Phone/fax 212‑989‑6353; e‑mail: amanda church@timeinc.com





Bennington College, B.A. Painting and Drawing

New York Studio School, New York City








Art Resources Transfer, Inc., NY

Galerie du Tableau, Marseille, France

Clifford Smith Gallery, Boston, Massachusetts

Galerie du Tableau, Marseille, France









































Reality Revisited, curated by Matthias Groebel,

galerie In Situ, Aalst, Belgium, traveling to

Martin Kudlek Gallery, Cologne, Germany

group show (six artists, title tk), curated by Julia Sass,

Susanne Hojriis Gallery, Copenhagen, Denmark

Buzz (three‑person exhibition), Clifford Smith Gallery, Boston MA

The Brewster Project, curated by Christopher Ho, Brewster, NY

Sex Abroad, curated by Naomi Urabe, Five Years, London, UK

Humanoid, Frederieke Taylor Gallery, NY

Fhuh...promiscuously subarticulate paintings, organized by

           David Humphrey, Fish Tank Gallery, Brooklyn, NY

Refrigerate After Opening, curated by Edward Winkleman,

            Cynthia Broan Gallery, NY

Ripe and Hazy, organized by Mark Keffer, Goliath, Brooklyn, NY

Humanoid, Diverse Works Art Space, Houston, Texas

Bad Touch, Lump Gallery, Raleigh, North Carolina

Hit and Run, curated by Edward Winkleman, London, UK


The Figure: Another Side of Modernism, curated by Lilly Wei,

Newhouse Center for Contemporary Art, NY

Paper Products, Clifford Smith Gallery, Boston, MA

Yard Sale, curated by Barbara Pollack, Downtown Arts Festival, NY

Multiple Sensations, Yerba Buena Arts Center, San Francisco, CA

Pierogi Flat Files, Post Gallery, Los Angeles, CA,

traveling to Block Art Space, Kansas City, MO

En Garde, curated by Edward Winkleman, Burton Marinkovich Fine Art,

Washington, DC

The MTV Canvas, an online exhibition curated by Tate at Guild.com

Assorted Flavors, Catherine Moore Fine Art, NY

Send in the Clowns, Lump Gallery, Raleigh, North Carolina

Out of Y2K, organized by Eung Ho Park, IM N IL, Brooklyn, NY

The Flat Files, Rosenwald‑Wolf Gallery, University of the Arts,

Philadelphia, Pennsylvania

NY2K, curated by Carlo McCormick and Livestock, El Bohio, NY

Art for Park, The Brooklyn Museum of Art, Brooklyn, NY

Galerie du Tableau, two‑person show (w/ Bradley Rubenstein),

Marseille, France

Brief Encounter, curated by Eduardo Difarnecio (in collaboration with












































Leanne Sacramone and Nicolas Profit) , Paris, France

Go Figure!, Clifford Smith Gallery, Boston, Massachusetts

Nylon, group show (works an paper), London, UK

Size Matters, curated by Mike Weiss, Gale Gates et al., NY

Tuff ‘n’ Tender, Lump Gallery, Raleigh, North Carolina

A Room with a View, Sixth CC Prince, NY

Trans, curated by Thomas Rieck, Kunstlerhaus, Hamburg, Germany

Phenotypology, curated by Maureen McQuillan, Hallwalls, Buffalo, NY

Humanoid, Vedanta Gallery, Chicago, Illinois

Clifford Smith Gallery, group show, Boston, MA

Ten from Brooklyn, Second Street Gallery, Charlottesville, Virginia

Pierogi Goes to College, Vassar College, Poughkeepsie, NY,

               traveling to Bard College, Rheinbeck, NY

Pierogi 2000, NY: The Flatfiles, Kunstlerhaus, Vienna, Austria

The jewel Box Project, curated by Patrick Callery, GALA Gallery, NY

Pop Surrealism, The Aldrich Museum, Ridgefield, Connecticut

Project Wall, Art Resources Transfer, Inc., NY

Chick Diptych, Lump Gallery, Raleigh, North Carolina

Visual Pleasure, Fakiris Gallery, Greenport, NY

Brite Magic, Islip Art Museum, East Islip, NY

Jeffrey Coploff Fine Art, two‑person show (w/ Gregory Montreuil), NY

Pet Shop, Nicholas Davies Gallery, NY

Fold It into a Box and..., Space 2D, NY


Affirm Identity, Kingsborough College Gallery, NY

Benefit Show, Momenta Gallery, NY

Art an Paper, Weatherspoon Art Gallery, Greensboro, NC

New York Drawers: The Pierogi 2000 Flatfiles, Gasworks,

London, traveling to Corner House, Manchester, UK

Current Undercurrent, Brooklyn Museum of Art, NY

Fresh, Jeffrey Coploff Fine Art, NY

The Chamber Pot Show, The Lower East Side Tenement Museum, NY

Hodgepodge Lodge East, curated by Mark Dean Veca, Hovel, NY

Round Up, Livestock Gallery, NY

Fascination, The Lobby Gallery at the Deutsche Bank, NY

Salon des Trees, organized by Austin Ackles and Mary Jones, NY

Waterline, Black and Herron Space, NY

Fresh and Tasty, curated by Elisabeth Kley, OIA, NY

Oooze, Black and Herron Space, NY

Wacko, The Work Space, NY

Either/Or, organized by Kenny Schachter, Flamingo East, NY

Other Rooms, Ronald Feldman Gallery, NY

Art Sans Frontiere, curated by Claude Simard, La Rouche, Canada

Flip Side, two‑person show, Marymount College Gallery, NY






McQuaid, Cate, “Some Views of the Visual Frontier,” The Boston Globe, September 20, 2001

Cotter, Holland, “Cool,” The New York Times, July 27, 2001

Steinberg, Michael, Up and Coming: An Inside Guide to the Emerging Art Scene in New York, 2001

Horsey, Len, “Hit and Run: Fast/ Fat/ Fun,” [a‑n] magazine, May 2001

Pasquini, Stefano, “Catatonic London (I Come Alive Outside the M25),” NY Arts, May 2001

Nesbett, Peter T., “The Figure,” Performing Arts Journal, Vol. 67, January 2001

Volk, Gregory, “Humanoid,” catalogue essay for Diverse Works, January 2001

Wei, Lilly, “The Figure: Another Side of Modernism’ (catalogue essay), January 2001

Viveros‑Faune, Christian, “The Figure,” New York Press,October 25‑13, 2000

Kley, Elisabeth, “The Figure, “ Art News, September 2000

Long, Charles M., “Pop Surrealist Hits South End,” The Beacon Hill/Back Bay Chronicle, December 21, 1999

Valentine, Mark, “Rupturing Reality and Representation,” South End News, December 9, 1999

McQuaid, Cate, “Striking Portraits at Three Boston Venues,” The Boston Globe, July 22, 1999

Balthazar, Brian, “Identifiable Forms,” Bay Windows, July, 29, 1999

Pleasants, Craig, “Ten from Brooklyn,” Art Papers, July/August 1999

Huntington, Richard, “Exploring the Sights Created in Science, “ Buffalo News, May 1999

Condon, Elisabeth, Review, Art Papers, July/August 1998

Natale, Michelle, “I Threw Up/Chick Diptych,” Spectator, July 28, 1998

Scott, Sue, “Affirm Identity” (catalogue essay), November 1997

Herron, Annie, “Fresh Perspectives,” Review, March 1997

Grimm, Jay, “The Chamber Pot Show,” Critical Review,January 1997

Nahas, Dominique, “Light and Color,” Review, November 1996



Artists Grants/ Artist Space 1993

Related professional activities: Contributing writer, Flash Art, artnet magazine


*Work can be viewed an the Web at  www.fastfatfun.com