337 WEST 14TH
STREET
NEW
YORK, NEW YORK 10014
Phone/fax 212‑989‑6353;
e‑mail: amanda church@timeinc.com
EDUCATION
Bennington
College, B.A. Painting and Drawing
New
York Studio School, New York City
SOLO EXHIBITIONS
2001 2000 1999 1997 |
Art Resources Transfer, Inc., NY Galerie du Tableau, Marseille, France Clifford Smith Gallery, Boston, Massachusetts Galerie du Tableau, Marseille, France |
SELECTED GROUP EXHIBITIONS
2002 2001 2000 1999 |
Reality Revisited, curated by Matthias
Groebel, galerie
In Situ, Aalst, Belgium, traveling to Martin
Kudlek Gallery, Cologne, Germany group show
(six artists, title tk), curated by Julia Sass, Susanne
Hojriis Gallery, Copenhagen, Denmark Buzz (three‑person exhibition), Clifford
Smith Gallery, Boston MA The Brewster Project, curated by Christopher
Ho, Brewster, NY Sex Abroad, curated by Naomi Urabe,
Five Years, London, UK Humanoid, Frederieke Taylor
Gallery, NY Fhuh...promiscuously subarticulate paintings, organized by David Humphrey, Fish Tank Gallery,
Brooklyn, NY Refrigerate After Opening, curated by Edward
Winkleman, Cynthia Broan Gallery, NY Ripe and Hazy, organized by Mark Keffer,
Goliath, Brooklyn, NY Humanoid, Diverse Works Art Space,
Houston, Texas Bad Touch, Lump Gallery, Raleigh,
North Carolina Hit and Run, curated by Edward
Winkleman, London, UK The Figure: Another Side of Modernism, curated by
Lilly Wei, Newhouse
Center for Contemporary Art, NY Paper Products, Clifford Smith Gallery,
Boston, MA Yard Sale, curated by Barbara
Pollack, Downtown Arts Festival, NY Multiple Sensations, Yerba Buena Arts Center,
San Francisco, CA Pierogi
Flat Files, Post Gallery, Los Angeles, CA, traveling
to Block Art Space, Kansas City, MO En Garde, curated by Edward
Winkleman, Burton Marinkovich Fine Art, Washington,
DC The MTV Canvas, an online exhibition
curated by Tate at Guild.com Assorted Flavors, Catherine Moore Fine Art,
NY Send in the Clowns, Lump Gallery, Raleigh,
North Carolina Out of Y2K, organized by Eung Ho
Park, IM N IL, Brooklyn, NY The Flat Files, Rosenwald‑Wolf
Gallery, University of the Arts, Philadelphia,
Pennsylvania NY2K, curated by Carlo
McCormick and Livestock, El Bohio, NY Art for Park, The Brooklyn Museum of
Art, Brooklyn, NY Galerie du Tableau, two‑person show (w/ Bradley Rubenstein), Marseille, France Brief Encounter, curated by Eduardo
Difarnecio (in collaboration with |
1998 1997 1996 1995 |
Leanne
Sacramone and Nicolas Profit) , Paris, France Go Figure!, Clifford Smith Gallery,
Boston, Massachusetts Nylon, group
show (works an paper), London, UK Size Matters, curated by Mike Weiss,
Gale Gates et al., NY Tuff ‘n’ Tender, Lump Gallery, Raleigh,
North Carolina A Room with a View, Sixth CC Prince, NY Trans, curated by Thomas Rieck,
Kunstlerhaus, Hamburg, Germany Phenotypology, curated by Maureen
McQuillan, Hallwalls, Buffalo, NY Humanoid, Vedanta Gallery, Chicago,
Illinois Clifford Smith
Gallery, group show, Boston, MA Ten from Brooklyn, Second Street Gallery,
Charlottesville, Virginia Pierogi Goes to College, Vassar
College, Poughkeepsie, NY, traveling to Bard College,
Rheinbeck, NY Pierogi 2000, NY: The Flatfiles, Kunstlerhaus,
Vienna, Austria The jewel Box
Project, curated by Patrick Callery, GALA Gallery, NY Pop Surrealism, The Aldrich Museum,
Ridgefield, Connecticut Project Wall,
Art Resources Transfer, Inc., NY Chick Diptych, Lump Gallery, Raleigh,
North Carolina Visual Pleasure, Fakiris Gallery,
Greenport, NY Brite Magic, Islip Art Museum, East Islip,
NY Jeffrey
Coploff Fine Art, two‑person show (w/ Gregory Montreuil), NY Pet Shop, Nicholas Davies Gallery,
NY Fold It into a Box and..., Space 2D, NY Affirm Identity, Kingsborough College
Gallery, NY Benefit Show,
Momenta Gallery, NY Art an Paper, Weatherspoon Art Gallery,
Greensboro, NC New York Drawers: The Pierogi 2000 Flatfiles, Gasworks, London,
traveling to Corner House, Manchester, UK Current Undercurrent, Brooklyn Museum of Art,
NY Fresh, Jeffrey Coploff Fine Art,
NY The Chamber Pot Show, The Lower East Side
Tenement Museum, NY Hodgepodge Lodge East, curated by
Mark Dean Veca, Hovel, NY Round Up, Livestock Gallery, NY Fascination, The Lobby Gallery at the
Deutsche Bank, NY Salon des Trees, organized by Austin
Ackles and Mary Jones, NY Waterline, Black and Herron Space,
NY Fresh and Tasty, curated by Elisabeth
Kley, OIA, NY Oooze, Black and Herron Space,
NY Wacko, The Work Space, NY Either/Or, organized by Kenny
Schachter, Flamingo East, NY Other Rooms, Ronald Feldman Gallery,
NY Art Sans Frontiere, curated by Claude Simard,
La Rouche, Canada Flip Side, two‑person show,
Marymount College Gallery, NY |
BIBLIOGRAPHY
McQuaid, Cate,
“Some Views of the Visual Frontier,” The
Boston Globe, September 20, 2001
Cotter, Holland,
“Cool,” The New York Times, July 27,
2001
Steinberg,
Michael, Up and Coming: An Inside Guide
to the Emerging Art Scene in New York, 2001
Horsey, Len,
“Hit and Run: Fast/ Fat/ Fun,” [a‑n]
magazine, May 2001
Pasquini, Stefano,
“Catatonic London (I Come Alive Outside the M25),” NY Arts, May 2001
Nesbett, Peter
T., “The Figure,” Performing Arts
Journal, Vol. 67, January 2001
Volk, Gregory,
“Humanoid,” catalogue essay for Diverse Works, January 2001
Wei, Lilly, “The
Figure: Another Side of Modernism’ (catalogue essay), January 2001
Viveros‑Faune,
Christian, “The Figure,” New York Press,October
25‑13, 2000
Kley, Elisabeth,
“The Figure, “ Art News, September
2000
Long, Charles
M., “Pop Surrealist Hits South End,” The
Beacon Hill/Back Bay Chronicle, December 21, 1999
Valentine, Mark,
“Rupturing Reality and Representation,” South
End News, December 9, 1999
McQuaid, Cate,
“Striking Portraits at Three Boston Venues,” The Boston Globe, July 22, 1999
Balthazar, Brian,
“Identifiable Forms,” Bay Windows, July,
29, 1999
Pleasants,
Craig, “Ten from Brooklyn,” Art Papers, July/August
1999
Huntington,
Richard, “Exploring the Sights Created in Science, “ Buffalo News, May 1999
Condon,
Elisabeth, Review, Art Papers, July/August
1998
Natale,
Michelle, “I Threw Up/Chick Diptych,” Spectator,
July 28, 1998
Scott, Sue,
“Affirm Identity” (catalogue essay), November 1997
Herron, Annie,
“Fresh Perspectives,” Review, March
1997
Grimm, Jay, “The Chamber Pot Show,” Critical Review,January 1997
Nahas,
Dominique, “Light and Color,” Review, November
1996
GRANTS
Artists Grants/
Artist Space 1993
Related
professional activities: Contributing writer, Flash Art, artnet magazine
*Work can be viewed an the Web at www.fastfatfun.com