XS
ÒWho You Staring At?Ó Visual
Culture of the No Wave Scene in the 1970s and 1980s exhibition ~ February 1 to June 19, 2023
Centre Pompidou Paris on Level 4
A video documenting the Centre Pompidou, Paris March 8th
event XS: The Opera Opus: An Operatic Transvaluation
of No Wave Aesthetics by Joseph Nechvatal and Rhys
Chatham has been published online at the Centre Pompidou website
Centre Pompidou, Paris March 8th event XS:
The Opera Opus: An Operatic Transvaluation of No Wave
Aesthetics by Joseph Nechvatal and Rhys Chatham
This discussion and screening was conducted in
connection with the ÒWho You Staring At?Ó Visual Culture of the No Wave
Scene in the 1970s and 1980s exhibition in the Pompidou Museum on Level 4. I
have blogged photos from the show HERE to give you an idea of it. A 10 minute XS exemplification of XS the Opera musical
slideshow is the central highlight.
Works screened during the March 8th
session:
-Karole Armitage, Rhys
Chatham, Vertige, 1979, 2 min 23 s (excerpt).
-Karole Armitage, Rhys
Chatham, Drastic-Classicism, 1981, 1 min 40 s (excerpt)
-Rhys Chatham, Drastic Classical Music for
Electric Instruments, 1981, 1 min (excerpt)
-Joseph Nechvatal,
When Things Get Rough on Easy Street, 1982, 2 min 34 s. Ë partir
d'un extrait de Guitar Trio (1977) composed by Rhys
Chatham (drums : David Linton, guitars : Nina Canal,
Rhys Chatham and Joe Dizney, mix : Peter Gordon)
-Joseph Nechvatal, ExStasis Ovid, 1983, 2 min 29 s. The soundtrack is from an
excerpt from Babbling Tongues of Metamorphoses (1986), which Joseph Nechvatal composed from a recording of the reading of
Ovid's Metamorphoses by American actress/singer Jane Smith
-Rhys Chatham, Joseph Nechvatal,
XS exemplification of XS the Opera 2022, 10 min sound
slide-show
-Joseph Nechvatal,
Viral Venture, 2009, 6 min 19 s (excerpt). Animation with Rhys Chatham (music)
and StŽphane Sikora
(application development)
This event, moderated by curator Nicolas Ballet,
discussed the eight part No Wave art music performance series, XS: The Opera
Opus, created by Nechvatal and Chatham between
1984 and 1986 and explored the various sources of creation that led to the
development of this multi-disciplinary No Wave scene. Its sets were
consistently created by Nechvatal by projecting 35 mm
cross-faded slides of his drawings onto the stage. Its final and most complete
90-minute realization were three nights of performance called XS: The
Opera Opus that took place April 10, 11, 12 in 1986 at The Boston
Shakespeare Theater. It consisted of three soprano singers, four trumpets, six
electric guitars. bass, drums with dance choreography by Yves Musard. Nechvatal made the XS
costumes from fabric printed with his drawings at The Fabric Workshop in
Philadelphia.
ÒThe figure-ground relationships of the costumed
figures and background sets of XS are complex in their visual cacophony
but subtly unified. Thus complementing the musical compositional style of Mr.
Chatham. Like the sound of his multiple electric guitar compositions, the look
of XS can remain interestingly hypnotic over an extended period of time
by not overly dictating visual specificities. As such, XS explores the
visualization approach to art in opposition to the dominant reductive mode. [É]
The look of XS breaks down the given popular signs of the time in order
to liquidate their meanings so as to address the spiritual conditions of
contemporary life, the excessiveness of contemporary electronics, nuclear
weapon overload, and the proliferation of ideological information. But XS
is not fundamentally literary. It is primarily about conceptual linkage; as a
seamless flow of intuitive imagery dreams of a technological and ideological
reality that blends over-ripeness with minimal concision. In XS, Mr.
ChathamÕs music is the primary dramatic element and the scenery the text.
Performed dramatic action is subordinated to internal rumination because XS turns
culture inward; away from the bourgeois world and its standards to a more
personnel, private and extra-ordinary world. That is why XS depicts no
human confrontation, no satire, no attack. The normal world is merely dissolved
into a beatific vision of ecstatic peace through the melting together of
figure-ground oppositions.Ó
~from NechvatalÕs XS:
The Opera Opus original program notes
If this gets you in the No Wave mood ~ the 1
hour February 9th dublab
No Wave music radio show I curated in support of the Pompidou show has been
archived HERE. I also choose music for, and am interviewed
on, the radio show Krachwald #26: No Wave Time
Warp now online HERE.
Peace The New Sleep (1985-6) and 4 drawings
hung at the Centre Pompidou (installation view) by Joseph Nechvatal
Centre Pompidou, Paris March 8th event XS:
The Opera Opus: An Operatic Transvaluation of No Wave
Aesthetics by Joseph Nechvatal and Rhys Chatham
Erotic Psyche (Bradley Eros & Aline Mare) XS studio study (1983) by Joseph Nechvatal
XS: The
Opera Poster
for the Pyramid Club (1985)
XS: The
Opera
at Shakespeare Theatre in Boston (1986) photo by Paula Court
Joseph Nechvatal speaking at
the Centre Pompidou, Paris March 8th event XS: The Opera Opus: An
Operatic Transvaluation of No Wave Aesthetics by
Joseph Nechvatal and Rhys Chatham
Joseph Nechvatal speaking at
the Centre Pompidou, Paris March 8th event XS: The Opera Opus: An
Operatic Transvaluation of No Wave Aesthetics by
Joseph Nechvatal and Rhys Chatham
Joseph Nechvatal speaking at
the Centre Pompidou, Paris March 8th event XS: The Opera Opus: An
Operatic Transvaluation of No Wave Aesthetics by
Joseph Nechvatal and Rhys Chatham