruson, L. ed. 1993. Joseph
Nechvatal: Computer Virus Project. Arc-et-Senans: Fondation Claude-Nicolas
Ledoux, pp. 8-15
staff. Digital
Diseases Details (November)
staff. Joseph
Nechvatal, l'art sur ordinateur Le Progress (August)
Conde, Susan La
Fractalite dans l'Art (June)
Morgan, Robert
C. Joseph Nechvatal: Lamentations of the Soul After the Deluge book)
Pagel, David Techno
Domination Los Angeles Times (September)
Gruson, L. A
Case of Contamination In Gruson, L. ed. 1993. Joseph Nechvatal: Computer Virus
Project. Arc-et-Senans: Fondation Claude-Nicolas Ledoux, pp. 6-7
1992
Andre, Michael Joseph
Nechvatal Cover (April)
Hagen, Charles A
Show of Five Artists Who Use the Look of Photo Reproduction The New York Times
(May 18)
Pocock, Philip Interview
with Joseph Nechvatal Journal of Contemporary Art (Fall)
1992
Frank, Peter Art
Pick of the Week LA Weekly (March 22-28)
Mennetrier, J.L.
Joseph Nechvatal nouveau ' locataire' de la residence d'artiste La Voit du
Jura (September)
Tonkinson,
Carole Footloose Elle Magazine (May)
1991
Crockett, Tobey I,
Robot James Rosenquist and Joseph Nechvatal Village View, L.A. (March 1)
1990
Amine, Patrick Joseph
Nechvatal, Galerie Antoine Candau Art Press
Borum, Jenifer
P. Joseph Nechvatal Artforum (October)
Cyphers, Peggy Joseph
Nechvatal Arts (September)
Engelhorn,
Patrizia Landspace of Points Prinz Magazine (November)
Groome, Carle
VP. Ex Statis by Joseph Nechvatal Ear (October)
Pallentin,
Christian Kunst Siam (December)
Steinlechner,
Carin Joseph Nechvatal Donnerstag (October)
1989
staff Joseph
Nechvatal Los Angeles Times (March 10)
Collins,Tricia
& Milazzo, Richard Hyperframes: A Post-Appropriation Discourse Vol 1
Ehinger, Asa Joseph
malar med dator Sydsvenskan, Lund
Frank, Peter Pick
of the Week LA Weekly (April 7-13)
French, David Joseph
Nechvatal Artscene (March)
Geer, Suvan Joseph
Nechvatal L. A. Times, (December 15)
Lovejoy, Margot Postmodern
Currents : Art and Artists in the Age of Electronic Media UMI Research
Kandel, Susan Joseph
Nechvatal Arts (Summer)
Marks, Ben A
Technology Under Control Artweek (March)
1988
Bromberg, Craig The
Collaborative Itch ArtNews (November)
McCormick, Carlo
Joseph Nechvatal Artforum (March)
Miller, John Joseph
Nechvatal Artscribe (Summer)
Morgan, Robert
C. Joseph Nechvatal Arts (March)
Anderson, Jack Review/Dance;
Of 1789 and Other Revolutions New York Times (December 6)
Sem-Sandberg,
Steve Vart Visuella Kaos (Our Visual Chaos) Svenska Dagladet (December 2)
Smith, Lawrence
R.- and Hagley, Doug An Interview with Joseph Nechvatal Caliban 5
Zellen, Jody Joseph
Nechvatal at Shoshana Wayne Art Issues (Summer)
1987
Hoog, Eckhard Im
Dschungel der Bilder Joseph Nechvatal im Aachener
Kunstverein
Aachener Volkszeitung (May 22)
Levi, Corrado Joseph
Nechvatal Cover (February)
Lottmann,
Joachim Documenta-Eindrcke von der Erffnung Wolkenkratzer Art Journal
(summer)
Malsch,
Friedemann Joseph Nechvatal Galerie Anna Friebe Kunstforum (January)
Siffrin-Peters,
Annette. Gewirr aus feinen Linien. Documenta-Teilnehmer
Joseph Nechvatal
vorab in Aachen zu sehen, Aachener Nachrichten (May 22)
Goodman,
Cynthia, Digital Visions: Computers and Art Harry N. Abrams, Inc., Everson
Museum of Art; First Edition (September 15, 1987) ISBN-10 _0810923610, pp. 98
& 99
1986
Collins, Tricia
and Milazzo, Richard New York, NY: Tropical Codes Kunstforum (March)
Rockwell, John, Where
Avant-Garde Meets Rock-and-Roll, Music Flourishes New York Times (July 27)
Palmer, Robert The
Names May Change, But the Beat Goes On New York Times (June 19th)
Collins, Tricia
and Milazzo, Richard Joseph Nechvatal: Grace Under Pressure Differentia
(Fall)
McCormick, Carlo
Joseph Nechvatal Unsound Magazine (Vol.3 No.1)
Larson, Kay The
Flash of Truth New York, NY Magazine (October 27)
Levin, Kim Artwalk
Village Voice (October 21)
Levin, Kim Joseph
Nechvatal The Village Voice (October 14)
Morlung, Ursula Pollock
als Vorbild: Joseph Nechvatal in der Galerie Anna Friebe Klner Stadt (October
24)
Raab, Jrgen Humanisierung
der Technik: Joseph Nechvatal bei Anna Friebe Klner Illustrierte (November)
Eros, Bradley,
Metabody, published by Hallwalls, Inc. Buffalo, NY, pp. 2 & 7
1985
Collins, Tricia
and Milazzo, Richard The New Sleep: Stasis and the Image-Bound Environment
Art Journal (Fall)
Crary, Jonathan Joseph
Nechvatal at Brooke AlexanderArt in America (January)
Moore, Alan and
Miler, Marc ABC No Rio Dinero: The Story of a Lower East Side Art Gallery published
by ABC No Rio with Collaborative Projects Inc. New York, NY (cover)
Pincus-Witten,
Robert The New Irascibles Arts (September)
Raynor, Vivian Joseph
Nechvatal The New York Times (October 18)
Carter, Michael
ed., Redtape No. 6: The Cracked Mirror
1984
Brooks, Rosetta Interview-Rhys
Chatham & Joseph Nechvatal ZG, (#12 Fall)
Cotter, Holland Joseph
Nechvatal Arts (November)
Deak, Edit The
Critic Sees through the Cabbage Patch Artforum, (April)
Fisher, Jean Joseph
Nechvatal Artforum, (January)
Glueck, Grace Joseph
Nechvatal The New York Times (September 21)
Jones, Ronald Joseph
Nechvatal Arts (December)
Kleyn, Robert The
Shadow Reflected ZG (#12 Fall)
Kleyn, Robert Protective
Mimicry Vanquard (March)
Kuspit, Donald Joseph
Nechvatal Artforum (December)
Masheck, Joseph
Smart Art, Published by Willis, Locker & Owens, New York, NY
Robinson, Walter
and McCormick, Carlo Slouching Toward Avenue D Art in America (Summer)
Iackson, Isaac Messages
Folio, (February) p. 14
Deak, Edit &
Smith, Duncan, Motives, Hallwalls, Inc. Buffalo, NY, pp. 4-8
1983
Fine, Kimberly Joseph
Nechvatal East Village Eye (October15)
Levin, Kim
Shock of the Old Village Voice (September 27)
Levin, Kim Joseph
Nechvatal / Not Vital / Robin Weglinski The Village Voice (May 17)
McCormick, Carlo
Joseph Nechvatal New York, NY Beat (December)
1982
Lawson, Thomas Joseph
Nechvatal (The Kitchen) Artforum (April)
Raynor, Vivian The
Automatic Salon The New York, The New York Times (June 18)
Russell, John Inaugural
Show-Jack Tilton Gallery The New York Times (October 7)
Public and Private Collections
Centre Pompidou, Paris, France
Museum of Modern
Art, New York, NY, USA
Los Angeles
County Museum of Art, Los Angeles, USA
The Brooklyn
Museum, New York, USA
Museum of
Contemporary Art, Los Angeles, USA
The Art
Institute of Chicago, Chicago, USA
Albright-Knox
Art Gallery, Buffalo, New York, USA
The National
Gallery of Art, Washington, DC, USA
National Gallery
of Canada Library & Archives Sonore Collection, Ottawa, Ontario, Canada
Jubitz Center
for Modern and Contemporary Art, Portland Art Museum, Portland, Oregon
artothek: Raum fr junge
Kunst, Kln, Germany
The Schyl
Foundation, Malmo Konsthall, Sweden
The Olsson Art
Collection, Stockholm, Sweden
The Jewish
Museum, New York, NY, USA
Moderna Museet,
Stockholm, Sweden
New Mexico
Museum of Art, Museum of New Mexico, Santee Fe, New Mexico, USA
Smithsonian
American Art Museum, Washington, DC, USA
Literary and
Creative Recordings permenent collection, The British Library, London, UK
Musee Leon
Dierx, La Reunion, France
Israel Museum,
Jerusalem, Israel
Columbia
University Collection, Avery Architectural & Fine Arts Library, New York,
USA
FRAC
Franche-Comt: Fonds Rgional d'Art Contemporain, Besanon, France
Museum of Art,
Rhode Island School of Design, Providence, Rhode Island, USA
Saline Royale,
Arc-et-Senans, France
Saint Louis Art
Museum, St. Louis, Missouri, USA
Musee des Beaux
Arts de Dole, Dole, France
Portland Museum
of Art, Portland, Maine, USA
Rose Goldsen
Archive of New Media Art at Cornell University, Ithaca, NY, USA
Pennsylvania
Academy of Fine Arts, Philadelphia, Pennsylvania, USA
Weatherspoon Art
Gallery, University of North Carolina, Greensboro, USA
The Municipal
Museum of Art, Gyr, Hungary
Robert Shiffler
Foundation, Greenville Ohio, USA
The Minneapolis
Institute of Arts, Minneapolis, USA
Malm Konsthall,
Sweden
University of
Michigan Museum of Art, Ann Arbor, Michigan, USA
University of
Alaska Museum of the North, Fairbanks, Alaska, USA
Honolulu Museum
of Art, Honolulu, Hawaii, USA
Sound Archive of
Experimental Music and Sound Art, Murcia, Spain
Cedar Rapids
Museum of Art, Cedar Rapids, Iowa, USA
Spencer Museum
of Art, The University of Kansas, Lawrence, Kansas, USA
Academy Art
Museum, Easton, Maryland, USA
Frederick R.
Weisman Art Museum, University of Minnesota, Minneapolis, Minnesota, USA
Columbia Museum
of Art, Columbia, South Carolina, USA
South Dakota Art
Museum, South Dakota State University, Brookings, South Dakota, USA (image
reproduced in The Dorothy and Herbert Vogel Collection: Fifty Works for Fifty
States, National Gallery of Art, 2008, p. 191)
Memphis Brooks
Museum of Art, Memphis, Tennessee, USA
Blanton Museum of
Art, University of Texas at Austin, Austin, Texas, USA
Nora Eccles
Harrison Museum of Art, Utah State University, Logan, Utah, USA
Robert Hull
Fleming Museum, University of Vermont, Burlington, Vermont, USA
Mississippi
Museum of Art, Jackson, Mississippi, USA
Werner and
Elaine Dannheisser Art Collection, New York, NY, USA
Yellowstone Art
Museum, Billings, Montana, USA
Marjorie Barrick
Museum, University of Nevada Las Vegas, Las Vegas, Nevada, USA
Hood Museum of
Art, Dartmouth College, Hanover, New Hampshire, USA
Plains Art
Museum, Fargo, North Dakota, USA
Akron Art
Museum, Akron, Ohio, USA
Oklahoma City
Museum of Art, Oklahoma City, Oklahoma, USA
University of
Wyoming Art Museum, Laramie, Wyoming, USA (image reproduced in The Dorothy and
Herbert Vogel Collection: Fifty Works for Fifty States, National Gallery of
Art, 2008, p. 227)
Lila and Gilbert
Silverman Collection, Detroit Institute of Arts, Detroit, Michigan, USA
Flaxman Library
Special Collections. School of the Art Institute of Chicago, Chicago, Illinois,
USA
Music & Arts
Library 701 Dodge Columbia University New York, NY, USA